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HORROR

IT’S TIME FOR KRUEGER TO RETURN TO ELM STREET

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So I’m sitting at work today, eating lunch, flipping through channels trying to find something to watch. I must have passed through a 100 boring options. Then, I come across ‘Nightmare on Elm Street: Dream Warriors.’ YES PLEASE! So I really only stopped because I can barely remember what happened in the movie, but I remember loving it as a kid. After looking up the release date while writing this, I see that I was only 6 when this movie came out and the majority of you reading this weren’t even close to being born. But this article isn’t about “Elm Street Dream Warriors.” It’s about bringing back one of the most famous horror icons of all time. And bringing him back the right way!

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One thing about Krueger, he didn’t f’around… Okay, well actually he did. In fact that’s all he did.  Freddy Krueger is a serial killer of children, who was burned to death by the people who lived in his town, that found out about his sick nature. He returned after death to wreak havoc on the children of his killers in their dreams. Krueger’s demonic powers stem from the fear of his child victims.

Nightmare on Elm Street that stared Robert Englund was the first of it’s kind. My reasoning behind this statement is that, It was one of the first films that blended horror and comedy. Remember, I was 6 when “Dream Warriors” came out which was the 3rd installment and I was excited to see it.

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‘Nightmare on Elm Street was the perfect blend of Horror and comedy. It actually pushed the boundaries of imagination and what could be possible for the horror film genre. Just imagine one of the scariest movie villains of all-time, yet you almost wanted to root for him. We always knew Freddy had to lose but we loved to see him win the small victories.

“Nightmare on Elm Street” tried to reboot back in 2010 starring Jackie Earle and was met with some harsh criticism. It’s tough to reboot classics, especially horror.

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But I’m saying it’s time for another chance. The great Robert Englund has expressed that he won’t be returning for any future Krueger franchises and also his disinterest in the rebooted material.

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But in an era of Reboots, remakes and rehashes, how can we let this one go? Heck, we’ve had two different “Spider-Men” in 4yrs.

“Nightmare on Elm Street could easily transcend time and be one of those movie franchises that pulls itself into modern cinema. Today’s audience is okay with rated R movies, aka ‘DEADPOOL!’

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Blood, gore and violence means nothing to us in the modern age. Now throw in comedy! You basically have Deadpool, but he is trying to kill everyone in their dreams and everyone is trying to kill him.

Tell me, who should direct and who should star as Krueger in a new ‘Nightmare on Elm Street’ Film?

HORROR

Haunt: Has All The Pedigree To Be Something Special

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Genre : Horror
Rating : Unrated
Director: Scott Beck and Bryan Woods
Cast:
Katie Stevens
Will Brittain
Damian Maffei

 

 

 

For a lot of people Halloween is their favorite time of the year. A time to celebrate the macabre and let loose one night a year. Not for Harper though. After dumping her abusive boyfriend Sam, she is convinced to go out by her roommate Bailey. Meeting up with her friends Angela and Mallory for a girl’s night they are introduced Evan and Nathan. Bored with the Halloween bar scene they find a mysterious extreme haunted house in the middle of nowhere.

Forced to sign liability waivers they enter what seems like an ordinary haunted house. What starts out as a tame night attraction soon turns deadlier the deeper, they go. Confronted by their deepest fears they have to find a way to escape before nights end.

Written and directed by Scott Beck and Bryan Woods, the writers of A Quiet Place, go a very different route from their first big screen blockbuster. Executive produced by Eli Roth (director of Cabin Fever and Hostel), Haunt takes a much more familiar path. Unlike their critically acclaimed breakout Beck and Woods tend to follow a more tried-and-true formula when constructing their own haunted house. Whether it’s the supposedly comedic (more grating than not) best friend or our frightened love interest dropping the key after a jump scare seemingly no cliché is safe. It’s particularly bad when movies such as Hell House LLC and the first Houses October Built pulled them off better.

You can see the duo’s creativity much more in the Haunt’s killers. Covered head to toe their masks hide a much more jarring reality. With their bodies heavily modified their faces taking on the horrifying properties of whatever mask they were wearing. Just as terrifying is how brutal they come off. Taking a page from the torture porn of the 2000’s they come off as the most brutal movie slashers in quite some time. Mixing Saw-esque traps and rusty tools Beck and Woods gives our antagonists the kind of gritty edge not typically seen in modern slasher movies.

 

 

Just as uncommon is our lead Harper. Portrayed by Katie Stevens (star of The Bold Type) she is seemingly the only character given any dimension. Struggling with a history of abuse Harper is forced to deal with her tragic childhood the deeper into the haunt she goes. As shocking as it is to see in a B-movie it’s handled surprisingly well. Treated with the seriousness such a sensitive subject deserves I never felt like it became exploited or treated disrespectfully. I just wish it played more into the movie overall.

Haunt has all the pedigree to be something special. With the writers of one of the most unique horror movies of 2018 at the helm we could have seen a whole new take on the extreme haunted house subgenre. Unfortunately, that’s not what we get. Although we do see some of that innovation in our realistic lead and some truly terrifying villains Haunt quickly devolves into a more traditional slasher. But one-dimensional characters and typical thrills keep Haunt from becoming the next Halloween classic.

Rating 5/10
Links : IMDB

Haunt is Theaters, On Demand and Digital now.

 

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HORROR

Rock, Paper, Scissors: A Ridiculous, Clichéd Story

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I just wanna look and fiddle a little bit.
Fiddle and touch.

Every year there’s such a film of which you say “Man, this is probably the worst film I’ve seen this year!“. For me, it’s the movie “Rock, Paper, Scissors” that takes all the glory. With Tom Holland as director (who nevertheless brought some great films such as “Fright Night” and “Child’s Play“) and screenwriter Victor “Friday the 13th” Miller on board, you expect a horror of a considerable level. Take some good advice from me. Don’t start watching it with too high expectations, because you’ll be disappointed. Not only is the story fairly unoriginal. The acting generally sucks. And it’s never really exciting or scary. Even the slasher elements are extremely boring.

 

Rock, Paper, Scissors

 

A wimp of a serial killer.

But the most important thing is the part of the serial killer. Think of Hannibal Lecter in “The Silence of the Lambs” or Patrick Bateman in “American Psycho“. These guys were real serial killers who made an impression. From the beginning, you had that feeling that these crazy persons were sadistic, morbid individuals. Peter “The Doll Maker” Harris (Luke Macfarlane) shows bouts of madness and pure evilness. But in general, he just looks like a pathetic person who reminded me more of “Pee-Wee Herman”. It was only during the scarce moments while he relived his traumatic childhood, which he spent with Uncle Charles (John Dugan), that Macfarlane acted convincingly. The fear and torment that took hold of him while remembering the abuse, was shown in a masterful way. But for the rest, it was just a sad performance.

 

Rock, Paper, Scissors

 

Some more annoying characters.

The most annoying characters, however, were reserved for Michael Madsen and Jennifer Titus. What’s an actor like Madsen doing in this pulp film anyway? It was a mystery to me. Seeing him at work in Tarantino’s films “The Hateful Eight“, “Reservoir Dogs” and “Kill Bill“, assumes that this actor will get better offers. With a face that has character and that raw voice. As Detective Dechert he seemed to play on autopilot. The character Ashley, played by Jennifer Titus, is even less credible. Her motive is understandable but the way she approaches it is so amateurish and clumsy. Anyway, when I saw her awkward and stiff Karate movements at the denouement, I wondered how the hell she got that black belt. Sadly enough, the rest of the cast was also of a low level.

 

Rock, Paper, Scissors

 

You’re nuts to free that nut?

But the most annoying thing was the predictable story. First, the release of Peter Harris. Who the hell releases a serial killer after a few years? An insane person who killed 13 teenage girls and blames an imaginary twin brother. So, after a few years of shock therapy and meaningful conversations with psychologist Dr. Bauer (Tatum O’Neal), the latter comes to the conclusion that Peter is freed from his inner demons and is ready to function as a normal person in society. Someone like Dr. Bauer would be taken away in a straitjacket immediately nowadays. A few hours in the parental home and a glance at the cheery buttocks of a cheerleader (who, in all innocence, bends over, in such a way that he could admire her minuscule panty with fringes) is enough for our cured and reformed maniac to run back into his basement to restart his ceased activities. Complete nuts.

 

Rock, Paper, Scissors

 

Plain dreadful.

All in all, a dreadful movie. Annoying acting. A ridiculous, clichéd story. And even the gory and bloody parts made no impression. You have to be a huge fan of Tom Holland to see this as a successful horror. I hope there won’t be a sequel somewhere in the near future. Because I’m certain it’ll be more of the same. Perhaps Tic-Tac-Toe will be used as the morbid game. May the God of feature films spare me!

 

My rating 2/10
Links: IMDB

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Featured

Doctor Sleep | Final Trailer Returns To Overlook Hotel – HD

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Genre:

Horror

Release Date:

 November 8, 2019

Director:

 Mike Flanagan

Cast:

Ewan McGregor, Rebecca Ferguson, Carel Struycken, Emily Alyn Lind, Alexandra Essoe

Plot Summary:

Struggling with alcoholism, Danny Torrance remains traumatized by the sinister events that occurred at the Overlook Hotel when he was a child. He soon finds a new purpose when he forms a psychic connection with a girl who shares his shining ability.

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