Director M. Night Shyamalan is fully aware that fans have been clamoring to witness the sequel to his 2000 film ‘Unbreakable,’ starring Bruce Willis and Samuel L. Jackson. The director recently released ‘Split’ in 2016 which was later revealed to be a sequel of sorts to his cult classic film. Shyamalan has now released plans to continue this story into a trilogy, brining everything full circle culminating to the anticipated 2019 film ‘Glass’ which will bring all the stars/characters of the previous films into one film and one universe. Shyamalan recent took to social media to give fans the surprise of a lifetime:
Universal Pictures will release #Glass on January 18, 2019 all over the world. How’s that for not keeping a secret!
— M. Night Shyamalan (@MNightShyamalan) April 26, 2017
Shyamalan has since taken to social media again, to give fans an update on the announced film being released by Universal:
Finished the 2nd draft of #Glass on Friday. Took 5 weeks. Started the 3rd pass today… gave myself a 3 week deadline for this pass.
— M. Night Shyamalan (@MNightShyamalan) May 28, 2017
M. Night Shyamalan went on further to provide a glimpse into the direction the film will take. Stating that he wants the story to be its own with its own purpose and not just be a final ‘Unbreakable’ film:
“All I can say is this: If Unbreakable was about a guy who is the only person who survives a train wreck, everyone dies and he doesn’t have a scratch on him. How is that possible? That’s a high concept, really cool story. And then this one is three girls get abducted by a person that has this disorder that he believes he’s many people, and all of the different personalities are saying there’s another personality coming to get them, it’s called The Beast. That in and of itself is a really cool thing. This third movie needs to have its own idea. The high concept of that final movie can’t be, ‘It’s the finalUnbreakable.’ There has to be something about that that makes it its own movie… That’s when I’ll be happiest, is when it’s its own movie. In a way it could be watched by itself.”
‘Glass’ hits theaters January 18, 2019
Starring: Bruce Willis, Samuel L. Jackson, James McAvoy, Anya Taylor-Joy
Marvel / Disney + Release – WandaVision | Official Trailer 2
TV-Series Spinoff from the Marvel Cinematic Universe. Containing the characters Scarlet Witch/Wanda Maximoff and The Vision. Plot is unknown at the time.
Action, Adventure, Drama
Marvel | Disney
Paul Bettany, Elizabeth Olsen, Kat Dennings, Kathryn Hahn, Randall Park, Teyonah Parris, Shane Berengue
Final Fantasy XVI | Official Reveal Trailer – HD | PS5
Check out the debut trailer for FF16 (Final Fantasy XVI), revealed during the PS5 showcase in September 2020.
“The legacy of the crystals has shaped our history for long enough,”
The Silencing | Great Cinematography From A Low Budget Film
I need to see that girl.
She could be my daughter.
It’s always nice to see how actors from a successful television series cope in a feature film. And especially if the genre is quite different from what they played in that series. Here Nikolaj Coster-Waldau makes a decent attempt to show that he has more to offer than playing a king’s son who prefers to perform gymnastic exercises with his sister between the sheets. His performance here is on a similar level to that of Jaime Lannister in “Game of Thrones”. Convincing enough, but not exactly of exceptional quality. A role that doesn’t annoy you. But every time you see his face somewhere, you have to think for a moment where you know that face from. This is also the case here in “The Silencing”. I was like, “Damn, where do I know this guy from?”. Only after fifteen minutes or so, I could figure it out.
Where there’s grief, there’s booze.
“The Silencing” itself is of the same level. Certainly not a bad movie. But also not a movie that’ll blow you away. The story felt a bit incomplete to me. There were some improbabilities (not to say completely nonsensical decisions). And the denouement with the disclosure of the perpetrator and his motivation, I personally found a bit far-fetched. The film had something “Silence of the Lambs“-ish but then set in an extensive, forest-like nature reserve. An area managed by Rayborn Swanson (Nikolaj Coster-Waldau) that has been given the name “Gwen Swanson sanctuary”. A reference to his daughter who has been missing for 5 years. It’s a place where animals can live undisturbed and protected, far from hunters and poachers. Rayborn lives an isolated life far from the civilized world. A way to silently grief about the loss of his daughter. Usually by consuming liters of alcohol. A bit strange because that’s exactly what caused that disappearance.
There’s a serial killer on the loose.
The story gets a little bit more exciting the moment a serial killer comes into the picture. Someone who probably watched “The Hunt” too much. What follows, is a cat-and-mouse game with the participation of the local female sheriff Alice Gustafson (Annabelle Wallis, series-loving fans will recognize her from “Peaky Blinders”) who herself has her hands full with the stupidities her little brother Brooks (Hero Fiennes Tiffin), a drug addict with a traumatic past.
Without a doubt, this could have been a much better, coherent movie, provided the script was changed a bit. It’s linked together with hooks and eyes. Full of coincidences and ridiculous twists. Decisions are made that are too ridiculous for words. Alice’s surprising action at one point is understandable on the one hand. But on the other hand completely unreal. And the indifference that those involved show afterward as if nothing had ever happened, made me frown for a moment. Rayborn’s paint pot trick seemed so absurd and stupid that I spontaneously burst out laughing. Not exactly applicable to a serious thriller about a serial killer.
“The Silencing” isn’t so great. A mediocre piece of movie. Actually, you could say that you’ve seen it all before in other movies. And much better movies too. Cinematographically it looks professional (despite the low budget) and the general mood is also good. But, when you love watching exciting flicks with nerve-racking suspense, you’ll be disappointed. The only thing I can’t say anything wrong about is Nikolaj Coster-Waldau’s acting. Solid and constant. Just like in “Game of Thrones“. Again a pitiful persona. But I’m sure I won’t recognize him in his next feature. Once again.