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HORROR

Darren Lynn Bousman’s ‘St. Agatha’ Picked Up By Octane Ent.

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When it comes to the horror genre acclaim can be fickle for directors. Even though names like John Carpenter and George A. Romero have made names for themselves as masters of horror there are plenty more that work tirelessly without such accolades. A perfect example of this is Darren Lynn Bousman. Making a name for himself directing Saw II, III and IV he has gone on to become one of the most unique voices in horror today. More than just blood and guts he has been behind everything from dark musicals like Repo! A Genetic Opera and The Devil’s Carnival to more traditional fare such as Mother’s Day and Tales of Halloween. As 2017 comes to a close it looks like he will continue to push his own boundaries with his next film, St. Agatha.

Currently in post-production St. Agatha takes place in 1950’s Georgia con woman Agatha learns that she is pregnant. Forced into hiding she thinks she is safe when she joins an isolated convent. But the longer she lives there the quicker she learns the dark secrets boiling under the surface of this house of God. Recently acquired by Octane Entertainment at AFM 2017 this female-driver terror looks to be one of the most interesting horror films of 2018.

 

FROM THE PRESS RELEASE:

 

LOS ANGELES (Nov. 1, 2017) – Octane Entertainment acquires worldwide sales rights to the highly anticipated, female-driven psychological horror film ST. AGATHA.  Shot in Madison, Ga. and currently in post-production, the film was written by Andy Demetrio (Star Trek: Into Darkness), Shaun Fletcher (The Road Trip), Sara Sometti Michaels (The Photographer) and Clint Sears (Tales of Halloween). Under the helm of prolific horror director Darren Lynn Bousman, the director behind three installments of the Saw franchise, ST. AGATHA stars Sabrina Kern (The Tension Experience), Carolyn Hennesy (HBO’s “True Blood”), Courtney Halverson (Unfriended) Trin Miller (Captain Fantastic) and Seth Michaels (Pelé: Birth of a Legend).

Octane Entertainment President Jack Campbell made the announcement today.

“We’re very excited to introduce Darren’s latest masterpiece to buyers at the American Film Market this week,” said Campbell.  “This is exactly the type of project our clients have been looking for – a female-driven, elevated genre film with pedigree that is well-crafted throughout. We’ve seen huge successes in this arena lately, most recently with Hulu’s “The Handmaid’s Tale.”  From the writing to the acting to the directing and execution – ST. AGATHA is a cut above anything that I’ve seen in a long time.”

“I have always been attracted to the dark, sinister, and macabre,” said Bousman.  “But, as I find myself getting older and now being a dad, blood and guts no longer amuse me.  I need something more.  I look for content, character and themes.  ST. AGATHA spoke to me as it takes a look at the unflinching horrors that befell women in the 1950’s and how that parallels to the not so different horrors that are befalling them today.  It was amazing to work with such a strong female cast, and I look forward to pulling back the curtain and letting others glimpse into our sinister world.”

AGATHA is set in the 1950s in small town Georgia, where a pregnant con woman named Agatha is on the run and seeks refuge in a convent hidden in deafening isolation. What first starts out as the perfect place to have a child turns into a dark layer where silence is forced, ghastly secrets are masked, and every bit of will power Agatha has is tested. She soon learns the sick and twisted truth of the convent and the odd people that lurk inside its halls. Agatha must now find a way to discover the unyielding strength needed to escape and save her baby before she’s caged behind these walls forever.

 AGATHA was produced by Sara Sometti Michaels, Srdjan Stakic (The Operative) and Tara Ansley (Tragedy Girls) and was executive produced by Kevin Traier, Rick Le and Seth Michaels.

 

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Action

The New Mutants | First Two Minutes Clip -HD

Five young mutants, just discovering their abilities while held in a secret facility against their will, fight to escape their past sins and save themselves.

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Genre:

Action, Horror, Sci-fi

Release Date:

April 3, 2020

Director:

Josh Boone

Cast:

Anya Taylor- Joy, Maisie Williams, Antonio Banderas, Alice Braga, Charlie Heaton, ably Hunt, Happy Anderson, Henry Zaga, Sarah Bennani

Plot Summary:

Five young mutants, just discovering their abilities while held in a secret facility against their will, fight to escape their past sins and save themselves.

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Comedy

Come to Daddy: A Quirky, Somewhat Strange Thriller With Very Aggressive Scenes

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I once accidentally kicked a guy’s ear off.
I didn’t mean to, but the fucker flew off.
I could see right into his skull.

Elijah Wood always makes for pleasant surprises. In terms of his choice of films, you cannot say that he plays it safe. His choices are always fairly quirky. I kind of compare him to Daniel Radcliffe. Another actor who doesn’t thrive on the worldwide success he achieved by playing one well-known character for most of his life. So too Elijah Wood who will be associated with Frodo forever and ever. Apparently they also have a common interest, namely that of deceased persons. Where Radcliffe played the role of a corpse in “Swiss Army Man“, Wood is stuck in this film with an embalmed corpse. Anyway, “Come to Daddy” is a macabre, dark, and slightly humorous film.

 

Come to Daddy

 

Trendy, fashionable DJ meets foul-mouthed dad.

When I looked at the movie poster, I immediately thought of “Happy birthday to Me”. Not that “Come to Daddy” looks like a purebred slasher. But the fork Norval Greenwood (Elijah Wood) is holding on the cover, will be used in an ingenious, yet painful way. Norval is an eccentric, trendy DJ with Elton John in his circle of acquaintances. Stylish, contemporary dressed with artistically and strategically placed tattoos. A trimmed Freddie Mercury mustache. And a hairstyle as if it was styled using a soup tureen. Everything indicates that Norval is used to a high-society life and that the journey through the forest with a thumping wheeled suitcase behind him doesn’t really belong in that life. When he finally arrives at the beach house (which, according to Norval, resembles that of a flying saucer from the 1960s) and meets his father Brian, whom he hasn’t seen for years, it turns out that the latter is completely the opposite. Foul-mouthed, fairly brutal, untidy appearance and persistently topping a glass with liquor or wine. No picnic for Norval who recently renounced alcohol. Before he knows it, his smartphone (a limited edition in gold, designed by Lorde) sinks down to the bottom of the ocean, while his dad tried to take a selfie. The tone has been set.

 

Come to Daddy

 

Comedy-Horror. Not my fav combination.

Come to Daddy” is a difficult movie to place. On the one hand, they tried to add a humorous note here and there. Although subtle black humor that won’t be enjoyed by everyone. On the other hand, there’s indeed a horror vibe that gets quite gory. Again, I’m not really such an avid fan of the combination of horror and comedy, because usually both genres feel incomplete. And to be honest in this movie as well. The humorous part wasn’t really funny (with only a rare chuckle). And I also found the horror part rather light-hearted. There’s no doubt that it has a high thriller content. And it’s certainly not a straightforward story. You could even say that they were a bit too lavish with the number of plot twists. But the absurdity in the story (such as a motel that is fully booked with visitors to a swingers convention. Who comes up with such an idea?) knows no boundaries. The insane and intimidating behavior that slowly evolves into a kind of “Cape Fear” aggression. The officer on duty and his belching. The coroner and the fact that Norval suddenly has a dead man in the house due to lack of space at the morgue. The nightly terrifying sounds. Norval’s discovery and the unveiling of the entire mystery. The motel-happening. It just keeps going on. Fortunately, I love an absurd story now and then.

 

Come to Daddy

 

It surprised me.

Elijah Wood is simply magnificent as the extroverted and fairly arrogant Norval. Someone who doesn’t realize what a dire situation he’s going to find himself in. And also doesn’t know that his entire life story will be shaken thoroughly. That’s how the viewer will feel as well. Shaken up. During the first part of the movie, you wonder which direction the story will go. But once the plot reveals and the story accelerates, both in terms of tempo and frantic action, hold on tight because it’s going to be a wild rollercoaster ride. And it’s worth it. “Come to Daddy” is a quirky, somewhat strange thriller with very aggressive scenes and full of insanity. Revealing too much isn’t recommended. Best to start watching this movie without knowing too much, such that the experience will be decidedly surprising. Recommended.

 

 

My rating 6/10
Links: IMDB

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HORROR

‘Penance Lane’ Brings The Rob Zombie influence

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I’m gonna get us out of this.
We’re gonna be okay.

 

Penance Lane” is something for the fans of cheaply produced B-horror movies that don’t exactly excel when it comes to the storyline. I was actually very curious about this movie after reading the synopsis on IMDb. And the movie poster also looked interesting. So let me say that I started watching the film with a dose of healthy enthusiasm. Unfortunately, that enthusiasm collapsed halfway through the film like a soufflé that has just come out of the oven. It’s a pity though, because the first half was of a decent level.

 

Penance Lane

 

A dilapidated house.

The prologue in itself made me curious enough and confirmed what I expected. A dilapidated house where some gang members hid after committing a robbery. Such a gang of “badasses” with impressive guns and an attitude as if they can handle the whole world. Unfortunately, they are no match for what is harassing them from dark corners and dark places in this creepy house. Why this was actually the most compelling part of the movie, I don’t really have an explanation for. Maybe because you don’t really know which direction it will go. Is it something demonic or will it be a “Texas Chain Saw Massacre” kind of film?

 

Penance Lane

 

Let’s bring in the handyman.

Time to introduce the protagonist. Crimson Matthews (Tyler Mane) strolls around the town streets. An ex-convict with a rugged appearance. He gets into a fight with the son of the local Police Captain, when it turns out that this son uses his girlfriend (Scout Taylor-Compton) as a punching bag, and then meets the owner (mother of the girl in question) of the local diner. Crimson doesn’t waste any time and almost immediately seeks a job as a handyman. And he ends up at the abandoned house, apparently owned by the local priest (John Schneider) who hires him without further ado. From the start, it’s clear that our tough hero doesn’t intend to demonstrate ingenious handyman-techniques. It’s also evident that it’s no coincidence he ended up in this house. And that his night’s rest would be disturbed by something that wanders through the house like a shadow, was also to be expected. Despite the fact that there’s sometimes a bit of too exaggerated acting and toe-curling, clumsy dialogues are being used, the film remained fascinating. Till this point anyway. Because somewhere in the middle of the film, the plot twist presents itself and the tone of the film changes drastically.

 

Penance Lane

 

Do I sense a Rob Zombie influence?

If you look at “Penance Lane” in its entirety in terms of storyline and overall look and feel, you could say that it belongs to Rob Zombie’s oeuvre (albeit among the less successful creations). Coincidentally, there are a number of actors who also appeared in a Rob Zombie movies before. Like Tyler Mane who played Michael Myers in “Halloween II“. Scout Taylor-Compton also played an important role in that film. And then there’s Daniel Roebuck (the Police Captain) who got a role in almost every Rob Zombie movie. It may not have affected the creators of this film, but the least you can say is that it’s extremely coincidental. I’m not a real Rob Zombie adept but I could appreciate his flick “31”.

 

Penance Lane

 

Ultimately, it was a disappointment.

In the end, “Penance Lane” was a disappointment for me. If the gradation of my enthusiasm were graphed, I’m sure it would resemble any COVID-19 graph. Except that there’s no sign of a “flatten the curve” effect. After its peak, the curve goes very fast to a zero point. Maybe my expectations weren’t met because the concept changed drastically. In the end, it became a kind of thriller without supernatural apparitions. Rather a crime story in which an insane individual has set up a lucrative business activity. The story made no sense and at some point became downright ridiculous. I have learned the following lesson from this. No matter how good a summary sounds or what a movie poster looks like, it’s never a guarantee the movie will be any good. And yet there was, somewhere deeply hidden, an excellent film. Unfortunately, they failed to conjure it.

 

 

My rating 3/10
Links: IMDB

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