Genre : Horror
Country : USA
Adam Hampton : Adam Thatcher
Kristy K. Boone : Julia Thatcher
Katie Burgess : Anna Thatcher
My opinion on “Gremlin”
“What do you think happens to us when we die?
I don’t know.
I guess it’s a lot like it is before you’re born.”
First of all, let me warn all of you who assume that this is a continuation of the 1984 masterpiece “Gremlins“. Believe me, this movie has nothing to do with it. Not even close. Not when it’s about the level of entertainment. Not content wise. And certainly not when you look at the acting skills. If there was one particular aspect that got on my nerves while watching this B-category horror, it was the terrible acting. Not only was it silly sometimes. But it felt so amateurish and forced. There is not even a sparkle of humor present in this movie. No malicious Gremlins who organize an orgy in a local pub. Or an elderly lady being launched while sitting in her chair lift. Or were the moronic conversations meant to be humorous? I’m afraid not.
The basic idea sounded great.
However, the starting point and basic idea were quite inventive and original. A metallic cube, with a clock-looking image full of astrological drawings, that contains something you don’t want to be confronted with. And there’s only one golden rule that’ll make sure you’ll get rid of this detestable thing. You just have to pass it on to someone you love. Talking about a dilemma. A poisoned gift for someone you really love. And that’s what James eventually did when his family probably already has been liquidated by the bloodthirsty creature. He gives it to his mother. Little did he know there were more family members in his mum’s house at that moment. And before you know it, the little creature begins using its sharp limbs and bodies start piling up. Eventually it’s Adam Thatcher (Adam Hampton) who’s shackled to the devilish box.
Nice looking little bugger.
The most positive thing about this indie horror, is the design of the-creature-with-a-tireless-killer-instinct. Despite the fact that the budget is significantly lower than most movies with computer-generated creatures, they’ve succeeded in creating a highly realistic little monster. But, as in “Big ass spider“, the non-proportionally shaped copy is of much lower quality. It looks like a fake, plastic figure that comes to life using stop motion techniques (Even “Shaun the sheep” looks better). Similar to the giant insects in SF films of the 70s. Also content wise it was quite creative. For example, it’s not obvious for the Thatcher family to get rid of the cube. If they think that they are put out of their misery just by randomly passing it on to someone (a bit as how the problem was solved in “It follows“), they are in for a disappointment. Apparently, the mysterious creature can feel in a certain way that you don’t really love the new owner. The fact that the box shows up over and over again, regardless of what Adam is trying to do, was to be expected. To be honest, it was utterly annoying after numerous attempts.
It’s not a great movie, despite the positive features.
If this film was made in the 80’s, the end product would be appropriate and undoubtedly added to other released monster-horror films. Unfortunately, the looks of the gremlin (I still wonder why it’s called that way), the rare exciting moments (the confrontation between daughter Anna (Katie Burgess) and the monster) and the intriguing subject won’t make it a great movie. And this is caused, in particular, the inadequate acting, the stupidities, the sometimes bad SE’s (especially the wounds looked kitschy) and the limited story line. The naivety with which certain problems are solved, is sometimes quite ridiculous (like hiding bodies in the basement). And once again, the policemen aren’t smarter than the two idiots from “Dumb and Dumber“. Most hilarious moment was the response of a detective who advised detective Harris (Kyle Pennington) to contact Lucy Anifero, a gypsy and apparently someone who knows something about occult and bizarre things. After Harris got a decent explanation about the devilish cube, the first comment of this detective was : “She’s hot, right?“. You can’t expect that such an idiot would solve the case.
A vintage SF-Horror.
Are you a fan of such a type of SF-horror and you’re a fan of anything that’s related to the 80’s, I can recommend it (there’s even an Alien-like fragment). You won’t be flabbergasted and you won’t be blown away by world-shocking novelties, but it can provide brief entertainment.
PS. I’ve read this hilarious review on Letterboxd and actually it summarizes the movie a bit :
My roommate and I decided to watch a movie tonight. I asked her if she wanted to watch The Dark Tower, ’cause I hadn’t seen it yet. She said “No, I’ve already seen it and it’s the worst movie of the year”. So we watched this instead. Once it was over, her only comment was “We should have watched The Dark Tower…”
My rating 3/10
Links : IMDB
Crawl: A Nerve-Racking Horror In Which The Perfectly Computer-Generated Alligators Scare You
You’re not my coach anymore, dad.
That top predator crap doesn’t help.
Did you think the last “Lake Placid” episode from the eponymous franchise was downright worthless, stupid and nonsensical (like I did)? Well, let me put your mind at ease. Despite some laughable facts, this reptile-horror “Crawl” isn’t bad at all. You can even call it exciting at times. And compared to “Lake Placide“, the bite-sized animals are frequently in the picture and the CGI ensures that they look frighteningly realistic. You just have to use the same ritual as with “Hobbs & Shaw“. Namely, give your brain for safekeeping when entering the movie theater. It’s not of the same absurd level as “Sharknado“, but if you don’t do that, you will be annoyed about multiple idiocies.
How stupid can you be?
There are of course many “How stupid can you be?“-moments. For example. You can’t blame the day-trippers in “Jaws“. They were just enjoying the summer sun on the beach and the refreshing water. Did they know that this giant white shark was planning to consume a few splashing bathers? It’s a pity they ended up as lunch. But, you can’t say the same about Haley (Kaya Scodelario), who, after a disappointing swimming performance, comes up with the grandiose idea to see if everything is okay with her father Dave (Barry Pepper). Nothing earth-shattering, were it not for her to enter a restricted area controlled by the authorities because of a destructive hurricane of category 5. Even a roadblock by the local police didn’t stop her.
It doesn’t take long before the suspense begins.
The advantage of “Crawl” is the short playing time (87 minutes). Nowadays it’s perfectly normal for decent films to exceed the 2-hour limit. It seems that quality nowadays depends on the total duration of a film. Fortunately, there are exceptions to that rule. Not that “Crawl” is of high quality, but an advantage is they don’t spend too much time to bring the necessary suspense. After around 20 minutes, Haley and her father are already in a difficult situation in the basement of the parental home. Dave is badly injured. And three giant alligators are impatiently waiting for their feeding-time. Time for the second “How stupid can you be?” moment. What would you do if you had to leave your safe hiding place to recover a lost item? In any case, after getting hold of the trinket, I would return to that safe place again. Logical reasoning is certainly not Haley’s strongest characteristic. She does the opposite, with all its consequences.
Not a complicated film.
“Let’s not make it too complicated!“. That’s what the creators of “Crawl” thought apparently. Everything takes place at one claustrophobic location. And the entire film is carried by just two main characters. Occasionally, a few additional characters appear. But their function is limited to playing live fish food. In other words, they usually do not remain intact for long. And for the lessons “Logical reasoning”, these good-for-nothings didn’t get high grades either. And the way in which they involved the alligators in the story is also simple. A hurricane that causes rising water and you are stuck with a whole swarm of those bloodthirsty monsters in your backyard. Only the discovery that Haley made in the basement wasn’t 100% correct in my opinion. Coincidentally there was a pregnant alligator who used the flood to shamelessly dump her eggs in Dave’s basement at lightning speed. Well, in this way there was also an explanation for the aggressive attitude of the nest of primitive reptiles.
A nerve-racking horror.
There were a few things in the movie that really annoyed me. First, there was the contrived and corny father-daughter relationship. They are both sitting there with torn limbs and shattered bones, and still, they need to philosophize about what went wrong in the past. I also thought it was a bit unbelievable how they endured the brutal attacks (with the necessary injuries) and apparently afterward had absolutely no problems with this. Even after a heart massage and mouth-to-mouth breathing, one jumps back into action in a short time. And I will never bet my money on a swimming competition between an alligator and a trained swimmer. I’m sure that the streamlined body of the reptile will ensure that it wins effortlessly. Even without a swim cap and aerodynamic Speedo swimming trunks. But still, “Crawl” is a nerve-racking horror in which the perfectly computer-generated alligators scare you. Most original in the film I found the bathroom scene. Believe me, after this film, hearing the song “See you later Alligator” by Bill Haley will scare the hell out of you.
My rating 6/10
Netflix: Rattlesnake | Official Trailer -HD
Drama, Horror, Mystery
October 25, 2019
Carmen Ejogo, Theo Rossi, Emma Greenwell, Richard Lippert, Arianna Ortiz, Joy Jacobson, David Yow
When a single mother accepts the help of a mysterious woman after her daughter is bitten by a rattlesnake, she finds herself making an unthinkable deal with the devil to repay the stranger.
Aterrados: A Spooky Story Full Of Terrifying Images And A Creepy Atmosphere
They were human voices.
What did they tell you?
That they were going to kill me.
In Argentinian, they say “Aterrados“. It’s “Terrified” in English. And yes, some will be terrified while watching this masterful horror. I can’t really describe why it is such an excellent horror. However, there are no earth-shattering new ideas being introduced. If you look at it as a whole, it seems like a fusion of different topics from other horror films. Take specific scenes from “[Rec]“, “The Conjuring” and “Paranormal Activity“. Shake these all up a bit. Dip it all in an Argentinian sounding sauce. And you get the end product “Aterrados“. The biggest difference with the random list of horror films (with possessed houses as the central subject) is that “Aterrados” isn’t about an isolated case. No, it isn’t. The terrifying phenomena occur in several houses at the same time.
Not an ordinary horror.
I had never heard of this movie. It’s a coincidence that I came across it while searching through the offer of horror-movies on my Netflix account. I wasn’t really expecting much of it. And when one of the women in the film started to complain about voices she heard in the sink, I was already afraid that it would be such an absurd film as “Deep Dark“. Well, I was really wrong about that. Before I knew it, I was watching such a shocking scene, that I couldn’t help using the rewind function. Magnificently portrayed and provided with sound effects that appeal to the imagination. You hear, as it were, the smashing of limp, dead flesh including accompanying sounds of shattering bones. At that moment I realized that “Aterrados” wouldn’t be just an ordinary horror. And believe me, from that moment on it’s a rollercoaster of shock moments and paranormal events.
Once again no explanation.
However, don’t expect an explanation about the events. Or an explanation of the creatures that make life hard for both Clara (Natalia Señorales), her husband Juan (Agustin Rittano), and neighbor Walter (Demián Salomón). When the three scientists start investigating the houses to find evidence of paranormal phenomena, they come up with a not too meaningful explanation. Something with dimensional surfaces, slices of orange, and water. It won’t really make you any wiser. The fact that the events take place at different locations was an asset. You can see it as the three “The Conjuring” films, each with their own haunted house, compressed into one film. This provides the necessary variety in terms of shock moments and creepy entities popping up.
It’ll scare you to death.
Anyone who has already seen a huge amount of horrors about paranormal activities and haunted houses (“Poltergeist“, “Paranormal Activity“, “The Amityville Horror“, “The Entity” … Too many to mention) won’t be blown away by this film. And this because the movie resides in familiar territory. But the way in which it’s portrayed and the subtle build-up of tension can certainly be called commendable. The pace is generally very high (except it slows down a bit halfway) and the jump scares follow each other at rapid speed. And it’s especially the timing that is just perfect at moments (the subtle little movement of the boy at the dinner table, for example). “Aterrados” is a spooky story, full of terrifying images and a creepy atmosphere. Perhaps it is narratively difficult to follow and you’ll probably Won’t really know what’s going on (Is it about paranormal events or simply things that everyone experienced because of a certain fear?). And perhaps you might not really like the open end. But in the end, “Aterrados” only tries to accomplish one thing. And the film certainly succeeds in that task. And that is, making sure that you are sitting in front of your screen scared to death. I bet you won’t dare to look under your bed that same evening!
You can watch Aterrados on Netflix now!
My rating 8/10
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