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HORROR

Mom and Dad (2017)

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A teenage girl and her little brothMom and Dader must survive a wild 24 hours during which a mass hysteria of unknown origins causes parents to turn violently on their own kids.

Genre : Horror
Country : USA

Cast :
Nicolas Cage : Brent Ryan
Selma Blair : Kendall Ryan
Anne Winters : Carly
Zackary Arthur : Josh

Director :
Brian Taylor

My opinion on “Mom and Dad”

“I mean, I used to be Brent…
and you used to be Kendall…
and now we’re just…
Mom and Dad.”

I’m sure some parents will experience it in their life. The moment you get a bit tired of your offspring. That you would love to put them on a rocket and shoot them to the moon, so that you get a little bit of time and space. Even though your love for your children is unconditional and sincere. This moment will only last a few seconds with normal parents before they look back at their kids lovingly and realize they can’t live without them. Not here in “Mom and Dad“. Here you’ll see parents in a small American town, who suddenly turn into murderous psychopaths with only one goal. And that’s killing their lovely children.

Mom and Dad

Why did it happen? Beats me.

The cause of this parental hysteria is not entirely clear. Is it, like in “Cell“, an electronic pulse that triggers their behavior? Or is it a mutated virus? Don’t expect an explanation. In any case, it causes mothers to leave a little baby in the car which is parked on a railroad crossing. Or a big fat family man swinging around with a bloody baseball bat. And a bunch of fleeing students who are being tackled en masse by crazy parents. The movie isn’t exactly horifying or scary. Only the scene with the newborn baby gave me an uncomfortable feeling.

Mom and Dad

That’s what you get with frustrated parents.

It feels like a typical zombie movie with parents walking around with a glassy look. The only difference is that they only have an eye for their own children and don’t have the urge to chase every panicking teenager. “Mom and dad” is complete madness and highly entertaining. Nicolas Cage shines as the father who thinks he’s a complete failure. His dreams didn’t come true and his career isn’t that what he had imagined. The same applies to his wife played by Selma Blair. A bitter-toned, exhausted mother who can’t accept that her daughter doesn’t show any affection anymore for her. She has been exchanged for weed smoking girlfriends and the omnipresent social media. Their frustrations become obvious during the pool table scene, where they pour their guts out.

Mom and Dad

Crazy Cage again.

It’s been a long time ago since I’ve enjoyed total craziness which Cage can play as one of the best. In “Arsenal” he showed a crazy “Tony Clifton” type whose tirades were brilliantly played and at the same time felt exaggerated. However, the disturbing hysteria and raging frenzy he shows here, exceeds this effortlessly. In a convincing way he shows that frightening look and pure anger. It’s as if complete madness has taken over. I admit, It’s also overly exaggerated. But that makes it humorous sometimes. The grandparents’ moment was an ingenious idea and caused the story to take a different direction. Do you like a horror comedy with a slightly macabre atmosphere? Well, that means this movie is right up your alley.

My rating 7/10
Links : IMDB

HORROR

LFF 2020 Review: Possessor

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London Film Festival is almost over and there’s been a lot of good stuff over the last couple of weeks. The 64th BFI London Film Festival has been all across the UK, inviting you to experience the world’s best new films wherever you are. Twelve days of UK premieres available to enjoy online via BFI Player or in cinemas at BFI Southbank, around London, and throughout the UK.

Possessor (also known as Possessor: Uncut) is the latest film from Brandon Cronenberg, son of David Cronenberg, who’s known by horror enthusiasts as the king of body horror. Brandon has clearly learnt from the best as could be seen from his 2012 debut film Antiviral starring Caleb Landry Jones. Brandon’s second feature film, Possessor premiered at Sundance Film Festival in January and was released in America and Canada on October 2nd. I managed to catch an early preview of it at London Film Festival before it’s UK release at the end of November.

The film follows Andrea Riseborough’s Tasya Vos, an agent who inhabits other people’s bodies through a new technology and in doing so she commits assassinations to benefit her company. But slowly she starts to lose control over the system and finds herself trapped in the mind of Christopher Abbott’s Colin when trying to kill his father (Sean Bean).

Right from the start Possessor is a very gruesome and gory film. It opens with a very brutal and bloody killing that throws us straight into the futuristic world of the film. If the name Cronenberg on the poster didn’t already tell you, within minutes, we know that this film is not going to be one for the faint-hearted. The premise of the film is a little over the top, with the whole idea of inhabiting other people’s bodies and being able to control them. But it’s one that Cronenberg handles with ease and skill. As well as gore.

The film is disturbing but it’s carried out in a stylish manner so that it never really feels too disturbing. If you’re not a horror fan, or if you’re not someone that can handle much gore, then this isn’t a film for you. But if you relish the films of David Cronenberg then you should definitely seek out Brandon’s film.

Whilst the film does have its ultra-violent moments, there’s more to it than that; Andrea Riseborough gives a good performance in the lead role and helps bring life to the main character and the world the film takes place in as well as the bodies Tasya takes over. There are a lot of interesting ideas to unpack in this film and whilst Cronenberg doesn’t really get a chance to deal with them all in sufficient detail, he takes a good stab at it.

Overall, Brandon Cronenberg has created a film that’s a clear step up from his debut film and a welcome addition to the body horror genre that leaves you shocked but also excited to see what he goes on to make next.

3.5/5

Possessor is released in U.K. cinemas on November 27.

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HORROR

LFF 2020 Review: Rose: A Love Story

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London Film Festival is well underway and there’s a lot of good stuff available now and coming your way over the next few days. The 64th BFI London Film Festival is all across the UK, inviting you to experience the world’s best new films wherever you are. Twelve days of UK premieres are available to enjoy online via BFI Player or in cinemas at BFI Southbank, around London, and throughout the UK.

Before I get into it, I do want to highlight that it’s quite hard to talk about this film without giving it away or spoiling anything. This review will be completely spoiler-free so you don’t have to worry about spoilers however the review might be a little brief or vague as I don’t want to divulge any key points or anything that could ruin the viewing experience for you.

 

Rose: A Love Story is the directorial debut from Jennifer Sheridan and once film starts it instantly hooks you with a very interesting premise. Rose (Sophie Rundle) and her husband Sam (Matt Stokoe) live in a secluded woodland where Rose spends her time writing and Sam tends to vegetables and attempts to trap rabbits. But there’s a deeper mystery to their lives. We don’t really get any backstory for either of our two main characters and yet it doesn’t matter. Right from the start, you have questions you want answered and it keeps you hooked. We don’t know much about what’s going on but nonetheless we are intrigued to find out more.

However, whilst the film opens well and you want to know where it’s going, it doesn’t do a whole lot more than that. It’s a horror film although there isn’t a whole lot of horror in it which is a little disappointing. I was expecting a few more scares from the film than were delivered. I might even go so far as to say it’s also a drama film and it isn’t completely a horror. And it does walk some well-known horror tropes to the point that you can see where it’s going before it gets there if you‘re a horror film enthusiast.

As a result of all this, as well as some pacing issues in the second act, it does start to get a bit dull. The ending is good but not great because I found myself being able to predict where it was going and what was going to happen.

Even though the film was made pre-COVID-19, there are some interesting ideas regarding isolation and cabin fever in this film- and there are even face masks too!

Overall, Rose: A Love Story starts off with a really strong set-up but ends up doing very little with it making the rest of the film somewhat uninteresting and creating a rather predictable conclusion.

2.5/5

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HORROR

#Alive – Is More Than A Regular Zombie Movie If You Look At It That Way

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I must survive.

 

I had nothing but words of praise for the movie “The night eats the World” or “La Nuit a dévoré le monde”. A quirky film about a Parisian who suddenly wakes up in a Paris occupied by zombies. “#Alive” (original title “#Saraitda”) is the South Korean version. The only difference is that the zombies are portrayed more explicitly here. About the French version, I said that non-zombie movie aficionados could watch it without worrying about leaving skid marks in their underwear every time such a hollow-eyed creature appears around the corner. This rule does not apply to “#Alive”.

 

 

Damn viruses.

When Oh Joon-woo (Ah-In Yoo) wakes up early in the morning and crawls behind his PC to continue gaming, he doesn’t realize that the day will turn out very differently than usual. Soon, alarming news reports are broadcasted about a strange disease that is spreading rapidly, causing people to become enraged and attacking fellow citizens with bloodshot eyes. When Joon-woo looks out the window of the apartment, he witnesses this bizarre phenomenon. The young gamer is smart enough not to rush out of the apartment in a panic. Instead, he barricades the front door, makes an inventory of what’s left to eat, and tries to make contact with the outside world. It’s not really a surprise that this isn’t so easy to do.

 

 

Survival of the fittest.

The largest part of the film takes place in the apartment, just like in “La Nuit a dévoré le monde”. You witness how someone has to deal with a life-threatening situation and how they desperately look for a way to escape this situation. Of course, he’s faced with the inevitable. After a while, he is confronted with a lack of food and liquor. The fact that there’s a fully loaded drinks cabinet with liters of spirits can provide short entertainment. But really quenching thirst with it isn’t really recommended. Missing his family and the corresponding loneliness are also starting to weigh heavily. Contact with the outside world is not possible. And keeping a video diary only helps partially.

 

 

Seems he’s not the only survivor.

Time to introduce the next protagonist. Namely the young girl Kim Yoo-bin (Shin-Hye Park) who lives in an apartment right across that from Oh Joon-woo. What follows is a primitive interaction between the two individuals using technical aids such as tablets and a drone. Both have the same goal in mind and that’s surviving. Not that people who have a similar situation in other zombie films don’t have this goal. But instead of going out and trying to find their way through a zombie-plagued society, the two sit quietly in their hideaway and wait for the right time.

 

 

Just give it a try.

#Alive” is not very original and basically shows nothing new. The zombies themselves do look extremely creepy. There are times when things are getting tense. There are also some funny situations to be seen. Towards the end, they added a separate storyline. Some will find this disruptive. On the other hand, I thought it was a successful addition. It brought a bit of variation to the overall story. Maybe the denouement was a bit over-the-top. But overall I could agree with the general tone of this movie. Ultimately, we are now in a similar situation with the COVID pandemic. Of course, there aren’t any zombies. But many people haven’t left their homes for quite some time in the last six months to prevent worse. So, “#Alive” is more than a regular zombie movie if you look at it that way. Are you a fan of zombie flicks such as “La Nuit a dévoré le Monde”? Or to a greater extent also “Zoo”? Well, you should give this South Korean variant a try on Netflix. It’s well worth it.

#Alive” is now available on Netflix

 

My rating 6/10
Links: IMDB

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