In the bosom of Suburbicon, a family-centred, all-white utopia of manicured lawns and friendly locals, a simmering tension is brewing, as the first African-American family moves in the idyllic community, in the hot summer of 1959. However, as the patriarch Gardner Lodge and his family start catching a few disturbing glimpses of the once welcoming neighbourhood’s dark underbelly, acts of unprecedented violence paired with a gruesome death will inevitably blemish Suburbicon’s picture-perfect facade. Who would have thought that darkness resides even in Paradise?
Genre : Crime/Drama
Country : USA
Matt Damon : Gardner
Julianne Moore : Rose/Margaret
Noah Jupe : Nicky
My opinion on “Suburbicon”
“The only thing Suburbicon is missing is you.
Isn’t it time for your new start?
Come home to Suburbicon.”
It doesn’t happen often, but now I had a feeling I didn’t really understand what I’d watched. Not that “Suburbicon” was a complicated, incomprehensible film. But I didn’t know what the initial intention was of the filmmakers? Was it meant to bring a socially critical message? Or was it a satirical view of an American society during the 50s with its tidy, decent neighborhoods and good-humored citizens? Or was it simply a crazy crime story with a fraudulent twist? Ultimately, in my eyes it was a mix of all of this, with not one facet that stands out. It’s a bundling of mediocrities. And the two mixed stories seem to have nothing to do with each other. It is, as it were, an amalgamation of two ordinary short films.
Two separate stories.
On the one hand you have the story of the Lodge family who become victim of a home invasion with housewife Rose (Julianne Moore) being killed due to an overdose of chloroform. What appears to be an ordinary robbery, evolves into a web of intrigues and lies. A web Gardner (Matt Damon) threatens to suffocate in. And on the other hand, there’s the Mayers family who moved to a house in Suburbicon. Nothing special at first sight. Only it’s an Afro-American family. And that causes quite a stir and controversy in this town where only white civilians live.
Hey, the Coens brothers wrote this script long time ago.
The first story is based on a script written by the Coen brothers long time ago. The second story is based on true facts. It’s the story of the Myers family who in these days moved to Levittown, much to the disliking of the inhabitant, and settled themselves in a similar neighborhood. The result was an interference by the authorities to stop racist reactions and physical violence. This led to an injunction and criminal charges against the harassers just to protect the Myers family. But as I mentioned earlier, these are two separate storylines.
This movie lacks subtlety.
Fortunately, the design of the film looks terrific. The idyllic image of this suburb and the typical features that belong to this time were worked out in an adequate way. The clothing, the cars, the interior and the friendly attitude to life are perfectly represented. In that respect, the film looks attractive. In terms of acting, the role of Matt Damon stands out. A superficial looking timid citizen. A similar character to that of Michael Douglas in “Falling Down“. Jullianne Moore could enjoy herself with her double role. But you can not call it impressive acting.
For me, Karimah Westtbrook was the one who played the most colorful role (no pun intended) as the adamant and persevering Mrs. Mayer. A woman who’s patiently watching how a limited protest slowly grows into an angry crowd shouting slogans and singing nationalistic songs. At a certain moment I didn’t know whether this was a satirical portrait or a reflection of reality. And then we come flawlessly to the humor section. I like black humor. And probably it was also intended to be blackish humoristic at certain times. But the only moment where I could see a glimpse of black humor was in the denouement. All in all, I didn’t think the film was really spectacular and the subject wasn’t worked out subtle enough.
My rating 5/10
Links : IMDB
Enola Holmes | Very Much Worth A Watch
‘Enola Holmes’ is one of those films that confirms my belief that I will never make a serious film critic. There will no doubt be people who will review this film pointing out the number of flaws, from the inaccurate backdrops to the overtly political messages (BLM and Feminism are all over this film, which personally made me love it more), but none of that concerns me. I thought it was terrific fun and enjoyed it immensely.
I watched this with my 12-year-old daughter who is probably slap bang in the demographic target audience of this film, and like me, she loved it. What is clear is that this is a career goal vehicle for star and producer Millie Bobby Brown, who is allowed to show off her considerable comic timing, her tough as nails action abilities and demonstrate an emotional side she has shown so well previously in three years of ‘Stranger Things,’ and you know what it works. She is a completely enchanting screen presence from the moment we meet her as she clumsily, comedically struggles to ride a bike across a field.
The constant breaking of the 4th wall with narrations and knowing winks to the camera may grate on a few, but I thought it added to the charm of the whole piece, nobody is taking this too seriously, and that surely is the point. Henry Cavill comes in as older brother Sherlock in casting that probably helped get the film made, with Cavill turning up occasionally as the reassuring presence in Enola’s life, but is generally given very little to do. Likewise, Helena Bonham Carter is a touch of familiarity but is sparsely used. The subplot involving the darker side of Bonham Carter’s Eudoria’s disappearance isn’t fully explored and is one of the lower aspects of the film.
The film itself isn’t all slapstick, sweetness and light, Burn Gorman’s Linthorn is at the top end of sinister as a hired hitman who would have served as an equally terrifying adversary in one of older brother Sherlock’s adventures, and Sam Claflin has great fun as moustache-twirling “nasty” older brother Mycroft Holmes.
The film lags a little in the middle third which after the breakneck pace of the opening act is to be somewhat expected but picks up sufficiently for a more than satisfying conclusion.
Like most child stars, the true test is when that child becomes an adult, and Millie Bobby Brown has proved here that she has the presence and personality to be able to have a long and varied career. Only time will tell of course, but if nothing else this is a film that can be enjoyed for years to come. Great fun all round.
Marvel / Disney + Release – WandaVision | Official Trailer 2
TV-Series Spinoff from the Marvel Cinematic Universe. Containing the characters Scarlet Witch/Wanda Maximoff and The Vision. Plot is unknown at the time.
Action, Adventure, Drama
Marvel | Disney
Paul Bettany, Elizabeth Olsen, Kat Dennings, Kathryn Hahn, Randall Park, Teyonah Parris, Shane Berengue
Dune – Official Trailer | Beyond Fear, Destiny Awaits
Adventure, Drama, Sci-fi
December 18, 2020
Timothee Chalamet, Zendaya, Jason Momoa, Rebecca Ferguson, Josh Brolin, Dave Bautista, Oscar Isaac
Paul Atreides leads nomadic tribes in a battle to control the desert planet Arrakis.