Genre : Drama/Thriller
Country : USA
Rory Culkin : Jack
Lin Shaye : Teresa
Daveigh Chase : Shanda
My opinion on “Jack goes home”
“There’s nothing to do or say.
Um… we live, we drive, we crash, we die.
Had to happen sometime.”
Coincidentally, I’ve just seen “Marrowbone“. A film about someone who has difficulties in processing the loss of a loved one. And when I was about halfway with “Jack goes home“, I realized that I was watching a similar story. And it might be that the ultimate outcome is identical. I wasn’t far wrong. And to be honest, I thought this intriguing film was slightly better than the previous one. And this only because of the brilliant acting of Rory Culkin. A portrait about how madness takes over someones personality.
Hey, it’s Kevin .. but older … and more confused !
I hadn’t seen the name of the actor who’s playing the leading role. So I was wondering for a long time where I had seen that face before. And when I finally found out his name was Culkin, it hit me. Damn, he looks a lot like his brother who made a couple of burglars their lifes a hell in “Home Alone“. But I must confess that his acting performance surpassed everything that his famous brother Macaulay ever did. As Jack, Rory displays a whole range of feelings and moods. From pride to indifferent. From sadness to calmth. One moment he tries to unravel an old family secret. The next moment he flees into a daze of alcohol and drugs. He even experienced homosexual delusions. And all this after he was forced to return to his parental home because his father died in a car accident.
You’ll notice some strange behavior.
It’s clear from the start that something isn’t right. That indifference with which Jack tells his pregnant wife that his father died. Even though his father apparently was pretty important to him. The way in which he tells in detail about his beheaded father, is strange and frightening. On the other hand though it’s strangely enough also funny in a certain way. The behavior of his mother Teresa (Lin Shaye) is also strange. Perhaps the traumatic effect after the accident? After her outburst during dinner about whether she should or should not mourn about the loss of her husband, you start to think she’s relieved about that loss. Are those dark family secrets real? It results in a complex mother-son relationship which escalates as the film progresses.
Let me say it once more. Rory Culkin is terrific.
“Jack goes home” is such a movie that makes you feel uncomfortable. Despite the total lack of bloody or frightening images (even with a creepy attic in the house), there’s this constant feeling of tension. The psychological chaos is a constant in this film. “Jack goes home” balances between a ghost story and a psychological family drama. Jack is involved in a battle with his personal demons and seems to be gradually losing his grip on reality. And even though the characters are of such a nature that there is always the danger of relapsing in overacting, the main actors ensure that they do not fall into that trap. It feels like I’m repeating myself, but the acting of Rory Culkin is fascinating. For me this movie is worthy a watch. In other words, a must see. And if you get the chance to see it, let me know if I’m totally wrong!
My rating 7/10
Links : IMDB
The Untouchables – A Retrospective Look
I watched this in honour of Sean Connery who sadly passed away the day before. It must be 10 years since I have watched this, and I had forgotten how brilliant it actually was.
What is often overlooked with ‘The Untouchables’ is just how emotional it is in parts, from Ness (Kevin Costner) meeting the mother of a girl blown up by a cafe bomb to the touching climax between Ness and Stone (Andy Garcia). It is a film that is genuinely upsetting to see the end, you would be quite happy to spend more time with these people.
It is also undoubtedly a film about friendship and that is where the late great Sean Connery stands out from the cast. As supposedly past it beat cop Malone, he strikes as a man of lonely isolation, just trying to get through every shift alive. He is at first suspicious of Ness but soon warms to what Ness is trying to achieve and there the bond between the two starts. Malone’s relationship with Stone gets off to a less auspicious start but by the end of the film, the relationship produces one final emotional wallop that we all deeply feel. Throw in accountant Oscar Wallace, played for the comic relief by Charles Martin Smith and we have four disparate men bonding over their end goal, to catch and see justice brought again crime lord Al Capone, (played with menace by Robert DeNiro).
There is so much to admire here, some of the setpieces are simply astonishing, the stakeout and subsequent battle on the Canadian border are sensationally choreographed, and a homage to the Odessa Steps sequence from Battleship Potemkin is nerve shreddingly executed. The violence is brutal and shocking at times and as stated previously the deaths are graphic and in one particular case deeply moving.
Kevin Costner was a star on the rise at this point, with big hits like ‘Field of Dreams,’ ‘Dances With Wolves,’ ‘JFK’ and ‘Robin Hood’ to come, he is excellent as the clean-cut family man Ness. A young Andy Garcia is impressive as the sharpshooting Stone, but this is Connery’s film. It’s an exceptional performance filled with guile, wisdom and what is apparent from the get-go, anger. He would win an Academy Award for this film and few could argue against it.
Its an incredibly neat and tidy film, it never outstays its welcome or gets too bogged down in courtroom showdowns. It’s gritty and powerful and a reminder of just how good an actor and phenomenal screen presence Connery was. It doesn’t get much better than this.
This review is dedicated to the memory of Sir Sean Connery 25/8/1930 – 31/10/2020 – A true screen icon
Fatman | Official Trailer – Starring Mel Gibson
To save his declining business, Chris Cringle, also known as Santa Claus, is forced into a partnership with the military; a devious 12-year-old hires a hitman to kill Santa after getting a lump of coal in his stocking.
Action, Comedy, Thriller
November 17, 2020
Eshom Nelms, Ian Nelms
Mel Gibson, Walton Goggins, Marianne Jean-Baptiste, Shaun Benson, Chance Hurstfield, Bill Turnbull,
Santa Claus must contend with a hitman sent from a disappointed child.
The Boat | How Exciting Can A Movie Be In Which A Boat Sails Its Own Course?
Obviously, there are more movies about machines suddenly having a will of their own and starting to make life miserable for their fellow humans. For example, in days long gone, there was Herbie, the love bug, who regularly took over the steering wheel without asking. Admittedly, this movie won’t scare you since it was a hilarious family movie. Of a different caliber is the movie “The Car” with a demonic, black Lincoln Continental Mark III car that repeatedly left a rubber trail on the face of an innocent passer-by. Even better and more famous, the glitzy Plymouth Fury ’58 in “Christine”. A car that could restore its wrinkled bodywork to its original condition without hesitating. And it killed those who bothered its owner. You could say that the “Titanic” made quite a few victims as well. But that wasn’t because this mastodon of a boat suddenly started sailing its own course, but rather because an iceberg popped up suddenly. The boat in this movie, on the other hand, is a different story. Sounds exciting, doesn’t it?
There’s not much to work with.
It does sound exciting. The film itself wasn’t. But admit. How exciting can a movie be in which a boat sails its own course? And what if there’s a passenger on board who accidentally ended up there? The only thing such a wayward boat can do is try to get that guy off the boat by swinging certain parts in his direction. You can also lock him up in a small room so that he can’t move. But these are eventually all the available possibilities that can be used. Unfortunately, you still have to fill up the rest of the film.
Rocking the boat.
And that’s what you get the rest of the movie. Uninteresting filler footage. You see how a young fisherman (Joe Azzopardi) leaves his house in the morning and sails his boat across the Maltese azure blue ocean. I suppose to go fishing. I immediately wondered why he had to go so far at sea for this. That aside, because I’m actually a complete layman when it comes to fishing at sea. In any case, he ends up in a fog bank and (literally) bumps into the abandoned sailboat. When he climbs on board to see if anyone is present, he suddenly finds out that his own boat has disappeared. And so he finds himself in a hopeless situation. Completely alone. Without water, without food, and non-working communication tools.
Nope, it wasn’t exciting for me.
Unfortunately, it didn’t work for me. I had a similar feeling about “All is lost”. There’s nothing wrong with the used images. The endless ocean and dark cloud formations are rewarding objects for making timeless images. Even the footage inside the cursed ship (with its limited surface area) looks professional. But a single man on a boat bobbing around, cannot provide lengthy, entertaining conversations. Apart from a bit of grumbling, swearing, and murmuring, there is nothing to be heard in that area here. And at one point it seemed as if the film was repeating itself. The only highlights you could mention are the toilet scene and the storm suddenly coming up. And of course, the acting of the sole protagonist wasn’t bad at all (even if it was limited to staring desperately). But otherwise, in my personal opinion, I thought it was pretty boring. Even the denouement was pretty dull. As if they were also a bit on a wrong track in terms of creativity. That last image of the floating boating on the horizon had the wrong effect on me. It just made me chuckle quietly.