We are four months into the year and film festival season is already in full swing. From huge festivals like Sundance and South by Southwest to more localized ones such as the Phoenix Festival, audiences are getting their first look at the latest in film. One of the most exciting features making the festival rounds has been Housewife. Turkish director Can Evreol follows up the mind-twisting Baskin with a surreal take on cults and the nature of dreams. Thankfully it has found distribution with RLJE Entertainment. While no release date has been set RLJE intends to release the film in fall of 2018. Continue reading for more information.
From the Press Release:
LOS ANGELES, April 2, 2018 – RLJE Films, a brand of RLJ Entertainment (NASDAQ: RLJE), has acquired all North American rights to the horror film Housewife. Directed by Can Evrenol (Baskin), who also co-wrote the film with Cem Özüduru, the film stars Clementine Poidatz (Shut-In) and David Sakurai (Fantastic Beasts: The Crimes of Grindelwald). RLJE Films plans to release the film in the fall of 2018.
“We’re truly excited to bring Housewife to audiences,” said Ward. “Housewife has been well-received by horror fans in Europe and North America at various film festivals and the word of mouth has been tremendous.”
In Housewife, young Holly’s sister and father are killed by her frantic mother. Years later, Holly is married, lonely, and her life is soon about take a turn for the ultra-weird, when she visits the leader of the “Umbrella of Love and Mind.”
Housewife had its world premiere at L’Etrange Festival in France and was an official selection at the SITGES International Film Festival, Brooklyn Horror Film Festival and the Vancouver, Portland and Denver International Film Festivals, winning “Best Director” award at Melbourne’s MonsterFest.
Housewife was produced by Metin Anter (Butterflies), Müge Büyüktalas (Baskin) and Erhan Ozogul (Yaşamın Kıyısında). Clément Lepoutre, Gary Farkas and Olivier Muller of Vixens are associate producers on the film.
Ward and Jess De Leo from RLJE negotiated the deal with Nate Bolotin at XYZ Films on behalf of the filmmakers.
ABOUT RLJ ENTERTAINMENT
RLJ Entertainment, Inc. (NASDAQ: RLJE) is a premium digital channel company serving distinct audiences primarily through its popular OTT branded channels, Acorn TV (British TV) and UMC (Urban Movie Channel), which have rapidly grown through development, acquisition, and distribution of its exclusive rights to a large library of international and British dramas, independent feature films and urban content. RLJE’s titles are also distributed in multiple formats including broadcast and pay television, theatrical and non-theatrical, DVD, Blu-ray, and a variety of digital distribution models (including EST, VOD, SVOD and AVOD) in North America, the United Kingdom, and Australia. Additionally, through Acorn Media Enterprises, its UK development arm, RLJE co-produces and develops new programs and owns 64% of Agatha Christie Limited.
RLJE Films’ recent and upcoming features include Brawl in Cell Block 99 starring Vince Vaughn and written and directed by S. Craig Zahler, I Kill Giants with Zoe Saldana and Madison Wolfe, and Terminal starring Margot Robbie, Simon Pegg and Mike Myers. www.us.rljentertainment.com.
The Dead Don’t Die: The Film Didn’t Have A Definite Goal In Mind
This isn’t gonna end well.
Life is full of surprises. First of all, the location where I saw this film. I thought it was a unique experience. I watched “The dead don’t die” outdoors in Ljubljana, the capital of Slovenia. And yes, this is something I don’t do too often. To be honest it’s the second time that I watch a film under a starry sky. The first time, however, I guess the budget was a slight problem. The screen wasn’t exactly resistant to the wind. The result was that in “Racer and the Jailbird“, Matthias Schoenaerts looked unwillingly comical every time the wind rose. In Ljubljana, however, in addition to the perfect location namely Ljubljanski Grad (The Castle of Ljubljana), they also provided professional equipment. In short, a perfect image and sound (even with a gust of wind).
My kind of humor.
Next, I was surprised by the film itself. I’m not a fan of a mixture of comedy and horror. But, I recently saw the movie “Monster Party“. And I must say I also liked that movie. Perhaps I should, therefore, revise my opinion on this latest statement regarding humor and horror. Maybe it was also because of the type of humor that was used in “The dead don’t die“. Such a repetitive, bone-dry, absurd Monty Python-like humor. The kind of humor I’m a huge fan off. Already in the 80s, I watched TV shows such as “Monty Python’s Flying Circus“, “The Young Ones“, “Not the Nine O’Clock News” and to a lesser extent “The Muppet Show“. I’m sure there are people who don’t appreciate the “Theme song” joke. And others will be bored when a third person makes the same remark about the possibility that some wild animal had something to do with the victims in a diner. Well, that’s the humor I love.
It’s not a zombie movie per se.
However, if you expect a purebred zombie movie, then the disappointment will be even greater. Because this flick won’t scare you at all. Even the attempt to introduce some gore didn’t really help. The reason why the dead left their graves en masse can be called original. Perhaps it’s even a subtle environmental message for Governments. In any case, natural gas fracking causes incomprehensible phenomena to manifest themselves worldwide. For example, the movement of the earth appears to be disrupted, so the sunset is no longer correct (apparently it has something to do with the rotation of the earth). Pets and livestock suddenly disappear. And mobile phones and digital clocks no longer work. The behavior of the resurrected fellow human beings also deviates from the standard zombie behavior. This time no mindless non-living whose desire for blood and flesh is uncontrollable. No, these creatures stumble through the streets in search of Wi-Fi, Bluetooth, Xanax, and Snickers. Probably what occupied them just before they kicked the bucket.
Let’s talk about the acting.
It’s kind of normal and understandable to see actors such as Bill Murray and Steve Buscemi showing up in such an absurd horror-comedy. Bill Murray has such a natural appearance of a man who can’t be profoundly disturbed and who apparently always reacts soberly to situations that make average persons hyperventilate. And Buscemi’s appearance is extremely suitable for this kind of crazy movies. Bill Murray apparently also has a taste for zombie movies now. Hence his collaboration on the film “Zombieland: Double Tap“.
Some surprising actors.
But I didn’t expect actors such as Adam Driver (Jedi Kylo Ren in Star Wars) and Tilda Swinton (Mason from “Snowpiercer” and The Ancient One in “Avengers: Endgame“) in this film. And yet they proved to fit perfectly one way or another. Adam Driver is a person with a neutral facial expression who looks at the situation in a relaxed manner. And Tilda Swinton took care of the most hilarious role as the mortician Zelda, who speaks with a Scottish accent and dangerously swings around with her Samurai sword just like Uma Thurman did in “Kill Bill“. And last but not least you can admire the infamous Iggy Pop. The people from the make-up department didn’t have much work on him, I guess.
An absurd horror.
Although I had lots of fun watching this film, I had to conclude that the film didn’t have a definite goal in mind. The whole is fairly frivolous and absurd. The denouement manages to surpass the absurdity in this film. I’m still surprised this was the opening film at the festival of Cannes. I think Jim Jarmusch had a very different target audience in mind. Certainly not an audience consisting of gentlemen in tuxedos and coquettish ladies dressed in evening dresses. I’m sure those who were there in Cannes will speak about “The dead don’t die” for years to come. There’s one person who benefits enormously from this grotesque film. And that is Sturgill Simpson whose song “The dead don’t die” can be heard several times. Good for him.
My rating 7/10
Netflix: In the Tall Grass | Official Trailer -HD
Horror, Drama, Thriller
Netflix – October 4, 2019
Patrick Wilson, Harrison Gilbertson, Rachel Wilson, Tiffany Helm, Laysla De Oliveira, Will Buie Jr.
When siblings Becky and Cal hear the cries of a young boy lost within a field of tall grass, they venture in to rescue him, only to become ensnared themselves by a sinister force that quickly disorients and separates them. Cut off from the world and unable to escape the field’s tightening grip, they soon discover that the only thing worse than getting lost is being found.
Haunt: Has All The Pedigree To Be Something Special
Genre : Horror
Rating : Unrated
Director: Scott Beck and Bryan Woods
For a lot of people Halloween is their favorite time of the year. A time to celebrate the macabre and let loose one night a year. Not for Harper though. After dumping her abusive boyfriend Sam, she is convinced to go out by her roommate Bailey. Meeting up with her friends Angela and Mallory for a girl’s night they are introduced Evan and Nathan. Bored with the Halloween bar scene they find a mysterious extreme haunted house in the middle of nowhere.
Forced to sign liability waivers they enter what seems like an ordinary haunted house. What starts out as a tame night attraction soon turns deadlier the deeper, they go. Confronted by their deepest fears they have to find a way to escape before nights end.
Written and directed by Scott Beck and Bryan Woods, the writers of A Quiet Place, go a very different route from their first big screen blockbuster. Executive produced by Eli Roth (director of Cabin Fever and Hostel), Haunt takes a much more familiar path. Unlike their critically acclaimed breakout Beck and Woods tend to follow a more tried-and-true formula when constructing their own haunted house. Whether it’s the supposedly comedic (more grating than not) best friend or our frightened love interest dropping the key after a jump scare seemingly no cliché is safe. It’s particularly bad when movies such as Hell House LLC and the first Houses October Built pulled them off better.
You can see the duo’s creativity much more in the Haunt’s killers. Covered head to toe their masks hide a much more jarring reality. With their bodies heavily modified their faces taking on the horrifying properties of whatever mask they were wearing. Just as terrifying is how brutal they come off. Taking a page from the torture porn of the 2000’s they come off as the most brutal movie slashers in quite some time. Mixing Saw-esque traps and rusty tools Beck and Woods gives our antagonists the kind of gritty edge not typically seen in modern slasher movies.
Just as uncommon is our lead Harper. Portrayed by Katie Stevens (star of The Bold Type) she is seemingly the only character given any dimension. Struggling with a history of abuse Harper is forced to deal with her tragic childhood the deeper into the haunt she goes. As shocking as it is to see in a B-movie it’s handled surprisingly well. Treated with the seriousness such a sensitive subject deserves I never felt like it became exploited or treated disrespectfully. I just wish it played more into the movie overall.
Haunt has all the pedigree to be something special. With the writers of one of the most unique horror movies of 2018 at the helm we could have seen a whole new take on the extreme haunted house subgenre. Unfortunately, that’s not what we get. Although we do see some of that innovation in our realistic lead and some truly terrifying villains Haunt quickly devolves into a more traditional slasher. But one-dimensional characters and typical thrills keep Haunt from becoming the next Halloween classic.
Links : IMDB
Haunt is Theaters, On Demand and Digital now.
The Dead Don’t Die: The Film Didn’t Have A Definite Goal In Mind
Charlie Says: He’s A Strange Hippie With A Fake Beard
Netflix: In the Tall Grass | Official Trailer -HD
Brightburn – This Superhero Parody Peppered With SF And Horror Elements Is Simply Sublime
‘Sleep No More’ Review
Drama2 weeks ago
The Professor and the Madman: A Masterful And Fascinating Story
HORROR1 week ago
Rock, Paper, Scissors: A Ridiculous, Clichéd Story
Action3 weeks ago
‘Terminator: Dark Fate’ Trailer 2 Brings Sarah Connor And T-800 Face To Face
HORROR2 weeks ago
‘Satanic Panic’ Had All The Makings To Be The Perfect Horror Comedy