Genre : Action/Adventure
Country : USA/UK
Alicia Vikander : Lara Croft
Dominic West : Richard Croft
Walton Goggins : Mathias Vogel
My opinion on “Tomb Raider”
“Vogel can’t find the tomb without me,
and since I’m dead and…
since you’ve burned the rest of my research,
he will never find it.”
I was actually looking forward to watching this new version of “Tomb Raider“. Not only because I had a lot of fun with the PC game years ago (and amazed by the used graphics in those days). And not because Lara Croft was a hot and good looking video game character. Equipped with a couple of huge boobs, wearing tight hotpants and she used to make those horny little cries whenever she bumped into something. No wonder she had a large male fanbase. But also because I appreciated the film with Angelina Jolie. And at the same time, I was curious how her successor Alicia Vikander would handle it. And to be honest, that was the biggest letdown of the film for me. Not that Vikander acted badly (Good acting isn’t really a requirement when playing a part in Tomb Raider. Right?). She just looked like an innocent teenager who first got slapped around during kickboxing and has fun with a chasing-game on her bike. And before you know it, she’s traveling to Asia to follow a trail that leads her to a place where her father supposedly deceased and turns into some kind of ass-kicking female action-hero.
Let’s talk about boobs …
So they got rid of the sensuality and the over-the-top femininity. Don’t get me wrong. I don’t think it’s really necessary, of course. But there should be a decent alternative instead. An intriguing and fascinating story, for example. Ultimately it’s a female version of “Indiana Jones“. But this time they’ve removed the facet of humor and replaced it with serious drama. Once Lara and her companion Lu Ren (Daniel Wu) arrive on the island, it’s just Lara who continuously runs, jumps, dives, fights and tries to survive. It wasn’t really exciting. And at certain times it seemed as if Lara possessed superhuman powers. I’m sure Wonder Woman would be jealous.
Don’t sulk Lara … you’re an adventuress.
Perhaps it was intentionally done to present Lara Croft in this film as more serious and humane. For example, there’s this dilemma about her signing some contracts which are important for the continued existence of “Croft Holdings”. Particularly because signing these documents is actually a confirmation that Lara’s father is really dead. Something Lara stubbornly denies since she’s convinced he’s still alive. But is a movie like “Tomb Raider” suitable for using such profoundly human themes? Not for me. I’m not waiting for that when I watch this type of movie. I want adventure and mysticism. A battle for life and death between heroes and “the bad guys”. A trip through jungles and caves full of booby traps and difficult puzzles to solve. And that’s the positive side of this film. The film is crammed with (sometimes slightly exaggerated) action scenes and riddles. And that corresponds to what one could experience in the PC game
A film suitable for a relaxing movie night.
“Tomb Raider” certainly isn’t bad but didn’t really impress me. This flick is perfect for a relaxing movie night. Even though the character Lara Croft has become immensely popular over the years thanks to the pioneering games from the 90s and the lascivious performance by Angelina Jolie, this film doesn’t succeed in eliciting that same feeling. This shows once again that making a movie of a video game certainly isn’t an easy task.
My rating 6/10
Links : IMDB
Marvel / Disney + Release – WandaVision | Official Trailer 2
TV-Series Spinoff from the Marvel Cinematic Universe. Containing the characters Scarlet Witch/Wanda Maximoff and The Vision. Plot is unknown at the time.
Action, Adventure, Drama
Marvel | Disney
Paul Bettany, Elizabeth Olsen, Kat Dennings, Kathryn Hahn, Randall Park, Teyonah Parris, Shane Berengue
Final Fantasy XVI | Official Reveal Trailer – HD | PS5
Check out the debut trailer for FF16 (Final Fantasy XVI), revealed during the PS5 showcase in September 2020.
“The legacy of the crystals has shaped our history for long enough,”
The Silencing | Great Cinematography From A Low Budget Film
I need to see that girl.
She could be my daughter.
It’s always nice to see how actors from a successful television series cope in a feature film. And especially if the genre is quite different from what they played in that series. Here Nikolaj Coster-Waldau makes a decent attempt to show that he has more to offer than playing a king’s son who prefers to perform gymnastic exercises with his sister between the sheets. His performance here is on a similar level to that of Jaime Lannister in “Game of Thrones”. Convincing enough, but not exactly of exceptional quality. A role that doesn’t annoy you. But every time you see his face somewhere, you have to think for a moment where you know that face from. This is also the case here in “The Silencing”. I was like, “Damn, where do I know this guy from?”. Only after fifteen minutes or so, I could figure it out.
Where there’s grief, there’s booze.
“The Silencing” itself is of the same level. Certainly not a bad movie. But also not a movie that’ll blow you away. The story felt a bit incomplete to me. There were some improbabilities (not to say completely nonsensical decisions). And the denouement with the disclosure of the perpetrator and his motivation, I personally found a bit far-fetched. The film had something “Silence of the Lambs“-ish but then set in an extensive, forest-like nature reserve. An area managed by Rayborn Swanson (Nikolaj Coster-Waldau) that has been given the name “Gwen Swanson sanctuary”. A reference to his daughter who has been missing for 5 years. It’s a place where animals can live undisturbed and protected, far from hunters and poachers. Rayborn lives an isolated life far from the civilized world. A way to silently grief about the loss of his daughter. Usually by consuming liters of alcohol. A bit strange because that’s exactly what caused that disappearance.
There’s a serial killer on the loose.
The story gets a little bit more exciting the moment a serial killer comes into the picture. Someone who probably watched “The Hunt” too much. What follows, is a cat-and-mouse game with the participation of the local female sheriff Alice Gustafson (Annabelle Wallis, series-loving fans will recognize her from “Peaky Blinders”) who herself has her hands full with the stupidities her little brother Brooks (Hero Fiennes Tiffin), a drug addict with a traumatic past.
Without a doubt, this could have been a much better, coherent movie, provided the script was changed a bit. It’s linked together with hooks and eyes. Full of coincidences and ridiculous twists. Decisions are made that are too ridiculous for words. Alice’s surprising action at one point is understandable on the one hand. But on the other hand completely unreal. And the indifference that those involved show afterward as if nothing had ever happened, made me frown for a moment. Rayborn’s paint pot trick seemed so absurd and stupid that I spontaneously burst out laughing. Not exactly applicable to a serious thriller about a serial killer.
“The Silencing” isn’t so great. A mediocre piece of movie. Actually, you could say that you’ve seen it all before in other movies. And much better movies too. Cinematographically it looks professional (despite the low budget) and the general mood is also good. But, when you love watching exciting flicks with nerve-racking suspense, you’ll be disappointed. The only thing I can’t say anything wrong about is Nikolaj Coster-Waldau’s acting. Solid and constant. Just like in “Game of Thrones“. Again a pitiful persona. But I’m sure I won’t recognize him in his next feature. Once again.