Pistol-packing acclaimed South African western Five Fingers for Marseilles, a thrilling tale that takes its place alongside classics such as Once Upon a Time in the West and contemporaries like The Proposition and No Country for Old Men, stares down the barrel of a national theatrical release Friday, September 7, 2018 via Uncork’d Entertainment.
Imagine Clint Eastwood in The Good, the Bad and the Ugly; Yul Brynner in The Magnificent Seven; or John Wayne in The Searchers. Now journey from the sweeping plains of America’s Old West to the unforgiving hinterlands of South Africa. Then update the archetypal gunfighter to steely black cowboys who are deft horsemen and lethal marksmen. The result is the boldly original and modern take on the Western genre, Five Fingers for Marseilles, filmed on location in the North-Eastern Cape village of Lady Grey, South Africa. The movie marks the feature directorial debut of Michael Matthews and the feature screenwriting debut of Sean Drummond.
Matthews and Drummond honor the traditional Western genre — and its Spaghetti and revisionist variations — while exporting the trappings into a fresh contemporary story set against the backdrop of post-Apartheid South Africa. Five Fingers for Marseilles takes place in a small town “governed” by dubious local officials, living in fear of a lawless mob; when an exiled outlaw returns home in search of solace and redemption, brotherhood and loyalty are fused with vengeance.
Combining the socio-political threads found in many a great Western; stunning visuals captured in panoramic widescreen lensing; and a cast of talented South African actors giving powerful, nuanced performances, Matthews and Drummond deliver
In theaters Sept 7, 2018
The residents of the colonial town of Marseilles are under the thumb of police oppression and only the young rebels known as the Five Fingers are willing to stand up to them. Their battle is just, until Tau kills two policemen and flees the scene. The remaining rebels disband while the banished Tau resorts to a life of crime. Twenty years later, now known as feared outlaw The Lion of Marseilles, he is released from prison. He returns home, desiring only peace and to reconnect with those he left behind. The battle for South Africa’s freedom has been won, and former comrades-in-arms are in prominent positions as mayor, police chief, and pastor. But it quickly becomes clear to Tau that Marseilles is caught in the grip of a vicious new threat — and he must reconstitute the Five Fingers to fight frontier justice. Standing against former allies and new enemies, the re-formed Five Fingers saddle up and ride out, and put their lives at risk to save their beloved Marseilles.
Starring Vuyo Dabula, Hamilton Dhlamini, Zethu Dlomo, Kenneth Nkosi, Mduduzi Mabaso, Aubrey Poolo, Lizwi Vilakazi, Warren Masemola, Dean Fourie, Anthony Oseyemi, Brendon Daniels, and Jerry Mofokeng, Five Fingers for Marseilles is written by Sean Drummond and directed by Michael Matthews. The film is produced by Asger Hussain (The Paperboy, Precious) and Yaron Schwartzman (Double Play, 37) from Game 7 Films, as well as Drummond and Matthews (collectively known as Be Phat Motel); and co-produced by Dylan Voogt. Be Phat Motel is next slated to produce the feature adaptation of Apocalypse Now Now penned by Academy Award-nominated screenwriter Terri Tatchell (District 9). The film is executive-produced by Jeff Hoffman of Above the Clouds Media Group, Paulo Areal, Dumi Gumbi and Josh Green.
Retro Review | ‘All is lost’ – Starring Robert Redford
Normally I start a review with a quote from the film in question. That’s a bit difficult in this case since “All is lost” lacks any conversation. The only thing that would qualify is a frustrated cry of the famous F-word. For the rest it is just sloshing water, creaking wood, noise of hitting ropes, and lots of rain and falling water, you hear throughout the film. I can understand his frustration, because how the hell is it possible to have a collision between your pleasure boat and a container on that immeasurable ocean while doing an afternoon nap?
It’s difficult to call this movie unnerving exciting. I dare to say that it was dead boring after a certain time. The only decision I took after watching this film is that I’ll never set foot on such a boat and float around on the ocean with nothing but water around you as far as you can look. And in the worst case, not only around you, but also down at you.
Robert Redford, the icon of the white screen, had to carry the complete movie. He was, after all, the only living figure in this wet movie. Besides an unidentified hand at the last moment. No idea what RR‘s name was. Besides, there is a total lack of background information about his character. Except that we know where exactly he is sailing. I can’t complain about his acting performance because this was sometimes astounding. The only thing that amazed me was how stoically calm he was the whole time. A damn container makes a leak, no electricity or radio, a storm that shows up, the whole boat turns upside down, he hits his head against an iron pole, the boat is sinking, the lifeboat ends up in a storm, also turns upside down and then it catches fire … but does he keep a straight face? Yes sir! He’s a paragon of utmost restraint. I found this a bit exaggerated because I certainly would need a spare box of diapers in those circumstances!
The explanation might be that he’s an experienced sailor. Yet this experienced sailor had to read a handbook on how to determine his position using the stars. And apparently, he never used a sextant before. There were times when it was so predictable. I said at one time it wouldn’t surprise me if “Jaws” would suddenly show up. Afterward, they wandered around his dinghy. And that his boat could sink at any moment, could not stop him to crawl aboard a second time. And of course the second time it went down.
The movie itself wasn’t that bad, but it wasn’t very entertaining either. And sailing seems to be a dull affair after all. The end was cheesy and followed the well known Hollywood guidelines. For me, the end would have gained enormously in strength, if at that ultimate moment RR wants to grasp the saving hand, he’d be dragged down by a great white shark. But that is too exaggerated and would be enormously ironic.
My rating 3/10
Enola Holmes | Very Much Worth A Watch
‘Enola Holmes’ is one of those films that confirms my belief that I will never make a serious film critic. There will no doubt be people who will review this film pointing out the number of flaws, from the inaccurate backdrops to the overtly political messages (BLM and Feminism are all over this film, which personally made me love it more), but none of that concerns me. I thought it was terrific fun and enjoyed it immensely.
I watched this with my 12-year-old daughter who is probably slap bang in the demographic target audience of this film, and like me, she loved it. What is clear is that this is a career goal vehicle for star and producer Millie Bobby Brown, who is allowed to show off her considerable comic timing, her tough as nails action abilities and demonstrate an emotional side she has shown so well previously in three years of ‘Stranger Things,’ and you know what it works. She is a completely enchanting screen presence from the moment we meet her as she clumsily, comedically struggles to ride a bike across a field.
The constant breaking of the 4th wall with narrations and knowing winks to the camera may grate on a few, but I thought it added to the charm of the whole piece, nobody is taking this too seriously, and that surely is the point. Henry Cavill comes in as older brother Sherlock in casting that probably helped get the film made, with Cavill turning up occasionally as the reassuring presence in Enola’s life, but is generally given very little to do. Likewise, Helena Bonham Carter is a touch of familiarity but is sparsely used. The subplot involving the darker side of Bonham Carter’s Eudoria’s disappearance isn’t fully explored and is one of the lower aspects of the film.
The film itself isn’t all slapstick, sweetness and light, Burn Gorman’s Linthorn is at the top end of sinister as a hired hitman who would have served as an equally terrifying adversary in one of older brother Sherlock’s adventures, and Sam Claflin has great fun as moustache-twirling “nasty” older brother Mycroft Holmes.
The film lags a little in the middle third which after the breakneck pace of the opening act is to be somewhat expected but picks up sufficiently for a more than satisfying conclusion.
Like most child stars, the true test is when that child becomes an adult, and Millie Bobby Brown has proved here that she has the presence and personality to be able to have a long and varied career. Only time will tell of course, but if nothing else this is a film that can be enjoyed for years to come. Great fun all round.
Marvel / Disney + Release – WandaVision | Official Trailer 2
TV-Series Spinoff from the Marvel Cinematic Universe. Containing the characters Scarlet Witch/Wanda Maximoff and The Vision. Plot is unknown at the time.
Action, Adventure, Drama
Marvel | Disney
Paul Bettany, Elizabeth Olsen, Kat Dennings, Kathryn Hahn, Randall Park, Teyonah Parris, Shane Berengue