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Drama

Five Fingers For Marseilles | 2018

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Pistol-packing acclaimed South African western Five Fingers for Marseilles, a thrilling tale that takes its place alongside classics such as Once Upon a Time in the West and contemporaries like The Proposition and No Country for Old Men, stares down the barrel of a national theatrical release Friday, September 7, 2018 via Uncork’d Entertainment.

Imagine Clint Eastwood in The Good, the Bad and the Ugly; Yul Brynner in The Magnificent Seven; or John Wayne in The Searchers. Now journey from the sweeping plains of America’s Old West to the unforgiving hinterlands of South Africa. Then update the archetypal gunfighter to steely black cowboys who are deft horsemen and lethal marksmen. The result is the boldly original and modern take on the Western genre, Five Fingers for Marseilles, filmed on location in the North-Eastern Cape village of Lady Grey, South Africa. The movie marks the feature directorial debut of Michael Matthews and the feature screenwriting debut of Sean Drummond.

Matthews and Drummond honor the traditional Western genre — and its Spaghetti and revisionist variations — while exporting the trappings into a fresh contemporary story set against the backdrop of post-Apartheid South Africa. Five Fingers for Marseilles takes place in a small town “governed” by dubious local officials, living in fear of a lawless mob; when an exiled outlaw returns home in search of solace and redemption, brotherhood and loyalty are fused with vengeance.

Combining the socio-political threads found in many a great Western; stunning visuals captured in panoramic widescreen lensing; and a cast of talented South African actors giving powerful, nuanced performances, Matthews and Drummond deliver

In theaters Sept 7, 2018

Plot Summary:

The residents of the colonial town of Marseilles are under the thumb of police oppression and only the young rebels known as the Five Fingers are willing to stand up to them. Their battle is just, until Tau kills two policemen and flees the scene. The remaining rebels disband while the banished Tau resorts to a life of crime.  Twenty years later, now known as feared outlaw The Lion of Marseilles, he is released from prison. He returns home, desiring only peace and to reconnect with those he left behind. The battle for South Africa’s freedom has been won, and former comrades-in-arms are in prominent positions as mayor, police chief, and pastor. But it quickly becomes clear to Tau that Marseilles is caught in the grip of a vicious new threat — and he must reconstitute the Five Fingers to fight frontier justice. Standing against former allies and new enemies, the re-formed Five Fingers saddle up and ride out, and put their lives at risk to save their beloved Marseilles.

Starring Vuyo Dabula, Hamilton Dhlamini, Zethu Dlomo, Kenneth Nkosi, Mduduzi Mabaso, Aubrey Poolo, Lizwi Vilakazi, Warren Masemola, Dean Fourie, Anthony Oseyemi, Brendon Daniels, and Jerry Mofokeng, Five Fingers for Marseilles is written by Sean Drummond and directed by Michael Matthews. The film is produced by Asger Hussain (The Paperboy, Precious) and Yaron Schwartzman (Double Play, 37) from Game 7 Films, as well as Drummond and Matthews (collectively known as Be Phat Motel); and co-produced by Dylan Voogt. Be Phat Motel is next slated to produce the feature adaptation of Apocalypse Now Now penned by Academy Award-nominated screenwriter Terri Tatchell (District 9). The film is executive-produced by Jeff Hoffman of Above the Clouds Media Group, Paulo Areal, Dumi Gumbi and Josh Green.

Action

Underwater | Official Trailer – HD

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Genre:

Action, Drama, Horror

Release Date:

January 10, 2020

Director:

William Eubank

Cast:

Kristen Stewart, T.J. Miller, Vincent Cassel, Jessica Henwick, John Gallagher Jr., Mamoudou Athie

Plot Summary:

After an earthquake destroys their underwater station, six researchers must navigate two miles in the dangerous, unknown depths of the ocean floor to make it to safety in a race against time.

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Comic Book Movies

Joaquin Phoenix Stares Into Your Soul As The Joker Via “il venerdì di repubblica” Cover

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“Cinematic achievement on a high level.”

Director Todd Phillips has gone on the record stating, his film is going to piss off hardcore comic book fans. The upcoming ‘Joker’ movie will not follow any comic book plot lines or continuity for the villain, and will in fact be its very own stand alone film. With that being said, the movie is already garnering praise from select audiences. Cameron Bailey, co-head and artistic director of the Toronto International Film Festival, went on record with Toronto Sun, hailing the film as “Cinematic achievement on a high level.” Bailey continued on, saying:

“First of all it’s terrific. So it should play on our largest stage. But it’s a really original take on comic book movies and on the Joker character in particular. It’s not based on an existing story, it has one of the greatest actors in modern cinema, Joaquin Phoenix, in the lead, and Robert De Niro is in it as well, one of the best actors that has ever lived.”

Bailey, also went on to say, the film is “Very cinematic,” for a low budget feature.

“Has an interesting tone and approach to it. It’s set in the late ’70s, early ’80s and it feels like it was made then. It’s gritty in its look, it has references to Martin Scorsese’s filmmaking and it feels like a cinematic achievement on a high level. Although it’s working with very populist material, it has great ambition. That’s why it’s a Gala.”

Check out the newest ‘Joker’ magazine cover via il venerdì di repubblica.

‘Joker’ hits theaters October 4, 2019

 

 

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Drama

Bullitt County – A Film About How A Pleasant Situation Can Turn Quickly And End In A Tragedy

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Anything buried out there,
is meant to stay buried.

Bullitt County” isn’t really an easy film. To be honest, I had to control myself not to give up after half an hour. It wasn’t very exciting, so to say. On the contrary. It was painfully slow and meaningless. The story is situated in the 70s as you can see from the colorful printed shirts and the Woodstock-like attributes. A reunion of grown-up school friends who wanted to break the monotonous existence as a responsible citizen. A trip to Kentucky is planned where they’re going to recreate a pub crawl past their favorite distilleries. The only person who isn’t voluntary participating is Gordie (Mike C. Nelson) who’s about to get married. He’s being kidnapped, thrown in the suitcase and taken to the destination. Apparently, this is his bachelor party.

 

Bullitt County

 

A dark secret.

It is only when Gordie hears there’s a hidden treasure, the “Bullitt Treasure”, in these regions, the pace is going up. Apparently, it’s a considerable sum of money (profits from illegal moonshining) that the Bullitt family has hidden in the local forests during the Prohibition. At the same time, it turns out that their favorite bar has been taken over and the new owners turned it into a wine bar. So the plan of a boozing trip is pushed aside. Also, Gordie appears to be a recovered alcoholic who has not drunk a drop for 10 years. So nothing prevents them from entering the woods, armed with spades and camping equipment. So they’re off on a treasure hunt. Apparently a very cozy venture, which in turn leads to impressions of four aged hippies who, while playing guitar, smoke a few hash cigarettes and consume quite a bit of liquor. Not really fascinating, but there’s already this slight feeling that something sinister is coming to the surface. A secret that this close circle of friends has been dragging along for years. And apparently, no one feels the need to bring it up again.

 

Bullitt County

 

And suddenly it’s a different movie.

The moment they are invited by a friendly couple to eat something in their cabin, my expectations regarding the film was already low. “Bullitt County” won’t be more than a psychological drama in which a cozy getaway leads to emotional outbursts which bring out deeply hidden traumas from the past. And then all of a sudden hell breaks loose. And before I realize it, I am watching a completely different movie. A movie about survival, cheating, blame, and guilt. Slowly it becomes clear that Gordie’s emotional backpack gradually got heavier. Not only has he successfully got rid of an alcohol problem. He’s also a Vietnam veteran and didn’t go through this war completely unscathed. This results in a person plagued by PTSD who can’t control himself during confrontations. And then there’s an event in the past that weighs the most. It’s being revealed through some flashbacks as the film progresses.

 

 

Splendid acting by Nelson.

Robin (Jenni Melear), Keaton (David McCracken) and Wayne (Napoleon Ryan) were also involved in this incident but apparently processed it. Gordie also blames them for that at a certain moment. The indifference makes him mad. I also noticed that caring about others isn’t their strongest side. Who goes on a pub crawl with an ex-alcoholic? What follows is a burst of pent-up frustration that degenerates into a nerve-racking and bloody denouement. Mike C. Nelson plays a terrific role. The way in which Gordie’s personality (also thanks to a momentary relapse) changes from a good-natured person with issues into a revenge-taker driven by madness and rage, is simply wonderful to see. A solid piece of acting. The share of Dorothy Lyman and Richard Riehle was short but powerful.

 

Bullit County

 

A successful low-budget indie.

No, “Bullitt County” isn’t a memorable movie. And maybe it would have been better to shorten the intro where we meet those four characters. And the number of sudden twists in the story was a bit overwhelming. And have we not seen that one twist in another movie before? Anyway. The film managed to pleasantly surprise me when the second half of the film announced itself. A film about how a pleasant situation can turn quickly and end in a tragedy. “Bullitt County” shows how someone goes through life, marked by guilt feelings and what impact this has on his personality. Despite Gordie’s mistakes and aggressive behavior, you still feel compassion for him. In short, a successful low-budget indie. Just the way I like them.

 

 

My rating 6/10
Links: IMDB

 

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