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Adrift (2018)

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It’s intense.
The infinite horizon.
After a few days, I feel reborn.
You know, just you, the wind and the sound of the boat cutting through the ocean.

When you compare “Adrift” with the movie “All is lost“, where Robert Redford sailed across the ocean on board of a huge sailboat, you’ll notice some similarities. First of all, you can expect some idyllic footage once again. The words horizon, the setting sun, and sails that blow in the wind can be used to compose a corresponding sentence. In both films, it’s an upcoming storm that ensures that the spotless sailboat is reduced to floating wreckage. And then you see an admirable struggle for survival. These being the similarities, isn’t surprising. What else did you expect in a film about a shipwreck?

Similarities and differences.

However, there are also some significant differences. Differences which make “Adrift” a more interesting film. First, let’s talk about the conversations. In “All is lost” there are as many dialogue lines as you encounter traffic lights on the ocean. None! But then again, Robert Redford was drifting all alone while Tami (Shailene Woodley) and Richard (Sam Claflin) had each other. If there would be no conversation at all, you could say those two Globetrotters weren’t really meant for each other. And the trip across the Pacific would have been boring as hell for both of them in that case. The most obvious difference is the gender of the person who does everything to survive. And finally, there’s the psychological aspect that reminds you immediately of “47 Meters down“.

Before you know it, the storm is over.

The film can be divided into two chapters. One part before and one after the storm of course. Don’t expect an apocalyptic drawn-out part with a ferocious ocean that throws the boat around like a walnut after which it finally crushes it like a coconut by a heavy stone. Otherwise, you’ll be disappointed. The devastating storm itself is extremely short. The part that was given a lot of attention, is about Tami and Richard meeting each other. And on the other hand, the terrible period on a destroyed boat with a limited supply of food and something to drink. And as a vegetarian, it’s even more difficult For Tami. Because catching a fish causes her to gag instead of being happy. If I’d be in a similar situation, I would throw away my morals instantly.

Lots of flashbacks.

In terms of content, both parts were interesting enough. Only the romantic stuff was a bit too much of a good thing. I understand they tried to show the contrast between the pleasant and the difficult moments. And then there’s the least successful part for me. The alternation of fragments from the two different time lines with the help of recurring flashbacks. Just when you are empathizing with the dramatic part of the story, in which Tami tries to cope with the situation and does the impossible to cheer up the badly wounded Richard, they jump back to a romantic scene with those two lovebirds watching a beautiful sunset while drinking a Cuba Libre. Even though these are sometimes scenes with beautiful images, I thought it slowed down the pace and decreased the tension. After every flashback, I thought to myself “Show up, you damn storm. Where are you?“. But once this terrible event is over, it’s still a fascinating film with a well-thought-out twist.

Don’t watch when you’re about to go on a boat trip.

Adrift” isn’t a bad movie. Or you hate romantic issues. Or you instantly get seasick when you look at a sailboat. What impressed me the most was the interaction between Shailene Woodley (who effortlessly transcends her acting level from “Divergent“) and Sam Claflin. Their love relationship felt convincing and realistic. No fake moments. They were two wandering souls who met each other by chance and together undertook this adventurous trip. They aren’t married yet and already they experience what it means to be together for better or for worse. The film is based on true facts. Mostly the result is a mocking chuckle when I read this. But for me the result was an enormous respect for that young girl who experienced this disaster. Tami Oldham is living proof that one should not talk about the weakness of women. She proves that women can stand their ground in certain circumstances. “Adrift” shows that the term “Girlpower” is not an empty concept. Only one advise. Best not watch this movie when you’re planning to take a boat trip in the near future. I’m sure you’ll start that well-deserved holiday with trembling knees.

My rating 7/10
Links: IMDB

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Final Fantasy XVI | Official Reveal Trailer – HD | PS5

Check out the debut trailer for FF16 (Final Fantasy XVI), revealed during the PS5 showcase in September 2020.

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Genre:

RPG

Producer:

Naoki Yoshida

Console:

PS5, PC

Release Date:

2021

Plot Summary:

“The legacy of the crystals has shaped our history for long enough,”

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The Silencing | Great Cinematography From A Low Budget Film

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I need to see that girl.
She could be my daughter.

 

It’s always nice to see how actors from a successful television series cope in a feature film. And especially if the genre is quite different from what they played in that series. Here Nikolaj Coster-Waldau makes a decent attempt to show that he has more to offer than playing a king’s son who prefers to perform gymnastic exercises with his sister between the sheets. His performance here is on a similar level to that of Jaime Lannister in “Game of Thrones”. Convincing enough, but not exactly of exceptional quality. A role that doesn’t annoy you. But every time you see his face somewhere, you have to think for a moment where you know that face from. This is also the case here in “The Silencing”. I was like, “Damn, where do I know this guy from?”. Only after fifteen minutes or so, I could figure it out.

 

 

Where there’s grief, there’s booze.

The Silencing” itself is of the same level. Certainly not a bad movie. But also not a movie that’ll blow you away. The story felt a bit incomplete to me. There were some improbabilities (not to say completely nonsensical decisions). And the denouement with the disclosure of the perpetrator and his motivation, I personally found a bit far-fetched. The film had something “Silence of the Lambs“-ish but then set in an extensive, forest-like nature reserve. An area managed by Rayborn Swanson (Nikolaj Coster-Waldau) that has been given the name “Gwen Swanson sanctuary”. A reference to his daughter who has been missing for 5 years. It’s a place where animals can live undisturbed and protected, far from hunters and poachers. Rayborn lives an isolated life far from the civilized world. A way to silently grief about the loss of his daughter. Usually by consuming liters of alcohol. A bit strange because that’s exactly what caused that disappearance.

 

 

There’s a serial killer on the loose.

The story gets a little bit more exciting the moment a serial killer comes into the picture. Someone who probably watched “The Hunt” too much. What follows, is a cat-and-mouse game with the participation of the local female sheriff Alice Gustafson (Annabelle Wallis, series-loving fans will recognize her from “Peaky Blinders”) who herself has her hands full with the stupidities her little brother Brooks (Hero Fiennes Tiffin), a drug addict with a traumatic past.

 

 

Ridiculous things.

Without a doubt, this could have been a much better, coherent movie, provided the script was changed a bit. It’s linked together with hooks and eyes. Full of coincidences and ridiculous twists. Decisions are made that are too ridiculous for words. Alice’s surprising action at one point is understandable on the one hand. But on the other hand completely unreal. And the indifference that those involved show afterward as if nothing had ever happened, made me frown for a moment. Rayborn’s paint pot trick seemed so absurd and stupid that I spontaneously burst out laughing. Not exactly applicable to a serious thriller about a serial killer.

 

Mediocrity rules.

The Silencing” isn’t so great. A mediocre piece of movie. Actually, you could say that you’ve seen it all before in other movies. And much better movies too. Cinematographically it looks professional (despite the low budget) and the general mood is also good. But, when you love watching exciting flicks with nerve-racking suspense, you’ll be disappointed. The only thing I can’t say anything wrong about is Nikolaj Coster-Waldau’s acting. Solid and constant. Just like in “Game of Thrones“. Again a pitiful persona. But I’m sure I won’t recognize him in his next feature. Once again.

 

 

My rating 5/10
Links: IMDB

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Dune – Official Trailer | Beyond Fear, Destiny Awaits

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Genre:

Adventure, Drama, Sci-fi

Release Date:

December 18, 2020

Director :

Denis Villeneuve

Cast:

Timothee Chalamet, Zendaya, Jason Momoa, Rebecca Ferguson, Josh Brolin, Dave Bautista, Oscar Isaac

Plot Summary:

Paul Atreides leads nomadic tribes in a battle to control the desert planet Arrakis.

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