The Event took people we cared about,
but it also left a part of them behind.
When I saw “Shovel Buddies” a while ago, I decided to add the item “Watch movies with Bella Thorne playing in it” to my to-do list. Now, I have a large number of to-do lists in the meantime. I could wallpaper my living room with it. In short, too much talk and too little action. I was pleased to see at the beginning of the film that she also participated in “I still see you“. The only thing that surprised me was her appearance. Not such an adorable, fresh looking, and stunning appearance as in the first mentioned film. No, this time she’s an alternative looking, rebellious goth chick with raven black hair and sturdy shoes on her feet. Such a type of girl you’d encounter in a pub full of smoke and doom music. The only thing missing was a piercing through her eyebrow and lower lip.
Belle Bella Thorne.
And yet you can catch a glimpse of that lovely face with those sparkling eyes through the mascara. I myself was such an alternativo in times long past and I knew girls who looked like this. But believe me. There were quite a few scarecrows between them who used the thick layer of make-up as a camouflage. Bella Thorne, on the other hand, remains a ravishing appearance. Maybe her lips look rather botox-treated. But otherwise she’s a very attractive looking young lady. Especially when she’s a wearing a T-shirt braless. But enough about Bella Thorne. There is also the movie.
One day they were gone.
Just like in “Shovel Buddies” we are dealing here with deceased fellow humans. Something Veronica (Bella Thorne) is confronted with in her daily life. And not only Veronica. People worldwide see the victims of a scientific fiasco in which a laboratory imploded. An implosion that made people disappear within a mile radius, after which they re-appeared as holographic images in society. Somewhat like the shadows that remained behind of the people who were present in Nagasaki and Hiroshima when the atomic bomb fell.
I see dead people.
So these aren’t phenomena as Cole could see in “The Sixth Sense” or Thomas in “Odd Thomas“. Cole and Thomas saw real spirits. In “I still see you” it’s visualized memories that appear daily at regular intervals, performing the same routine all the time. Until you touch them and they disappear with a plop. They are immutable appearances without consciousness that have no influence on daily society. Until one of them appears in the bathroom where Veronica is taking a shower. It tries to tell her something life-threatening is going to happen.
I found a remnant in my soup.
And that’s what’s similar to the aforementioned films. Namely that entities from the hereafter warn the main character that something is about to happen. Anyway, these appearances are part of today’s society. Kids at school are having lessons about these “remnants” as they are called. They are remains from the past. The only thing I didn’t understand very well, was the presence of people from an ancient past.
Teenage girls will love it.
I add “I still see you” to the list “horrors for teenage girls“. There’s certainly no trembling and shuddering while watching such films (such as in “Happy death day” or “Before I fall“). So, don’t expect screaming teenage girls running out of the movie theater. And there’s also a bit of romance in this movie so that this target audience can daydream a bit. At first, I expected an exciting film with paranormal and ghostly events. In retrospect, it’s sort of a Nancy Drew-like film in which Veronica tries to solve the mystery of a so-called serial killer with the help of fellow student Kirk (Richard Harmon), who’s really interested in these “remnants”.
In the end, it was disappointing.
Although the movie is filled with sometimes beautiful images and you can call the story highly original, it’s all in all a bit disappointing. The start was promising. But as the film progressed it all became rather superficial. And guessing the ultimate outcome wasn’t so hard either. “I still see you” is indeed a movie suited for teenagers who are sitting anxiously close to each other while watching. For me, it was just like watching a political debate. Always the same and nothing special.
My rating 5/10
Daisy Ridley Promises Epic Lightsaber Duel In ‘Star Wars: The Rise of Skywalker’
“We in this film actually have perhaps one of the most epic fights in Star Wars.”
The lightsaber duel is a staple of Star Wars lore. Every episode has featured some of the most iconic battles in cinematic history. Many fans were disappointed with the lack of saber action in Episode VII, even though the film primarily focused on Rey trying to discover her true place within the universe. ‘The Last Jedi’ attempted to give us more action but was over shadowed by Director Rian Johnson’s character arc choices. Going into ‘Episode IX: The Rise of Skywalker’ J.J. Abrams knows what’s at stake, while bringing us the conclusion to one of the most beloved franchises in movie history. In a recent interview with Wired about Episode IX, Daisy Ridley shed some light on what we can expect in the final installment:
“The interesting thing about this film is that we concentrate more on the fact that [the lightsabers] are light,” Ridley told the publication, “Because the [old] lightsabers were so heavy, as Eunice [Huthart] said, who is our new stunt coordinator, that it was more like broadsword fighting, which isn’t technically what it’s supposed to be because lightsabers are supposed to be light, by nature.”
Since the “Skywalker” lightsaber that was a focal point in ‘Episode VII’ was destroyed during ‘The Last Jedi,’ it would appear that Rey will be getting herself a new “Lighter” saber. Daisy also, went on further to suggest we will be witnessing one of, if not the most epic Star Wars lightsaber duels of all time via Episode IX:
“So they actually made them lighter for us,”the actress continued “We in this film actually have perhaps one of the most epic fights in Star Wars.”
‘The Rise of Skywalker’ has a lot riding on it to properly conclude the “Skywalker Star Wars Saga.” J.J. Abrams is well aware of what’s at stake. One can only imagine that he will pull out all the stops to ensure one of the greatest endings in recent cinematic history.
Star Wars: The Rise of Skywalker hits theaters December 20, 2019
‘The Raid: Redemption’ Star Joe Taslim Cast As Sub-Zero In James Wan’s ‘MK 2021’
Warner Bros. And New Line’s Mortal Kombat reboot is slowing picking up steam. What we know so far, is the film is Scheduled for a March 2021 release and will have ‘Aquaman’s’ James Wan producing with Simon McQuoid directing. MK 2021 will draw from a story penned by Greg Russo. Fans have been clamoring for a modern take on the graphic video game turned film. The first movie was released in 1995, filmed on a $20mill budget, brining home $122.1mill worldwide.
‘Mortal Kombat’ 2021 has recently cast its first star in Joe Taslim. Taslim is best known for his role as “Jah” in 2013’s ‘Fast & Furious 6.’ He also starred in 2011’s ‘The Raid: Redemption.’ Taslim will now take on the role of the infamous Ice ninja, Sub-Zero in Wan’s Mortal Kombat.
It has also been confirmed by writer Greg Russo that ‘Mortal Kombat’ will be Rated-R and will feature fatalities for the first time on film:
“Since it’s already been stated by other members of the team, I’m gonna put this one to bed. MK WILL be R-Rated and for the first time EVER, FATALITIES will FINALLY be on the big screen (and no I’m not gonna say which ones) You’ll just have to wait for the movie & see!!!” 😉
The series takes place in a fictional universe consisting of eighteen surviving realms which, according to in-game backstories, were created by the Elder Gods. The Mortal Kombat: Deception manual described six of the realms as: “Earthrealm, home to such legendary heroes as Liu Kang, Kung Lao, Sonya Blade, Johnny Cage and Jax, and also under the protection of the Thunder God Raiden; Netherrealm, the fiery depths of which are inhospitable to all but the most vile, a realm of demons and shadowy warriors such as Quan Chi and Noob Saibot; Outworld, a realm of constant strife which Emperor Shao Kahn claims as his own; Seido, the Realm of Order, whose inhabitants prize structure and order above all else; the Realm of Chaos, whose inhabitants do not abide by any rules whatsoever, and where constant turmoil and change are worshipped; and Edenia, which is known for its beauty, artistic expression, and the longevity of its inhabitants.”The Elder Gods decreed that the denizens of one realm could only conquer another realm by defeating the defending realm’s greatest warriors in ten consecutive Mortal Kombat tournaments. -Wikipedia
Film Review : Wildling
Do you want to hear a story?
Do you want me to tell you about the Wildling?
“Wildling” is a peculiar film. It’s hard to put a specific label on it. One moment it feels like a teenage movie about a freshly emerging love. On the other hand, you can’t call it a teenage film per se. It’s a kind of coming of age film with an alternative twist. You could also call it a horror film with influences from werewolf films. But a “Wildling” actually belongs to a different kind of family of mythological creatures. And then there’s the moment Anna (Bel Powley) enters our civilization after years of isolation. She suddenly faces our way of behaving and living. Immediately I thought of films such as “Mama” and “Pete’s Dragon” where something similar happened. Add to this the hunting scenes in a wooded area and you can immediately conclude that this film cannot be classified directly under one specific genre. In that respect, it can already be called unique.
Let me enumerate the positive things first.
Let me first praise some elements of this movie. I found the choice of youthful actresses playing Anna amazingly successful. Aviva Winick, Arlo Mertz and Bel Powley each play a different period in Anna’s life. There wasn’t one moment that I thought there was something wrong with the appearance of Anna. They fit perfectly in the timeline. Subsequently, the transformation Anna underwent was well portrayed. Compliments for the make-up department. And finally a pat on the back for Brad Dourif who plays Daddy wonderfully, the person who takes care of and educates Anna in a sealed room. Still, strange I didn’t immediately recognize Brad Dourif. His role as Wormtongue from “The Lord of the Rings” is nevertheless engraved in my memory. How he can display so many emotions in that limited span of time is simply genius. Unfortunately, I found the ultimate role of him in the entire story less convincing.
Some unanswered questions.
But as usual, you’ll find a number of improbabilities in addition to the positive points. Not that “Wildling” drops to a miserably bad level, but it bothered me a little bit. The intro of the film is simply beautiful. Mysterious, intriguing and shocking at the same time. You constantly wonder which direction it wants to go and what’s the ultimate objective. Is Anna a prisoner of a network of morbid perverts? Is the outside world uninhabitable as in so many apocalyptic films? Or is there an element of truth in the story Anna hears for years already about the “Wildling“? And when Daddy starts giving injections, it’s really puzzling. And then there comes that turning point. An event I had questions about. During the film, you’ll see that the person Daddy was an experienced hunter. Well, this is probably the first time that he simply misses his target.
The 30s vibe.
It also seemed unlikely that Anna, after being isolated from the outside world for many years without any interaction with other individuals, adapted so quickly. Wasn’t it better for such a unique person to be protected from the surrounding world? How is it possible Anna could go to a public school without any problem. A hostile environment, full of unknown emotions. I can imagine that this is very confusing for her. Let alone to let her go to a party with deafening booming music and liters of alcohol. She struggles like a fish on dry land. Another laughable moment was when Ellen (Liv Tyler) deposited a pack of sanitary pads in front of Anna. I suppose Anna had no idea what it was and what it was for. By the way, I also had trouble recognizing Liv Tyler immediately (also a “Lord of the Rings” participant). Maybe I miss her fairytale kind of appearance. Or her beauty starts to fade. But that’s a different kind of reverie from me. And finally, I thought Daddy’s final action during the hunt was terribly exaggerated. How he managed that (you’ll know what I’m talking about when you see it), remains a mystery to me.
“Wildling” is a strange but special flick.
“Wildling” certainly isn’t a bad movie. But in hindsight, it’s all rather blurry and superficial. Not that an extensive and detailed explanation is necessary. But I expected some more background information about the origin of these mythical creatures. Maybe it’s also because the film aims at too many genres. The fairytale mixes with horror elements and then transforms effortlessly into drama. “Wildling” can easily be added to other nature documentaries about animal species threatened with extinction. Never thought of seeing this concept in a soft-horror fantasy story. If there’s one thing this film succeeded in with flying colors, it’s the idiosyncratic use of the well-known werewolf concept. In short, a strange but special film.
My rating 6/10
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