We have no idea what it was that bit you.
It had fingers, Andy!
If there’s one genre with so many releases that you get tired of it, it’s certainly the zombie genre. I’m sure this kind of movies is made on a daily basis. Movies in which infected undead stumble around, searching for victims, to have a portion of juicy brains. Most movies aren’t very innovative and all known clichés are being used. But occasionally you come across something completely different where they want to give a new direction to the zombie genre. Just like in “Maggie” it’s about a father who wants to protect his daughter. Only, little Rosie (Finlay and Nova Sjoberg) isn’t aware of any threat.
It starts off idyllic.
The story is set in the Australian bushes (the last Australian zombie flick I have seen was “Wyrmwood“. Also highly recommended). Andy (Martin “The Hobbit” Freeman), his wife Kay (Susie Porter) and their baby-daughter Rosie are quietly riding a dilapidated boat across a river. It seems idyllic and has a high “The African Queen” mood. There’s no indication of a post-apocalyptic situation with humanity again being the victim of a viral outbreak. Until they come across the wreck of a boat.
The same stupid decisions over and over again.
The only thing that bothered me in this film are the stupid, illogical decisions that were made. It’s understandable that this family can’t go on forever without providing themselves with new food and provisions. Trust me. I would also go and check if there wasn’t anything useful to find on board this boat. But knowing that every moment you can be attacked by a hungry zombie, I would certainly not do this unarmed and without informing the other person. I suppose they are of the same intellectual level because Kay makes the same primal mistake. With all the consequences.
Hit the tree instead of the zombie, please.
The next stupid fragment announces itself when the family is on the run in an abandoned off-road vehicle. In normal circumstances, you as a driver will try to avoid inattentive crossing pedestrians. You’ll probably perform some neck-breaking maneuvers that are a risk to your own life. But when knowing that the mainland is populated by soulless creatures whose only goal is to take a big bite from any uninfected after they have towed them to a local zombie barbecue, you would rather put the pedal to the metal. But no. Not Andy. He’s so good-hearted that he prefers to crash the all-terrain vehicle against an Australian boab instead of hitting such a creature. But as I said before, these are the only drawbacks in this, for the rest, fascinating and especially emotionally poignant zombie story.
Problems in Australia? Ask the Aboriginals for help.
The film itself isn’t unnervingly exciting. It shows the self-sacrificing agony Andy undergoes so he can take his daughter to a safe place. Far from the mutated fellowmen and half-wits who do totally crazy things in this chaotic world. Like putting an Aboriginal in a cage after which the target practice can start with zombies, which are lured by fresh meat. Incidentally, it’s the Aboriginals who know how to maintain themselves in this new world. With primitive-looking rituals they succeed in liquidating zombies and plant-based ointment provides protection. It’s also a young Aboriginal girl (Simone Landers) who helps Andy with his trip through the bush and who provides a safe haven.
An emotionally touching zombie-flick. Who would have thought that?
Frankly, I thought this film was original in many ways. Not only the zombie concept was elaborated in a different way. The transformation is totally different than in a typical zombie movie. Here it’s not only blood and ripped off flesh, but it’s a blubbery, slimy substance that manifests itself during the 48-hour transformation. Also, the phenomenon of zombies with their head in the ground (ostrich-like behavior) was surprising. Was it to shut themselves off from the outside world? Or is it part of the transformation process? No idea. But it was fascinating enough. And finally, the most impressive thing for me personally was the atmosphere that this film radiated. I never thought I would ever watch a zombie movie and get emotionally touched by it. You really have to be a zombie if you don’t want to be moved by this movie. And finally, praise for the admirable acting performance of Martin Freeman. A whole movie he played a leading role and not for a moment I had the feeling he was playing a hobbit. That’s what I call an achievement.
My rating 7/10
Thank You For The Support!
Just Mercy | Official Trailer – HD
December 25, 2019
Destin Daniel Cretton
Michael B. Jordan, Brie Larson, Tim Blake Nelson, Jamie Foxx, O’Shea Jackson Jr., Rhoda Griffis, Rafe Spall
A powerful and thought-provoking true story, “Just Mercy” follows young lawyer Bryan Stevenson (Jordan) and his history-making battle for justice. After graduating from Harvard, Bryan might have had his pick of lucrative jobs. Instead, he heads to Alabama to defend those wrongly condemned, with the support of local advocate Eva Ansley (Larson). One of his first, and most incendiary, cases is that of Walter McMillian (Foxx), who, in 1987, was sentenced to die for the notorious murder of an 18-year-old girl, despite a preponderance of evidence proving his innocence and the fact that the only testimony against him came from a criminal with a motive to lie. In the years that follow, Bryan becomes embroiled in a labyrinth of legal and political maneuverings and overt and unabashed racism as he fights for Walter, and others like him, with the odds and the system stacked against them.
Adopt a Highway: Melancholic And Endearing Film That Will Touch A Sensitive Nerve
When you commit a third violent crime,
you will be put away and put away for good.
Three strikes, and you are out.
Every now and then you come across such an unknown, idiosyncratic film, which was probably made with a modest budget and for which no huge marketing budgets have been made available. A film you don’t really expect too much from. That’s “Adopt a Highway“. It’s not a cheerful or action-rich film. I really expected a depressing drama. And even though there’s a moving moral in it, you can say there’s also another hidden message in this film. A message of hope, compassion and modesty.
The introduction shows how Russell Millings (Ethan Hawke) leaves prison after being imprisoned for 21 years. Reluctantly. Somewhat anxious and timid. A man who’s alienated from society and who struggles to keep up with the contemporary pace. Someone who has never used a mobile phone, the internet or e-mail. And all thanks to a short-sighted policy in which someone is sentenced to a heavy sentence when he gets involved in something for the third time. No matter how small the criminal offense is. The so-called “three strikes” legislation. In Russell’s case, it is about owning a few grams of marijuana in the state of California. Something that has become virtually legal after those 21 years. An unreasonable punishment that ensured that he wasn’t given the opportunity to develop into a decent citizen.
Ethan Hawke’s brilliant performance.
Ethan Hawke probably demonstrates his best acting performance here. The way he plays Russell is simply breathtaking. He’s in the spotlight almost constantly. And his clumsy way of conversing and interacting with others is simply sad and pitiful. It’s not clear whether Russell used to be mentally deficient from a young age already or if he got numb from the years of imprisonment. In any case, he’s treated by the official authorities as insignificant and is left to himself a bit. He tries to live an honest life and tries to avoid following the wrong path again. A simple life where he earns a living as a dishwasher in a fast-food chain and sleeps in a motel. Until he discovers the adorable Ella (Savannah Sucher) in a garbage container.
A baby’s gratitude.
Even though from the outset he realizes that it’s almost impossible for him to take care of a baby, he still hesitates to hand over the lovely baby to the authorities. What follows are touching moments that he experiences with the few-month-old Ella. His ignorance about taking care of a baby and the sense of responsibility that he suddenly experiences, take away the attention of the depressing life that he led until then. Even though Ella’s discovery brings a turning point in Russell’s life, this wasn’t the central theme for me. This helpless and innocent little girl shows gratitude in a spontaneous way. No disinterest, impatience or incomprehension as adults treat him. The most emotional scene is the one on the beach where Russell tells a part of his life story.
A second chance.
“Adopt a Highway” is a melancholic and endearing film that will touch a sensitive nerve with many viewers. Well, in my case it did. Some will call it a corny ending. I thought it was a logical conclusion. An example of humanity. It’s also a film about getting a second chance in life. I was surprised by the Blumhouse logo and I already assumed that this would be a very sinister movie. That’s certainly not the case. The explanation for the Blumhouse connection lies with the director Logan Marshall-Green who appeared last year in the Blumhouse production “Upgrade“. “Adopt a Highway” is, therefore, his debut as a director. And as far as I’m concerned he can certainly direct such a gem again. I’m ready for it.
You can see “Adopt a Highway” on Vudu, iTunes and Amazon.com
My rating 8/10
Low Tide: It’s Quite Obvious That It Won’t End Well
Eight, nine, ten. A thousand.
You boys find any more coins,
give me a holler.
Once and a while I like to watch a well-made coming-of-age movie. Such a film about juvenile innocence in which a radical event shakes the pleasant life of one or more young people. A life experience many of them look back at when they are adults. Like in “Stand by me” where a group of comrades goes looking for a corpse to become famous. In “Mud” it’s about two rascals helping a fugitive. And “Rockaway” shows two brothers who come up with a daring plan to get rid of their violent father. In most cases, things get a bit out of hand, making the impact on the involved kids even greater. Or it should be such a fairy-tale story as “The Goonies” (also aimed at a youthful audience) with a whopper of a happy ending so that you can walk around for days with such a broad smile that people are convinced that a coat hanger got stuck in your mouth.
Let’s bully Benny’s.
Admittedly, “Low Tide” is a bit reminiscent of “The Goonies“. Here you have two brothers, Peter (Jaeden “The Book of Henry” Martell) and Alan (Keean “Alita: Battle Angel” Johnson), who find a bag of gold coins while plundering beach houses of tourists. Golden coins of such value that it could be a way out of their futureless life situation. The whole story is situated in a remote region of Jersey Shore. A shabby neighborhood where fishery plays an important role. And tourism is also flourishing thanks to the wealthy day-trippers from the surrounding areas. The teenagers call those day-trippers Benny’s (residents of Bayonne, Elizabeth, Newark, New York). Alan, Red (Alex “A-X-L” Neustaedter) and Smitty (Daniel Zolghadri) hate them and therefore adhere to one rule during their raids. Homes of the local population are categorically shunned when they go looting once again.
A charming film full of frivolity.
There’s something charming about this film. It radiates frivolity and carefreeness when you see the three bosom friends joking at the fair. Acting tough and flirting with girls passing by. A summery atmosphere full of joy and mischiefs. Of course, their nocturnal escapades cannot be approved. For them, it seems like a game and a way to get money to sponsor their daily activities. Parental control is nil since Alan’s father has been at sea for some time. The rest seems to be parentless (no idea what Red’s family situation is) or their parents have no time or desire to worry about them. Even when Smitty loses a shoe and breaks a leg during such a nocturnal adventure, the three don’t seem to worry. It’s only when Peter is involved and a valuable treasure is found that the tensions starts to rise. Suddenly there’s discord within the close friends’ club. Distrust and greed arise. And when the local police officer Kent (Shea Whigham), who keeps an eye on one of the rascals, begins to meddle in their affairs, the real personality of some is struggling for dominance.
Not too bad but disappointing.
Despite the generally fascinating acting and the beautiful images presented in this film, there are a few shortcomings in this movie. First of all, the story itself is interesting, but on the other hand, it’s a bit too simplistic. You can easily summarize it all in a few short sentences. But most of all, there’s mainly a lack of tension. It’s quite obvious that it won’t end well. And that such a handsome guy like Alan will get some major attention from girls he meets, even though she’s a Benny, with a romantic tête-à-tête as a result, is not really a surprise and something you could expect. Red’s aggressiveness reaches a peak as his suspicion grows more and more. And they begin to feel the hot breath of Sergeant Kent down their neck. And yet the film fails to end up in an apotheosis. The outcome was actually disappointing, even though it was a logical conclusion. No spectacular firework (as can be seen at the end of the movie) and far too predictable. Unfortunately, because it still was a charming film.
My rating 5/10
Wonder Woman 1984 | Official Trailer – HD
Free Guy | Official Trailer – HD
Wonder Woman 1984 | Teaser – Full Trailer Tomorrow
1917 | Official Trailer – HD
Joker: A Well-Deserved Oscar Statuette For Joaquin Phoenix
Brightburn – This Superhero Parody Peppered With SF And Horror Elements Is Simply Sublime
Buy A SHIRT
Comic Book Movies2 weeks ago
Joker: A Well-Deserved Oscar Statuette For Joaquin Phoenix
HORROR4 days ago
Child’s Play: A Creditable Attempt To Breathe New Life Into The Chucky Franchise
Netflix/TV3 weeks ago
Let it Snow: Couples Of This Earth, Unite And Go And Watch This Film
DC3 weeks ago
Henry Cavill Reportedly Not Giving Up The Red Cape Just Yet