The El Royale is a bi-state establishment.
You have the option to stay in either the great state of California…
or the great state of Nevada.
Warmth and sunshine to the west…
or hope and opportunity to the east.
Which would you prefer?
Let me get straight to the point. Yes, this film by Drew Goddard refers to several masterpieces from the past. And yes, it has the atmosphere, story structure and the look of a Quentin Tarantino film. You will probably read this on every movie site. Is this necessarily a bad thing? Does this mean Goddard doesn’t have his own style? Is it necessary to compare a brilliant film such as “Bad times at the El Royale” with Quentin Tarantino’s oeuvre? Personally, I don’t think so. When I get sucked into the story while watching this film, just like “The Hateful Eight” did with me, then this is a merit of Goddard himself. If a movie succeeds in keeping my eye fixed on the screen for more than 2 hours, then it’s worth a compliment. And when one compares it with another grandmaster, I guess it’s a compliment for both of them. I’m sure Tarantino will like this film as well.
For starters, the location itself is pretty original.
In any case, the location where the story takes place is in itself already original. A captivating motel/hotel built on the border between Nevada and California. You cross the border, as it were when you walk from the reception to the jukebox. And different laws are applied in every part of this unique hotel. But since a while, it’s abandoned. Far away from other metropolises so consequently it’s also cheaper. In earlier times though, the “El Royale” was a secret location where public figures stayed over for a night and where they could engage in rather appalling practices, far from civic life. This is where the entire story takes place. A story with different storylines with each time a character in a leading role who happens to looks quite ordinary at first acquaintance. As the film progresses, it turns out they all have their own hidden agenda. And all these storylines are entwined with each other until it finally ends in a rousing apotheosis.
Characters with dark secrets.
So, it’s not a secluded cabin which is unreachable thanks to excessive snowfall (I know. I’m comparing again). And the pawns that are set out at the beginning (like in a game of Cluedo) are a priest (Jeff Bridges), a soul singer (Cynthia Erivo), a vacuum cleaner salesman (Jon Hamm), a rebellious young lady (Dakota Johnson), and a shy young receptionist (Lewis Pullman). A grab-bag of people who apparently happen to spend the same night in El Royale. After the introduction of the characters, the film is divided into episodes and a fragmentary web of storylines arises in which the dark secret of each character comes up. And before you know it, the vacuum cleaner dealer is someone who resembles a secret agent, the priest is looking for something more valuable than God’s message, the rebellious lady is on the run from someone devilish and the receptionist has a past full of victims. Only the soul singer seems authentic and has a damn good voice.
The less you know, the better.
Maybe it sounds a bit vague. But believe me: the less you know, the better. I was surprised again and again by the various twists. And those twists sometimes come from an unexpected angle. It wasn’t only the way of filming that pleased me, but also the subtlety with which it was all interwoven. Some story elements were shown from three viewpoints. Time and time again in a new storyline. Normally this could lead to confusion. But here it fits perfectly. And this all in a typical 60s setting with accompanying props, appropriate clothing and a Wurlitzer that produced that distinctive Motown sound. Take “Pulp Fiction“, “Twin Peaks” and “The Hateful Eight” and you get a movie like “Bad times at the El Royale” after a good shake-up. Simply wonderful.
How about acting?
Let’s talk about renditions. Actually, there is no character that disappointed. Each has his/her reasons for being there and has his/her own personality traits. It was clear from the beginning they were all enjoying themselves while playing their part. Once more the acting of Jeff Bridges as a priest was a joy to watch. Even though he talks as if he’s nibbling on chewing tobacco or a hot potato as in “R.I.P.D” and “Seventh Son“, I simply thought he was sublime as the priest with Alzheimer’s. And certainly, the interactions between him and Cynthia Erivo are simply great. She also has a beautiful voice that came in handy in a specific splendid scene.
Chris Hemsworth. Give that man a cigar.
Personally, I thought Lewis Pullman was the most imaginative character as the labile receptionist. And Dakota Johnson not only had the most titillating body contours, but she also took on the most insane part. And finally an honorable mention for the admirable performance by Chris Hemsworth (he’s forgiven for his role as Kevin in “Ghostbusters“). He’s a cult leader who shows up as a dead calm Jim Morrison-like creep (Watch him dance). The beginning of an out of control denouement.
A must see? Yeah sure!
“Bad times at the El Royale” is definitely recommended and is not boring for a second. I thought it was an original tinkered story that ends in a shrewd way. Add to that a top cast and an atmospheric décor that is put in the picture with the help of masterful footage, and you can be sure that you’ll enjoy the full two and a half hours. And claiming that the film is right up Tarantino’s alley, certainly is true. But to assert that it’s a shameless imitation, I find a little bit exaggerated and a typical sour note from a sourpuss.
My rating 8/10
Thank You For The Support!
The Untouchables – A Retrospective Look
I watched this in honour of Sean Connery who sadly passed away the day before. It must be 10 years since I have watched this, and I had forgotten how brilliant it actually was.
What is often overlooked with ‘The Untouchables’ is just how emotional it is in parts, from Ness (Kevin Costner) meeting the mother of a girl blown up by a cafe bomb to the touching climax between Ness and Stone (Andy Garcia). It is a film that is genuinely upsetting to see the end, you would be quite happy to spend more time with these people.
It is also undoubtedly a film about friendship and that is where the late great Sean Connery stands out from the cast. As supposedly past it beat cop Malone, he strikes as a man of lonely isolation, just trying to get through every shift alive. He is at first suspicious of Ness but soon warms to what Ness is trying to achieve and there the bond between the two starts. Malone’s relationship with Stone gets off to a less auspicious start but by the end of the film, the relationship produces one final emotional wallop that we all deeply feel. Throw in accountant Oscar Wallace, played for the comic relief by Charles Martin Smith and we have four disparate men bonding over their end goal, to catch and see justice brought again crime lord Al Capone, (played with menace by Robert DeNiro).
There is so much to admire here, some of the setpieces are simply astonishing, the stakeout and subsequent battle on the Canadian border are sensationally choreographed, and a homage to the Odessa Steps sequence from Battleship Potemkin is nerve shreddingly executed. The violence is brutal and shocking at times and as stated previously the deaths are graphic and in one particular case deeply moving.
Kevin Costner was a star on the rise at this point, with big hits like ‘Field of Dreams,’ ‘Dances With Wolves,’ ‘JFK’ and ‘Robin Hood’ to come, he is excellent as the clean-cut family man Ness. A young Andy Garcia is impressive as the sharpshooting Stone, but this is Connery’s film. It’s an exceptional performance filled with guile, wisdom and what is apparent from the get-go, anger. He would win an Academy Award for this film and few could argue against it.
Its an incredibly neat and tidy film, it never outstays its welcome or gets too bogged down in courtroom showdowns. It’s gritty and powerful and a reminder of just how good an actor and phenomenal screen presence Connery was. It doesn’t get much better than this.
This review is dedicated to the memory of Sir Sean Connery 25/8/1930 – 31/10/2020 – A true screen icon
On the Rocks (2020)
You know what’s great about her?
She doesn’t talk. She just listens.
That sounds perfect for you.
Life is full of unexpected turns. As an 18-year-old, I rented the adult cartoon “Tarzoon: Shame of the Jungle” just for fun. Probably because of the titillating vamp on the cover, lying naked on a huge platter and carried by figures that looked like penises. No one could suspect that a voice actor in this cartoon would become one of my most popular actors. If there’s one comedian who manages to make me chuckle without any problem, it’s Bill Murray. Like in “Stripes” and “Ghostbusters”. Or the incomparable film “Groundhog Day”. However small his role may be in a feature film, he always manages to create an unforgettable scene, such as in “Zombieland” for example. Put Murray in a horror, and his typical way of acting makes it a completely different experience. Just watch “The dead don’t die” and you’ll know what I mean. In short, a versatile actor who takes a film to a higher level with his contribution.
Lost in Translation.
This year I came to the conclusion that I had never seen the movie “Lost in translation”. A film directed by Sofia Coppola (daughter of) with Bill Murray and the very young Scarlett Johansson in the leading roles. Even though there was something slightly comical lurking beneath the surface of this film, the subject matter was far from comical. A film about two individuals who are right in the middle of an identity crisis. A film about love and loneliness. Loneliness not only because of the life situation they both find themselves in, but also because of the fact that they are in a country where they don’t understand the language, culture, and general way of life. Two lost souls who discover, sense, and encourage each other. I admit, I was moved after seeing this masterful film. Finally, after a long time a film that rocked my socks off. A thought-provoking film that’ll resonate for a pretty long time. Yes, some movies do that to me.
A wild search for the truth.
And then 17 years after the release of this magisterial film, we get a renewed collaboration between Sofia Coppola and Bill Murray. “On the Rocks” is not as magical as “Lost in Translation“. But somewhere deeply hidden it does have points of contact with the latter. Here, too, Laura (Rashida Jones) is in the middle of a crisis. Both in terms of her marriage and her writing career. The suspicion that her husband Dean (Marlon Wayans) just pretends to have lots of work since starting his own company, just to cover up an affair, grows stronger. And writing a new book isn’t easy either. The day she tells her father Felix (Bill Murray), a charismatic wealthy art dealer with an untameable flirtation habit, about her suspicions, he throws himself wholeheartedly into the case with full dedication. Before Laura realizes it, she is embroiled in a wild search for the truth.
Murray nails it.
“On the rocks” isn’t such a depressing and melancholic story as “Lost in translation“. There’s more humor in it. How another mother at school tells Laura every morning about her love life. The interesting facts about human behavior and the evolution of relationships between men and women Felix tells about every time unexpectedly. The wild chase in a “not so suspicious-looking” red, noisy convertible through the streets of New York. Perhaps it’s rather light, uncomplicated humor. Still, it’s subtle at the same time. The chemistry between Laura and her father feels unforced and authentic. And this won’t come as a surprise: Bill Murray nailed it once more. He demands full attention every time he comes into the picture. His characteristic acting and the way in which he can charm random people with his smooth talk is simply superb. And it’s not just the female population that falls for his smooth-talking. The way he manages to turn a police officer’s mood from being reprimanding to being helpful is just sublime.
One more time.
“On the rocks” is about marital troubles, a complicated father-daughter relationship, and also about how people get lost in the turbulent and chaotic society in which they live. It’s not another masterpiece of Coppola, but surely it’s another successful cooperation between Coppola and Murray. I quietly hope that they will work together again in the future.
My rating 7/10
The Craft: Legacy | Official Trailer – Sony Pictures
An eclectic foursome of aspiring teenage witches get more than they bargained for as they lean into their newfound powers.
Drama, Fantasy, Horror
October 27, 2020
Michelle Monaghan, Cailee Spaeny, David Duchovny, Gideon Aldon, Lovie Simone, Hannah Gordon, Nicholas Galitzine
An eclectic foursome of aspiring teenage witches get more than they bargained for as they lean into their newfound powers.