If you could have just said, “I’m sorry”, or faced up to what happened.
Maybe then we could do something with this.
But you can’t take responsibility for anything!
So now I can’t accept… And I can’t forgive because…
Because nobody admits anything they’ve done!
“Hereditary“. A film I was really looking forward to and expected a lot from. Unfortunately, it was kind of a disappointment. If it would be a psychological drama that concentrated on the traumatizing effect after the loss of a relative with a labile mother as a result, I would have liked it. The fact Annie (Toni Colette) doesn’t have a stable and healthy mind is actually not that surprising. Not with a psychotic depressed father who starved himself. And a schizophrenic brother who hung himself in his mother’s bedroom. And a dominant mother figure that, in my opinion, couldn’t think clearly. Annie’s mother isn’t really clearheaded when you see the diorama with Annie breastfeeding her daughter. At least if this diorama displays how it happened in reality. And they generally do. A person would go nuts for a lot less.
Terrible sadness and mourning.
And Annie also goes completely through the ribbon after the terrible accident that happens to her daughter Charlie (Milly Shapiro). A strange little girl with a downright peculiar appearance. A regrettable and mind-boggling accident. And her brother Peter (Alex Wolff), can hardly be blamed. Maybe he should not have left Charlie on her own that night. Leaving her so he could smoke some weed with a nice girl from his class, isn’t only bad for his health. It also results in this dismal accident. An impressive moment of acting and at the same time a heavy emotional event that’ll get under your skin. No, this film isn’t about scary and blood-curdling scenes. Not initially, that is. It’s the grief for those who died, that makes the most impression. You’ll be struck by an uncomfortable feeling when you hear Annie screaming and crying. A sound like nails on a chalkboard. And you’ll feel sorry for Peter who doesn’t know what to do with his sorrow.
Not an easy movie.
“Hereditary” isn’t an easy movie. Emotionally you are dragged back and forth. Just like the members of the Graham family. A mother who has been traumatized by her past. Husband Steve (Gabriel Byrne) who looks at everything in a passive way and actually has no idea sometimes how to deal with the situation. And the son Peter, whose bond with his mother comes across as reasonably dysfunctional, tries to soften his frustration by using mind-altering substances. And then there’s Charlie. A little girl who clearly lives in her own universe. And above this dislocated family the spirit (Not literally! Or maybe it does.) of a seemingly tyrannical and dominating grandmother floats around. A woman who also had an unhealthy interest in the occult.
Scariest movie in years. Don’t make me laugh.
“Hereditary” knows how to keep the suspense alive in a smart way. The mysterious mood is constantly present. It’s also a terribly slow film with an enervating soundtrack in the background. At a certain moment, you don’t know what makes you nervous the most. The whole atmosphere or the slow pace. What I do hate a lot, is the exaggerated hyping of movies like “Hereditary“. According to their crafty marketing department, this would be the most terrifying horror film of the last 50 years. Even scarier than “The Exorcist“. This ought to be correct if you read the press releases. People are fainting and are leaving the theater massively because it’s so scary. Maybe that’s why you’re feeling tense. Even when the movie just started. Trust me. Apart from a few explicit graphic shots, it’s all reasonably suggestive. “Hereditary” is again such a horror movie with a double meaning. A movie that pushes your feeling in a certain direction and finally has such a twist that you are totally lost. A film that simply begs for a re-watch so you might discover the missed hints. And that, fellow moviegoers, is something I never do and I’m not planning to begin with in the future.
Highlight: the acting of Toni Collette.
Don’t get me wrong. This is a gem when you look at the cinematographic part and the acting. The way in which everything is depicted is simply fantastic. Sometimes it might be a bit exaggerated so that you get a multitude of painfully slowly zoomed in images. But in general, it’s a pleasure to watch and a continuation of the wonderful footage from the intro. Toni Colette plays a major role in this film (with the dinner scene as highlight). It’s certainly not easy to play such a tormented soul. A beautiful performance delivered by this actress (even though she already convinced me of her acting talent in “Miss you already” and “Please stand by“). And it remained mysterious and ominous until it escalated at a certain moment and evolved into a sort of “The Lords of Salem“. And when you reach the end you’ll probably conclude that it’s indeed advisable to watch the film again so you can rediscover certain clues. But again, that’s not my cup of tea.
My rating 6/10
Thank You For The Support!
1917 | Official Trailer – HD
December 25, 2019
Andrew Scott, Benedict Cumberbatch, Richard Madden, Mark Strong, George MacKay, Colin Firth, Dean-Charles Chapman, Gerran Howell
Two young British privates during the First World War are given an impossible mission: deliver a message deep in enemy territory that will stop 1,600 men, and one of the soldier’s brothers, from walking straight into a deadly trap.
Netflix: Rattlesnake | Official Trailer -HD
Drama, Horror, Mystery
October 25, 2019
Carmen Ejogo, Theo Rossi, Emma Greenwell, Richard Lippert, Arianna Ortiz, Joy Jacobson, David Yow
When a single mother accepts the help of a mysterious woman after her daughter is bitten by a rattlesnake, she finds herself making an unthinkable deal with the devil to repay the stranger.
Asher: Ron Perlman Really Was The Most Suitable Person To Play Asher
I just killed a man in the bathroom, and I’m afraid if we don’t leave right now,
they’re gonna call the cops.
Hmm. So it’s true.
Men will say anything for sex.
A hitman who, by chance, encounters a lovely dance teacher and realizes that it’s time to turn his back on his dangerous profession. And then he comes to the conclusion that it’s not so obvious to do that. Well, doesn’t it sound familiar to you? It’s a bit like “Polar“, the “John Wick” -like action thriller, but with considerably fewer action scenes. The way Asher (Ron Perlman) enjoys a carefully cooked meal and a glass of wine on his rooftop terrace while observing the nocturnal activities in the city, is a snapshot that perfectly reflects how the rest of the film feels. You’ll get that easy-going feeling the entire film. So don’t expect an impressive and magically choreographed action film. The fact that one of the targets who Asher had to liquidate, drops dead because of a heart attack before Asher does anything, is telling. Not that the film is deadly boring. But it’s not energetic either.
Perlman is perfect to play Asher.
In my opinion, Ron Perlman really was the most suitable person to play Asher. This impressive-looking actor with his characteristic facial features exudes a kind of calmness and is at the same time intimidating enough. Ron Perlman, better known as “Hellboy” but also known for his contributions to an infinite number of other films, delivers a suitable interpretation. Maybe his age has something to do with it. As a 70-year-old, he does not have to put a lot of effort into playing an almost retired killer. A grayish, tough guy who suddenly starts to notice that his shape is deteriorating. When the lovely Sophie (Famke Janssen) crosses his path, he suddenly realizes that being lonely at an old age isn’t something he’s looking forward to. In any case, it’s a role that demands more than just brute force. And Perlman, who in my eyes looks very much like Thanos, knows perfectly how to keep the balance between the professional, experienced assassin and the old, somewhat gloomy man who realizes that his career is over and that the younger generation will soon take over.
A timid and stressed young woman.
Famke Janssen, who immigrated from the Netherlands to the US and played in blockbusters such as “Taken” and “X-men“, isn’t playing her most impressive role here but still manages to portray the person Sophie in an excellent way. A timid and stressed young woman with a turbulent past and dealing with her own personal problems. It’s mainly her dementing mother Dora (Jacqueline Bisset) she’s worried about. The old woman no longer recognizes her and sometimes responds in a sharp and angry manner. This ensures emotionally charged scenes. And in one way or another, it’s also the reason for an unconsciously funny moment. For me, the conversation between Asher and Sophie about putting Dora out of her misery was the most moving and at the same time funniest moment of the film. An exchange of ideas on how to accomplish this while Sophie has no idea what Asher is actually doing. Let’s say, a tragicomic moment.
The acting wasn’t bad. On the contrary.
“Asher” is a mediocre crime movie that has difficulties getting off the starting blocks. And even when it gains momentum, the pace still seems to be slow and the film still colors nicely within the lines. This time it’s not about bad acting but rather the actionless content. They focus more on the development of a close relationship between two lonely souls. For me, this was enough to call it an interesting film. Even though the subject itself isn’t groundbreaking and some things are bluntly idiotic. For example, I found the corridor scenes in which Asher stood there with his umbrella while the fire alarm went off, completely ridiculous. I thought it was odd that only the targeted person runs out of his apartment in a panic. So, the movie isn’t a high flyer, but if you come across it somewhere on a VOD service, you might still be able to give it a chance.
My rating /10
1917 | Official Trailer – HD
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