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‘The Haunting of Sharon Tate’ Movie Review

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Genre : Horror
Rating : Unrated
Director: Daniel Farrands

Cast:
Hilary Duff
Jonathan Bennett
Lydia Hearst

 

 

If there’s one thing movie audiences love it’s an old school true crime story. Fads may come and go but a good true crime story seems to be universal and one of the most popular subjects is cult leader Charles Manson. A typical hippie at first glance his “family” would commit one of the most gruesome crimes in California history. Just after midnight in 1969, four members of Manson’s Family would invade one of the many mansions in Benedict Canyon. Thinking it was the home of a record producer Terry Melcher, a man Manson felt wronged him, they murdered up-and-coming actress Sharon Tate and friends she was entertaining. What’s even scarier, she may have known about it beforehand. Rumor has it that Tate had a premonition of her fate two years earlier. Although the rumor is easily refutable The Haunting of Sharon Tate asks what if it were true?

Taking place just three days before Tate’s death on August 9, 1969 a pregnant Sharon Tate waits for the return of Roman Polanski. Staying with some of Roman’s friends she feels alienated in her own home. A situation only made worse when she has a nightmare/premonition of a mysterious cult killing her and her friends.

As you can see, writer-director Daniel Farrands took quite a few liberties with Sharon Tate’s story with the nightmare being just the beginning. Instead of making a straight forward crime story he goes head first into the supernatural. Depending on how you feel about this fact determines how you will react to The Haunting of Sharon Tate in general. If you can look beyond that it doesn’t fare much better as a movie.

Trying to be a mix of Zodiac and Stir of Echoes it does neither right. A combination of cheesy dialogue and comically bad production value make the movie feel less like a David Fincher and more Lifetime movie of the week. Then, around the 45-minute mark, The Haunting of Sharon Tate dives headfirst into the horror genre. Unfortunately, the parade of home invasion-based jump scares lose their luster quite quickly. By the time the insanity hits its peak it feels too little too late.

To my surprise the highlight of the film is ex-teen queen Hilary Duff. The former Lizzie McGuire/”So Yesterday” songstress seems like an odd fit and she absolutely is. She doesn’t quite nail Tate’s accent and it can lean a bit too Hallmark original movie. And yet it can be oddly charming juxtaposed against the movie’s grim atmosphere. You can tell she’s trying her best with the material and it can be quite endearing. And although former Mean Girls star Jonathan Bennett can chew the scenary at times this is Duff’s show, for better and for worse.

The Haunting of Sharon Tate is problematic from the jump but it could have been salvaged. It could have been the next “so bad its good” cult classic ala Liz & Dick if it went all the way with the melodramatics. At the same time, it could have been the next great exploitation movie if it leaned more into its inherently seedy nature. Instead writer-director Daniel Farrands lands somewhere in between that is too bloody for Hallmark yet too schmaltzy for the midnight movie crowd.

 

 

Rating 3/10
Links : IMDB

The Haunting of Sharon Tate is now in theaters and on VOD

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Finally Official – ‘Matrix 4’ Is On The Way With Original Cast

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“Lana is a true visionary, a singular and original creative filmmaker”

This time it’s for real! This is not a drill “Matrix” fans. Warner Bros. Picture Group chairman Toby Emmerich has confirmed, the computer generated world of ‘The Matrix’ will be returning to the big screen. The original cast will be reprising their roles, while Lana Wachowski will be sharing co-writing duties with Aleksander Hemon and David Mitchell. Lana will also be directing the future installment, with no word as of yet if her sister Lilly Wachowski will sign on. But chances are, that may change once things get further underway. Toby Emmerich released an official statement on the project, here’s what he had to say:

“We could not be more excited to be re-entering ‘The Matrix’ with Lana. Lana is a true visionary, a singular and original creative filmmaker, and we are thrilled that she is writing, directing and producing this new chapter in ‘The Matrix’ universe.”

Though Plot details haven’t been worked out. Lana Wachowski shed some light as to the direction we can expect:

“Many of the ideas Lilly and I explored 20 years ago about our reality are even more relevant now. I’m very happy to have these characters back in my life and grateful for another chance to work with my brilliant friends.”

Keanu Reeves is set to return as Neo with Carrie-Anne Moss reprising her role as the infamous computer hacker, Trinity. How this will all work has yet to be revealed, considering both characters met their demise at the end of the current trilogy. There’s is also no word yet on whether  Laurence Fishbourne will return as the rebellion  leader, Morpheus.

Production is set to begin 2020

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Comic Book Movies

Joaquin Phoenix Stares Into Your Soul As The Joker Via “il venerdì di repubblica” Cover

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“Cinematic achievement on a high level.”

Director Todd Phillips has gone on the record stating, his film is going to piss off hardcore comic book fans. The upcoming ‘Joker’ movie will not follow any comic book plot lines or continuity for the villain, and will in fact be its very own stand alone film. With that being said, the movie is already garnering praise from select audiences. Cameron Bailey, co-head and artistic director of the Toronto International Film Festival, went on record with Toronto Sun, hailing the film as “Cinematic achievement on a high level.” Bailey continued on, saying:

“First of all it’s terrific. So it should play on our largest stage. But it’s a really original take on comic book movies and on the Joker character in particular. It’s not based on an existing story, it has one of the greatest actors in modern cinema, Joaquin Phoenix, in the lead, and Robert De Niro is in it as well, one of the best actors that has ever lived.”

Bailey, also went on to say, the film is “Very cinematic,” for a low budget feature.

“Has an interesting tone and approach to it. It’s set in the late ’70s, early ’80s and it feels like it was made then. It’s gritty in its look, it has references to Martin Scorsese’s filmmaking and it feels like a cinematic achievement on a high level. Although it’s working with very populist material, it has great ambition. That’s why it’s a Gala.”

Check out the newest ‘Joker’ magazine cover via il venerdì di repubblica.

‘Joker’ hits theaters October 4, 2019

 

 

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Brightburn – This Superhero Parody Peppered With SF And Horror Elements Is Simply Sublime

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Take.. The.. World.
Take the world.

Superhero-movie-haters unite. Run to a nearby movie theater to see this movie. Because “Brightburn” is the ultimate anti-superhero-film of all time. The moment I realized which direction it was going, I cursed myself because after seeing “Avengers: Endgame” I’d decided to have a little sabbatical. I was going to avoid movies with characters in tightly fitting latex suits and superhuman powers. But as it became clear that it wasn’t what I expected, my enthusiasm grew all the more. My enthusiasm for films such as “Deadpool” and “Ant-Man” (because of a touch of whimsy and the originality) was effortlessly overtaken by this highly original anti-superhero film. And if one also mixes the superhero genre (of which they are continuously producing sequels and prequels) with my all-time favorite genre horror, it simply can’t go wrong. I am indeed enthusiastic, yes. Extremely enthusiastic!

 

Brightburn

 

Is it a plane? A bird? Is it Superman? Uh, nope.

It all starts as a sort of Superman parody or reboot (another favorite Hollywood term these days). Here too, we meet a young couple who have been trying to have a child for years. Even spicy lingerie doesn’t do wonders because farmer Kyle Bryer (David Denman) (and yes, the location is again a big farm) is rather clumsy, which means that his watch always gets stuck in his wife’s hair. BANG! Before they realize it, some object out of space crashes nearby. Right in their back yard. And as if it’s the most normal thing, Tori (Elizabeth Banks) finds an innocent, sweet little guy in this comet or spacecraft. They adopt him instantly and call him Brandon (Jackson A. Dunn). All peace and light, you think. Until the boy realizes that something is wrong. Especially when he tries to start the lawnmower and suddenly the thing ends up at the neighbors. A few meadows further.

 

Brightburn

 

An evil superhero with an attitude.

With the well-known figure Superman, the parents didn’t waste any time and told young Superman to keep his growing powers under control and only use it to help humans. In the 70s this fact was acceptable. But after the trillionth superhero movie, that concept really starts to sound boring. And that’s where “Brightburn” starts to deviate substantially. As soon as it seems as if puberty hits Brandon, and no it’s not about hair growth and other side-effects, and he wanders around the farm at night looking for something that seems to call him, it becomes clear that a constructive parent-child conversation is not really useful. When Brandon feels disadvantaged, it’s best to stay away from him. The consequences of a tantrum can be disastrous. You could end up flying into a closet or have a crushed hand as a result. So they are stuck with a teenage son with issues who has superpowers. A “Dennis the Menace” with an attitude. You don’t have to be smart to know what’s going to happen next.

 

Brightburn

 

Not really horror.

Let’s talk about the horror part. For those who are only used to super-hero films, it will be a shock. For a seasoned horror fanatic, it’s all just ordinary. It’s not terrifying or too bloody. There are some excellent gore effects in it, though. I personally found it simply exciting at certain moments. Exciting as in how the story will continue and end. And they even tried to tackle that part in an original and quirky way. The majority of blockbusters always have such a predictable outcome. In a western, the bad guys always eat dust in the end. A romcom has a happy ending in most cases. And even superheroes on the verge of despair will eventually prevail (such as The Avengers, for example). If you expect this to happen here as well, you’re absolutely wrong. But there’s one thing I’m sure of. The marketing department of Marvel already smells money. I bet they are planning a sequel already with The Avengers trying to beat the unstoppable Brandon.

 

Brightburn

 

Excellent acting.

About the acting, I can be brief and concise. Simply excellent. Especially the mother and son bonding was worked out and portrayed in a proper way. The desperation and motherly love that Elizabeth Banks radiates is simply wonderful to see. And even though Brandon seems incomparably innocent at times, the moment his evil ego pops up, he can conjure up a frightening and impressive facial expression. It’s just a shame he didn’t focus his anger on the annoying class bully as well.

 

Brightburn

 

I repeat it once more: a brilliant film.

Brightburn” definitely will end up in my top list this year. The only downside was the duration. Far too short of course. But otherwise, this superhero parody, peppered with SF and horror elements, is simply sublime. The fact this film has a go-against-the-rules attitude and the idea of a superhero who doesn’t care about humanity is a pleasant and refreshing change compared to the commercial one-size-fits-all releases nowadays. Just something as simple as Brandon’s costume. Has anyone ever wondered who actually made the Spiderman suit? Or did Peter Park have a Sewing and knitting diploma? Brandon uses a piece of woolen textile and a bedspread as equipment. Ingenious anyway. As brilliant as the film itself. I keep repeating it. It is hoped that it will stay with this unique film and that they won’t come up with a miserable number of sequels.

 

My rating 9/10
Links: IMDB

 

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