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A.I. Rising

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Film Review : A.I. Rising

I was always wondering whether I was able to create life.
It seems that I am.

Take any porn movie and you can be sure there’ll be some plumber who not only tries to repair the drain but also will examine the installation of the innocent housewife. A solid storyline with inventive twists and turns isn’t the most important thing in such films. That’s nothing new. And you can say the same thing about “A.I. Rising”. Only this movie is a kind of a soft-sex version where you see Stoya more naked than dressed. Not that there’s much to see because she isn’t exactly blessed with voluptuous curves. Apparently, she’s a porn actress herself so she didn’t have any problems with parading around naked and acting in steamy love scenes.

Porn is boring.

But after 40 minutes, I started to wonder if something was going to happen. Because there’s no real variety. First a bit of psychological talking between Milutin (Sebastian Cavazza) and the android Nimani 1345 (Stoya). Then intense and titillating images of their love games. And then Stoya has to recharge her batteries by standing in a niche naked (of course). And this cycle repeats itself several times. To me, Stoya was a sort of humanized dildo. Charge it regularly and then use it to satisfy your indomitable desires. But just like porn, it’s monotonous and annoying after a while.

 

What’s this trip about anyway?

The ultimate goal of the trip to Alpha Centauri isn’t entirely clear. Milutin apparently has to install “Juche” there. A kind of ideology for experts. It seems to me it’s something abstract. However, it’s becoming clear during Milutin’s conversation with a social engineer from Elderlezi Corporation, that it’s going to be a miserably long trip. That is why Nimani is involved. An android with customizable moods and with advanced artificial intelligence. In the first instance, her function is to be a companion to make the long journey more bearable (and pleasant of course). After a while, however, it seems more likely that she’s there to dampen Milutin’s animal drive and instincts.

 

She’s in control.

Her main task, however, is to keep everything under control (both the spaceship and the commander) so that the mission is brought to a successful conclusion. Now, if you look at the design and layout of the spaceship, it’s a good thing she went along as a playtoy. I fear that Milutin would otherwise be bored to death. The spaceship certainly doesn’t look like the Enterprise. It is more like a steel colossus without a luxurious interior. The rusty looking steel walls do not look particularly cozy. The austere design is fairly depressing. It looks like a factory. Even the entire cockpit is limited to two solitary driver’s seats and a bunch of futuristic looking monitors. There’s no holodeck, bar or leisure space. The only physical effort and entertainment there is for Milutin, takes place in the bedroom.

 

It’s not only about seks.

But if you break through the erotic aspect, you will see that this Serbian SF also wants to address a more profound subject. The interaction between a person and an artificial creation. Not that they tread new ground here because this same subject was also the basis of films such as “Ex Machina“, “Uncanny“, “The Machine“, “Zoe” and to a lesser extent “Her“. Also, the phenomenon of a non-human creation gaining awareness is dealt with. But the central theme (and perhaps the most fascinating one) is the emotional relationship between man and machine. At first sight, Milutin appears to be an emotionless, anti-pathetic person, who in the first instance doesn’t want any female company. However, as soon as he realizes the benefits, his obsessive and manipulative behavior begins and he uses (even abuses) the android. To his surprise, however, the lust turns into passion, which leads to anxiety, sadness, and even self-sacrifice.

 

A not so fascinating SciFi.

However, in the end, this SF isn’t really fascinating. It’s repetitive. Boring and long-winded. And the erotic scenes are too stretched and after a while downright annoying. And then the moment you think the story will develop further, Stoya appears naked again. Too exaggerated for my taste. But I have to admit that Stoya’s acting was far from bad. She managed to show a human side while being an android. The image that will stay with me is the moment she demonstrates an android-like dance to Milutin. So tempting and at the same time so robotic. I would fall for her too at that point. Sebastian Cavazza was excellent at times but overall I found his character incredible. But apart from those few positive notes, this film was disappointing. Despite the sometimes beautiful space images, the emphasis was a little too much on the sexual aspect. Not something that I actually expect in an SF.

 

My rating 4/10
Links: IMDB

 

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Daisy Ridley Promises Epic Lightsaber Duel In ‘Star Wars: The Rise of Skywalker’

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“We in this film actually have perhaps one of the most epic fights in Star Wars.”

The lightsaber duel is a staple of Star Wars lore. Every episode has featured some of the most iconic battles in cinematic history. Many fans were disappointed with the lack of saber action in Episode VII, even though the film primarily focused on Rey trying to discover her true place within the universe. ‘The Last Jedi’ attempted to give us more action but was over shadowed by Director Rian Johnson’s character arc choices. Going into ‘Episode IX: The Rise of Skywalker’ J.J. Abrams knows what’s at stake, while bringing us the conclusion to one of the most beloved franchises in movie history. In a recent interview with Wired about Episode IX, Daisy Ridley shed some light on what we can expect in the final installment:

“The interesting thing about this film is that we concentrate more on the fact that [the lightsabers] are light,” Ridley told the publication, “Because the [old] lightsabers were so heavy, as Eunice [Huthart] said, who is our new stunt coordinator, that it was more like broadsword fighting, which isn’t technically what it’s supposed to be because lightsabers are supposed to be light, by nature.”

Since the “Skywalker” lightsaber that was a focal point in ‘Episode VII’ was destroyed during ‘The Last Jedi,’ it would appear that Rey will be getting herself a new “Lighter” saber. Daisy also, went on further to suggest we will be witnessing one of, if not the most epic Star Wars lightsaber duels of all time via Episode IX:

“So they actually made them lighter for us,”the actress continued “We in this film actually have perhaps one of the most epic fights in Star Wars.”

‘The Rise of Skywalker’ has a lot riding on it to properly conclude the “Skywalker Star Wars Saga.” J.J. Abrams is well aware of what’s at stake. One can only imagine that he will pull out all the stops to ensure one of the greatest endings in recent cinematic history.

Star Wars: The Rise of Skywalker hits theaters December 20, 2019

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‘Terminator: Dark Fate’ Brings Us New Images And Character Details

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“I don’t feel like I’m changing the mythology. I think it’s a continuation of the cause and effect”

The James Cameron produced ‘Terminator: Dark Fate’ has released new images, featuring the old school T-800 (Arnold Schwarzenegger) doing what he does best. The photos also feature Mackenzie Davis who plays Grace a humanoid cyborg, and a new poster featuring the OG cast, Arnold and Linda Hamilton.

Director Tim Miller (Deadpool) is hoping to give fans a fresh look at the Terminator franchise, while keeping with the continuity of the old. He wants fans to understand the cause and effect principle that is constantly reshaping the future:

“I don’t feel like I’m changing the mythology. I think it’s a continuation of the cause and effect that [James Cameron] set up in the other Terminator movies, which is simply if you make a change in the past, it will change the future. So you have to expect that what happened before, or the history that Sarah had been told of the future, was going to change. I don’t look at it as changing mythology. I look at it as the natural outcome of the set of rules that Jim established in the first two movies.”

Arnold has returned as the T-800 in previous Terminator films, from ‘Terminator 3: Rise of the Machines,’ ‘Terminator: Salvation’ and ‘Terminator: Genisys’ which have all been met with tough fan criticism. This time around, Miller hopes to present the terminator in a new way, in which fans have yet to see:

“This version of Arnold is something that Jim has been thinking about for a long time. I think it’s a really great way for him to come back to the franchise. I understood the other movies and the way they handled him, but I didn’t want to do that again. I really thought that the way to do something unique for this film was to have Arnold’s backstory and the way he interacts with the rest of the characters be something we hadn’t seen from that character before… but I also think it has the expected amount of Arnold kicking ass.”

During a recent interview, Arnold was asked how he felt about this recent incarnation of the Terminator franchise and how he felt about the level of action this new film would provide:

“I would say [this movie] is huge action-wise. I was very satisfied with the ideas and the big action that this movie has. It’s really wild.”

‘Terminator: Dark Fate’ is set to hit theaters November 1, 2019

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The King’s Man | Official Trailer – HD

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Genre:

Action, Adventure, Comedy

Rating:

N/A

Release Date:

February 14, 2020

Director:

Matthew Vaughn

Cast:

Gemma Arterton, Matthew Goode, Aaron Taylor-Johnson, Ralph Fiennes, Djimon Hounsou

Plot Summary:

As a collection of history’s worst tyrants and criminal masterminds gather to plot a war to wipe out millions, one man must race against time to stop them.

 

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