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Primal Rage: The Legend of Konga

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Film Review : Primal Rage

So you’re telling me right here,
right now to my face,
that you actually believe there’s an Oh-Mah out there?

Admittedly, “Primal Rage” certainly won’t win the prize for the most original film. And there are some pain points to be found in this B-film. But to my surprise, I liked this movie anyway. The well-known theme about an unknown creature hiding in the woods and racking up random victims. Take “Animal” and add some “Predator” elements to it and you can already imagine what you get presented. It’s hardly surprising that you’ll think of these films because Patrick Magee, director of this low-budget horror film, was also involved in the SEs of “Alien vs. Predator”. He wisely applied the experience he gained there.

 

 

Yeehay, it’s Bigfoot again.

They have incorporated the legend of the Bigfoot in this film. A Bigfoot with a fashion statement. The mysterious creature uses tree bark as a disguise and protection. You don’t have to wait long to see the creature in action. After Ashley (Casey Gagliardi) has picked up her other half Max (Andrew Joseph Montgomery) at the prison gate and takes a short pause on the way home to let mother nature take her course (a year of celibate life has its consequences), they accidentally hit someone crossing the road. Well, calling the authorities is problematic since Max just left prison. The crumpled body also looks badly pulped. You could say that a steamroller ran over him instead of a typical SUV. And then someone also starts throwing huge boulders at them. While the unfortunate Max falls down into the river and Ashley jumps after him as brave savior, they don’t realize that the bad guy who’s responsible for this, is our friend the-giant-forest-monkey-who-could-be-used-as-a-wall-to-wall-carpet.

 

 

The practical effects are top notch.

But all kidding aside, despite the not so huge budget, this film is surprisingly exciting and even successful in some areas. The fact that there was no astronomical budget means that no CGI was involved, I suppose. The “Practical effects” on the other hand are omnipresent and look damn good. Perhaps the furry beast, that throws itself on innocent hikers, sometimes looks ridiculous. Yet there are also certain effects that are unparalleled. So expect quite a few gore fragments with a lot of blood splashing around. The end result is usually images of crushed and crumpled victims. So, that worked out well.

 

 

Some flaws.

What’s wrong with it? What’s with this film that it’s not directly going to be included in the collection of “The better horror films”? The biggest downside is the involvement of some Indian myth. That this is used to provide an explanation about the origin of the forest demon, is understandable. The sad thing is they also included an Indian medicine woman. Obviously, she was necessary for the story to continue. But the execution was somewhat exaggerated. It was as if they wanted to offer a diptych in the field of horror because the “Whispering Woman” really looked frightening. You would think it’s the witch who appeared in the fairy tale of “Hansel and Gretel“. The part about the ritual performed by native Americans was also quite lengthy and in my eyes superfluous. Well, and also the acting was disappointing at times. Especially the interactions between the sheriff and his assistant felt amateurish and artificial.

 

 

One of the better monster flicks.

Nevertheless, “Primal Rage” is an entertaining monster movie where fans of bloody and gore scenes can indulge themselves in. Not only the primitive creature provides the necessary tension. The group of Rednecks who Max and Ashley meet in the forest and who they visibly reluctantly ask for help was for me the most exciting part of this film. The way BD, by the way an exquisite rendition of Marshal Hilton, subtly intimidates and bullies the two unfortunates, is simply stunning. It goes without saying that this group of good-for-nothings doesn’t have good intentions. They are just as great a threat as the furry monster. Despite the minor flaws, “Primal Rage” is one of the better monster flicks (mainly in the Bigfoot segment) and is definitely recommended for fans of this horror genre.

 

My rating 6/10
Links: IMDB

 

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Marvel / Disney + Release – WandaVision | Official Trailer 2

TV-Series Spinoff from the Marvel Cinematic Universe. Containing the characters Scarlet Witch/Wanda Maximoff and The Vision. Plot is unknown at the time.

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Genre:

Action, Adventure, Drama

Release Date:

2020

Director:

Marvel | Disney

Cast:

Paul Bettany, Elizabeth Olsen, Kat Dennings, Kathryn Hahn, Randall Park, Teyonah Parris, Shane Berengue

Plot Summary:

TV-Series Spinoff from the Marvel Cinematic Universe. Containing the characters Scarlet Witch/Wanda Maximoff and The Vision. Plot is unknown at the time.

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Final Fantasy XVI | Official Reveal Trailer – HD | PS5

Check out the debut trailer for FF16 (Final Fantasy XVI), revealed during the PS5 showcase in September 2020.

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Genre:

RPG

Producer:

Naoki Yoshida

Console:

PS5, PC

Release Date:

2021

Plot Summary:

“The legacy of the crystals has shaped our history for long enough,”

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The Silencing | Great Cinematography From A Low Budget Film

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I need to see that girl.
She could be my daughter.

 

It’s always nice to see how actors from a successful television series cope in a feature film. And especially if the genre is quite different from what they played in that series. Here Nikolaj Coster-Waldau makes a decent attempt to show that he has more to offer than playing a king’s son who prefers to perform gymnastic exercises with his sister between the sheets. His performance here is on a similar level to that of Jaime Lannister in “Game of Thrones”. Convincing enough, but not exactly of exceptional quality. A role that doesn’t annoy you. But every time you see his face somewhere, you have to think for a moment where you know that face from. This is also the case here in “The Silencing”. I was like, “Damn, where do I know this guy from?”. Only after fifteen minutes or so, I could figure it out.

 

 

Where there’s grief, there’s booze.

The Silencing” itself is of the same level. Certainly not a bad movie. But also not a movie that’ll blow you away. The story felt a bit incomplete to me. There were some improbabilities (not to say completely nonsensical decisions). And the denouement with the disclosure of the perpetrator and his motivation, I personally found a bit far-fetched. The film had something “Silence of the Lambs“-ish but then set in an extensive, forest-like nature reserve. An area managed by Rayborn Swanson (Nikolaj Coster-Waldau) that has been given the name “Gwen Swanson sanctuary”. A reference to his daughter who has been missing for 5 years. It’s a place where animals can live undisturbed and protected, far from hunters and poachers. Rayborn lives an isolated life far from the civilized world. A way to silently grief about the loss of his daughter. Usually by consuming liters of alcohol. A bit strange because that’s exactly what caused that disappearance.

 

 

There’s a serial killer on the loose.

The story gets a little bit more exciting the moment a serial killer comes into the picture. Someone who probably watched “The Hunt” too much. What follows, is a cat-and-mouse game with the participation of the local female sheriff Alice Gustafson (Annabelle Wallis, series-loving fans will recognize her from “Peaky Blinders”) who herself has her hands full with the stupidities her little brother Brooks (Hero Fiennes Tiffin), a drug addict with a traumatic past.

 

 

Ridiculous things.

Without a doubt, this could have been a much better, coherent movie, provided the script was changed a bit. It’s linked together with hooks and eyes. Full of coincidences and ridiculous twists. Decisions are made that are too ridiculous for words. Alice’s surprising action at one point is understandable on the one hand. But on the other hand completely unreal. And the indifference that those involved show afterward as if nothing had ever happened, made me frown for a moment. Rayborn’s paint pot trick seemed so absurd and stupid that I spontaneously burst out laughing. Not exactly applicable to a serious thriller about a serial killer.

 

Mediocrity rules.

The Silencing” isn’t so great. A mediocre piece of movie. Actually, you could say that you’ve seen it all before in other movies. And much better movies too. Cinematographically it looks professional (despite the low budget) and the general mood is also good. But, when you love watching exciting flicks with nerve-racking suspense, you’ll be disappointed. The only thing I can’t say anything wrong about is Nikolaj Coster-Waldau’s acting. Solid and constant. Just like in “Game of Thrones“. Again a pitiful persona. But I’m sure I won’t recognize him in his next feature. Once again.

 

 

My rating 5/10
Links: IMDB

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