The decade old veil is slowly being lifted on the long anticipated ‘Masters of the Universe’ movie. The film will be directed by Aaron and Adam Nee [Band of Robbers] from a screenplay penned by ‘Iron Man’ and ‘Men in Black: International’ scribes Matt Holloway and Art Marcum. Production has already found its He-Man in actor Noah Centineo. ‘The Perfect Date’ star had this to say about the upcoming block buster:
“It’s a really big responsibility. This is like first one in, last one out every single day, which I’ve done before but I’ve never done it on a studio level. Which studio level is the same as indie, but like they got playback. So it not like that much (laughs). But it’s cool, man. It’s a big opportunity, and I feel more than ready to tackle it.”
Many fans are curious about the tone ‘MOTU’ will carry. The original screen play was written by David S. Goyer. And according to creature designer Carlos Huante, the film was going to be ‘Lord of the Rings’ epic:
“I’m not going to talk too much about it, I know they’re making it still. But I’ll tell you it was… just the story of Greyskull and that sort of thing and there was some really cool stuff in there. I don’t think they’re gonna make that version. I know they’re not going to. It was like a Lord of The Rings film, it was huge! And there was all kinds of stuff in there, you could have divided up that script into three movies and it would have worked. That’s how big it was.”
“It was a more fantastic version of Lord of The Rings, is what I’ll say. It’s a more colorful and fantastical version of Lord of The Rings, but it felt as real as Lord of The Rings. It was very real but very far-out. It was a final return to science fiction fantasy where we’ve only had one: Star Wars.”
Centineo was questioned about his thoughts on the new direction and tone for the film, here’s what he had to say:
“It’s a new universe, and it’s a new studio and their take on a universe. The Nee brothers, Adam and Aaron Nee, they’re directing it, and they’re the filmmakers in charge of the story, and they are doing one hell of a job developing the world and all these things, so. I can’t tell you what tone they’re going for, but they’re genius, so.”
Lastly, Noah was asked if he had been practicing the famous He-Man line, ‘I HAVE THE POWER!’ To which Noah responded:
“Oh, I’ve been screaming it until my voice is probably fried, man”
‘Masters of the Universe’ is set to hit theaters, March 5, 2021
Marvel / Disney + Release – WandaVision | Official Trailer 2
TV-Series Spinoff from the Marvel Cinematic Universe. Containing the characters Scarlet Witch/Wanda Maximoff and The Vision. Plot is unknown at the time.
Action, Adventure, Drama
Marvel | Disney
Paul Bettany, Elizabeth Olsen, Kat Dennings, Kathryn Hahn, Randall Park, Teyonah Parris, Shane Berengue
Final Fantasy XVI | Official Reveal Trailer – HD | PS5
Check out the debut trailer for FF16 (Final Fantasy XVI), revealed during the PS5 showcase in September 2020.
“The legacy of the crystals has shaped our history for long enough,”
The Silencing | Great Cinematography From A Low Budget Film
I need to see that girl.
She could be my daughter.
It’s always nice to see how actors from a successful television series cope in a feature film. And especially if the genre is quite different from what they played in that series. Here Nikolaj Coster-Waldau makes a decent attempt to show that he has more to offer than playing a king’s son who prefers to perform gymnastic exercises with his sister between the sheets. His performance here is on a similar level to that of Jaime Lannister in “Game of Thrones”. Convincing enough, but not exactly of exceptional quality. A role that doesn’t annoy you. But every time you see his face somewhere, you have to think for a moment where you know that face from. This is also the case here in “The Silencing”. I was like, “Damn, where do I know this guy from?”. Only after fifteen minutes or so, I could figure it out.
Where there’s grief, there’s booze.
“The Silencing” itself is of the same level. Certainly not a bad movie. But also not a movie that’ll blow you away. The story felt a bit incomplete to me. There were some improbabilities (not to say completely nonsensical decisions). And the denouement with the disclosure of the perpetrator and his motivation, I personally found a bit far-fetched. The film had something “Silence of the Lambs“-ish but then set in an extensive, forest-like nature reserve. An area managed by Rayborn Swanson (Nikolaj Coster-Waldau) that has been given the name “Gwen Swanson sanctuary”. A reference to his daughter who has been missing for 5 years. It’s a place where animals can live undisturbed and protected, far from hunters and poachers. Rayborn lives an isolated life far from the civilized world. A way to silently grief about the loss of his daughter. Usually by consuming liters of alcohol. A bit strange because that’s exactly what caused that disappearance.
There’s a serial killer on the loose.
The story gets a little bit more exciting the moment a serial killer comes into the picture. Someone who probably watched “The Hunt” too much. What follows, is a cat-and-mouse game with the participation of the local female sheriff Alice Gustafson (Annabelle Wallis, series-loving fans will recognize her from “Peaky Blinders”) who herself has her hands full with the stupidities her little brother Brooks (Hero Fiennes Tiffin), a drug addict with a traumatic past.
Without a doubt, this could have been a much better, coherent movie, provided the script was changed a bit. It’s linked together with hooks and eyes. Full of coincidences and ridiculous twists. Decisions are made that are too ridiculous for words. Alice’s surprising action at one point is understandable on the one hand. But on the other hand completely unreal. And the indifference that those involved show afterward as if nothing had ever happened, made me frown for a moment. Rayborn’s paint pot trick seemed so absurd and stupid that I spontaneously burst out laughing. Not exactly applicable to a serious thriller about a serial killer.
“The Silencing” isn’t so great. A mediocre piece of movie. Actually, you could say that you’ve seen it all before in other movies. And much better movies too. Cinematographically it looks professional (despite the low budget) and the general mood is also good. But, when you love watching exciting flicks with nerve-racking suspense, you’ll be disappointed. The only thing I can’t say anything wrong about is Nikolaj Coster-Waldau’s acting. Solid and constant. Just like in “Game of Thrones“. Again a pitiful persona. But I’m sure I won’t recognize him in his next feature. Once again.