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Deadsight – An Interesting Take On A Subgenre That Could Have Been Buried A Long Time Ago

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Genre : Horror-Thriller
Rating : Unrated
Director: Jesse Thomas Cook
Cast:
Adam Seybold
Liv Collins
Ry Barrett

 

Overnight a deadly virus sweeps across the Grey County part of Ontario. Turning the recently deceased into flesh eating ghouls this mysterious disease ravages this once-quiet Canadian county. A living nightmare for your average person it’s particularly bad for Ben Neilson (Adam Seybold) who is blind. Waking up roadside inside of an ambulance, Ben is quickly forced to deal with his new reality. Able to evade the undead, Ben crosses paths with the inexperienced and very pregnant Officer Mara Madigan (Liv Collins). Relying on each other for help they try to figure out what happened to their once quiet community.

Unlike a lot of other zombie movies Deadsight takes a more minimalistic approach. We aren’t dealing with a worldwide epidemic or having our heroes go on a search for patient zero to make a cure. Instead most of the focus is on Ben and Mara trying to reach safety. Adam Seybold does an admirable job in the lead role as Ben. From the moment he wakes up handcuffed in the ambulance audiences can’t help but be sympathetic for Ben. With his eyes blindfolded like a zombie infested Bird Box, a task as simple as avoiding a zombie to reach the front of an ambulance has all the tension of avoiding an entire horde of the undead. As difficult as this sounds things aren’t going much better for Mara.

 

Late in her pregnancy and about ready to give birth saying she’s in over her head is an understatement. Portrayed by co-writer and producer Liv Collins she shows a vulnerability you don’t typically see in a zombie movie. While brave and willing to jump into danger, Mara is still about to give birth. With each contraction Mara and Ben are brought closer and closer to danger. With each of them having their own difficulties it makes for an interesting watch with stakes not typically seen in movies like this.

A veteran of the indie horror scene, director Jesse Thomas Cook (Monster Brawl, The Horde) has proven himself to be more than capable behind the camera. Joined by cinematographer Jeff Maher the two are able to do so much with so little budget. Set against the mountains of rural Canada, Deadsight can’t help but echo the loneliness of the tundra. As the film reaches its climax the lighting is reminiscent of Dario Argento with deep red and green. But as good as it looks that doesn’t mean that the film’s budget ever shows.

 

For a lot of the zombies themselves practical effects and make up is used and it looks good for the most part. Not quite the quality of The Walking Dead but more than the blue paint used in George A. Romero’s early work. What doesn’t work is when they have to rely on special effects. For most of the zombie kills Deadsight relies on some dreadful looking CG with every headshot looking like it came from a PS3. Add in the handheld camera used for most of the film and it can be a tough watch at times.

It takes a lot to make a zombie movie in 2019. It isn’t due to limits in technology nor an economic barrier to entry. I can’t even say it’s entirely due to the genre’s overexposure. No the biggest problem with the zombie movie is that seemingly everything has been done. For those looking for long form storytelling mixed with their headshots there is The Walking Dead and Fear The Walking Dead. For a more lighthearted affair there is Shaun of the Dead. Even if you want to see the storytelling mixed with your zomcom there’s Z Nation waiting for you on Netflix. Whether they’re walking, running or legless there are at least a couple of movies about it. Which is exactly what makes Deadsight so unique. For all of its faults, and there are quite a few, it is something unique from every other zombie movie. What it lacks in budget is made up with some tight film making and two good performances from Andy Seybold and Liv Collins. Deadsight might not be the next Dawn of the Dead but it’s an interesting take on a subgenre that could have been buried a long time ago.

 

 

Rating 5/10
Links : IMDB

Deadsight is now available on Bluray, DVD and VOD

 

Entertainment

Coronavirus: Upcoming Movie Titles That Have Been Delayed

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As “Social Distancing” is rapidly becoming the new norm. Streaming services have ramped up their campaign more than ever for watching cinema in the comfort of your own home. On the other hand, theater has taken a hit. Of all the places in the world to be, sitting in a jam packed theater full of movie goers, isn’t the safest place. Many believe, this will be a catalyst for a movement that was inevitable all along. Which is, sending major blockbuster films, straight to streaming. Some companies have already taken the opportunity to do so, as Blumhouse recently moved ‘The Invisible Man‘ to streaming with a $20 household price tag.

As of right now, many of the films scheduled for release and others that were in the process of filming, have now been either delayed or halted indefinitely. Notably, ‘The Batman,’ and ‘Matrix 4’ have both halted production.

Below, is a list of upcoming films that have been delayed via – Los Angeles Times.

“Minions: The Rise of Gru” (Universal)
Original release date: July 3, 2020 (wide)
New date: TBD

“The Painted Bird” (IFC Films)
Original release date: April 17, 2020 (wide)
New date: Summer TBD

“Antebellum” (Lionsgate)
Original release date: April 24, 2020 (wide)
New date: TBD

“Run” (Lionsgate)
Original release date: May 8, 2020 (wide)
New date: TBD

“Spiral” (Lionsgate)
Original release date: May 15, 2020 (wide)
New date: TBD


“Mulan” (Disney)
Original release date: March 27, 2020 (wide)
New date: TBD

“New Mutants” (Fox)
Original release date: April 3, 2020 (wide)
New date: TBD

“Antlers” (Searchlight)
Original release date: April 17, 2020 (wide)
New date: TBD

“The Truth” (IFC)
Original release date: March 20, 2020 (N.Y., L.A.)
New date: Summer 2020, TBD

“The Artist’s Wife” (Strand)
Original release date: April 3, 2020 (N.Y.); April 10, 2020 (L.A.)
New date: TBD

“F9″ (Universal)
Original release date: May 22, 2020 (wide)
New date: April 2, 2021

“A Quiet Place: Part II” (Paramount)
Original release date: March 20, 2020 (wide)
New date: TBD


“Blue Story” (Paramount)
Original release date: March 20, 2020 (limited)
New date: TBD

“The Lovebirds” (Paramount)
Original release date: April 3, 2020 (wide)
New date: TBD

“Peter Rabbit 2: The Runaway” (Sony)
Original release date: April 3, 2020 (wide)
New date: Aug. 7, 2020

“Slay the Dragon” (Magnolia)
Original release date: March 13, 2020 (N.Y., L.A.)
New date: April 3, 2020

“No Time to Die” (MGM)
Original release date: April 10, 2020 (wide)
New date: Nov. 25, 2020

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Batman

Director Matt Reeves Drops Our Fist Look At The New Batmobile

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“It’s going to allow his character to have an arc so that he can go through a transformation”

In the modern era of cinema, the internet is no stranger to leaks and set photos. Most Directors are faced with the difficult challenge of deciding when and when not to release official photos. Recently, an onslaught of set photos have hit the web, showing the newly re-designed batman look, along with a glimpse of the “Batcycle” and possibly a look at catwoman.

Today, Matt Reeves decided to break the internet, giving us our first look at the new batmobile. Reeves describes ‘The Batman’ as a noir style film, told squarely on the shoulders of the dark knight. It would appear that Reeves is going with a truly grounded approach to the character. A “Year two” Batman, taking on Gotham’s criminal underworld, with a rogues gallery of villains.

“It’s very much a point of view-driven, noir Batman tale,” he said. “It’s told very squarely on his shoulders, and I hope it’s going to be a story that will be thrilling but also emotional. It’s more Batman in his detective mode than we’ve seen in the films. The comics have a history of that. He’s supposed to be the world’s greatest detective, and that’s not necessarily been a part of what the movies have been. I’d love this to be one where when we go on that journey of tracking down the criminals and trying to solve a crime, it’s going to allow his character to have an arc so that he can go through a transformation.”

‘The Batman’ hits theaters June 25, 2021 | Stars: Robert Pattinson, Zoe Kravitz, Colin Farrell, Andy Serkis, Paul Dano, Peter Sarsgaard, Jeffrey Wright 

 

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Entertainment

Jordan Peele Produced ‘Candyman’ Official Trailer – HD Drops Thursday

A hook-handed boogeyman spits out swarms of bees and haunts a housing project in Chicago.

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Genre:

Horror, Thriller

Release Date:

June 12, 2020

Director:

Nia DaCosta

Cast:

Yahya Abdul-Mateen II, Tony Todd, Teyonah Parris, Colman Domingo, Nathan Stewart-Jarrett

Plot Summary:

A “spiritual sequel” to the 1992 horror film ‘Candyman’ that returns to the now-gentrified Chicago neighborhood where the legend began.

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