When Rincon started doing his Shakespeare,
you knew some poor bastard’s about to get smoked.
“We Die Young” is not a typical Jean-Claude Van Damme film, where he can show off his trained body. In fact, in this film, the number of times Van Damme is demonstrating his fighting techniques, is almost nil. So don’t expect any splits. Actually, it’s kind of understandable because “The muscles of Brussels” isn’t the youngest anymore. And I can imagine that such efforts are no longer evident.
He’s back again.
There’s one advantage. JcvD concentrates more on the acting part than on the more action-rich part. Films such as “Bloodsport” and “Kickboxer” from the 80s were immensely popular. And I admit that I also look back on that with pleasure. Unfortunately, this successful period was followed by a period with fewer successful films. Such as “Alien Uprising” (probably to please his daughter), “Dragon Eyes” and “Welcome to the Jungle“. After the umpteenth crap movie, my decision was made. Best I avoid JcvD films. Until recently. I couldn’t resist watching “The Bouncer” and was pleasantly surprised. Let me quote myself for a moment: “Just when you think that an icon such as Jean-Claude Van Damme is becoming a caricature of himself and in danger of sinking into oblivion, he surprises you with such a part as in this film. The “Muscles from Brussels” got under my skin with his integer and sensitive acting. ” I couldn’t have said it better.
A war veteran and Latinos.
Naturally, I gave “We die young” a chance. Solely to verify whether he could maintain the same level. And I readily admit that he has wonderfully succeeded in convincing me once again. This time he’s not a bouncer of nightclubs in a Brussels neighborhood, but a retired Afghanistan war veteran. A military past that has left traces in the form of PTSD and a set of damaged vocal cords. The latter issue also ensures that you won’t hear any sound out of Van Damme’s mouth. Daniel (Jean-Claude Van Damme) somehow ended up in a slum near Washington D.C. where Latinos (Mara Salvatrucha or MS-13) are in control. A run-down neighborhood where drug addiction is the source of income for this fully tattooed gang members.
Some more impressive performances.
Next to JcvD also David Castañeda left an impression. His performance as the gang leader and kingpin Rincon is quite impressive. Not only because of his threatening attitude, cruelty, and determination with which he leads his drug gang. But also because he also shows his soft side as guardian of Lucas (Elijah Rodriguez) and Miguel (Nicholas Sean Johnny). And as the protective brother of his physically disabled sister Gabriela (Robyn Cara). The whole story revolves around Lucas who works for Rincon as a drug courier and preferably doesn’t want his younger brother to end up to be part of this gang. When a very important transaction goes wrong, also thanks to the interference of right-hand man Jester (Charlie MacGechan), it’s the start of a nerve-racking and rather action-rich part.
A fastpaced gangsta film that never bores.
Again, don’t expect a typical Van Damme movie. In the end, it’s a rather gloomy film that shows how destructive and dangerous it is to live in a neighborhood controlled by drug gangs. Survival is more the right word because every mistake made, will be punished ruthlessly. This film shows the futureless life of young people there. The title is therefore applicable. Not many can enjoy a long and healthy life in these slums. Of course, you can ask a few questions about “We die young“. Why the hell has Daniel moved there? Was he looking for anonymity? Is he trying to forget about the past? What with his family? Or is he simply alone in this world? Forgotten by those who knew him? Or is it a convenient solution such that he can easily get the painkillers. Those that help him to get rid of delusions and visions? And what about his military skills? Because when it comes to defending, he looks like a klutz. All in all, “We die young” is a must see if you want to see Van Damme again. A fastpaced gangsta film that never bores.
My rating 6.5/10
Greyhound | Official Trailer – HD
During World War II, a US Navy skipper must lead an Allied convoy being stalked by Nazi U-boat wolf packs.
May 8, 2020
Tom Hanks, Elisabeth Shue, Stephen Graham, Manuel Garcia-Rulfo, Karl Glusman, Maximilian Osinski
Colewell: A Realistic Character Study, Without Frills
The thing about getting older is looking back,
it doesn’t matter how old you are,
life always feels the same length.
Like both forever and not very long.
You’ve just seen “Uncut Gems” and you feel the nerves raging through your body after watching this ultra-nervous film? Well, I recommend you to watch the film “Colewell“. Believe me. After watching this film, you’ll feel completely relaxed again. There are no situations full of agitated behavior. No feverish activity. Everything is calm and peaceful. This cozy and pleasant film progresses at a leisurely pace. Like the gently rippling water in a quiet stream. Just about the pace of someone in old age who performs the same ritual every day and eagerly awaits his well-deserved retirement. Only Nora (Karen Allen) was not yet ready for that well-deserved rest that is now being forced upon her.
The same routine every morning.
Nora is an older lady who runs a local post office in the small village of Colewell, somewhere in Pennsylvania. And trust me on this, when I say you can admire her morning routine several times. A morning where she will check the chicken coop for freshly laid eggs. And every time she checks the state of one of the laying hens because it’s upset because of newly added fellow hens and thus refuses to squeeze such a fragile object through her poopybutthole. Then it’s time for breakfast (with a firm omelet made with fresh eggs) and a getting dressed ritual before she opens the door of the post office (located at her place) to welcome the villagers. Everything is performed dutifully and meticulously. And I’m sure she did this from day one.
A changing world.
“Colewell” is about aging and the preservation of certain values of life. At the same time, it’s also about the fear of losing these certain values. And the rapidly changing world around us. When a decision is made to forget about certain post offices and integrate them into the larger whole, Nora sees those values disappearing like snow in the sun. The day after she’s being confronted with this terrible decision at the US Postal Service headquarters, she sinks into an emotional pit and consciously skips her daily rituals. As if it all no longer matters. The choices that were proposed to her are both not adequate solutions for her. Relocating to a larger city to work there at the post office. Or retire. Both are alternatives that Nora disregards.
The post office has a social function.
The post office in Colewell has an additional function. It’s the meeting place for the local population. There’s gossiping, stockings are knitted, food is exchanged and life stories shared. In short, it’s the heart of a community. And the members of this community are heartbroken when they are told that their beloved assembly point is about to disappear. Initiatives are being taken to turn the tide and efforts are being made to safeguard Nora’s workplace. But as soon as they realize that this is a futile effort, everyone accepts the situation and the social contacts move to other locations. To the dismay of Nora.
Do you want an action-rich movie? Skip this one.
“Colewell” is endearing, serene and melancholic at the same time. A subdued drama about how it feels to grow older and then suddenly realize that your functional role has been played out and two arrogant younger people say this without hesitation in your face. Or you’ll be flexible or you pack it up and make room for the future generation. A realistic character study, without frills. But not entirely. The moment Ella (Hannah Gross) shows up at Nora’s place, realism turns into vagueness. It’s not really clear whether this is Nora’s free-spirited daughter or a figment of Nora’s imagination representing the younger Nora. Anyway. Do you like action-rich movies that are nervewracking exciting? Well, I suggest skipping this one. The easy-going nature of the film may well get on your nerves.
My rating 5/10
The Perfection: It Never Gets Boring
All that time with Anton,
the pressure to be perfect.
Whenever I read newsflashes about films that make people suffer from migraine attacks and even make them sick, my curiosity is immediately awakened. The final verdict can go two ways. Or the film indeed has an ingeniously elaborated story and is provided with images the average stomach can’t bear. Or it’s the umpteenth overrated movie of which you ask yourself afterward “Who on earth made such statements?“. Are those people who’ve never seen a similar film as “The Perfection“? Are they film lovers who limit themselves to innocent rom-coms? Or supporters of superficial films such as “The Sound of Music“? No idea. In any case, I couldn’t find any nauseating fragments or rancid footage in this Netflix Original. But that doesn’t mean I thought it was a terrible movie. On the contrary. “The Perfection” contains a cleverly put together story, some successful acting, and a surprising denouement. So, highly recommended.
A bit suspense. A bit erotism.
I myself thought that “The Perfection” was nothing more than a psychological thriller with a bit of erotism and a few lurid events. Admittedly, the denouement will look pretty disturbing for some. But I assure you that this film will mislead you from the start. The goal that Charlotte (Allison “Get out” Williams) has in mind and the reasons for this are of a very different nature than you would expect. If you realize what a dark secret the Bachoff Institute is hiding, where Charlotte has taken lessons for years as a gifted cellist, it will give you more chills than the bus ride through rural China. The film fits in perfectly with our modern zeitgeist where there’s a “Me too” movement that explicitly tries to draw attention to sexual harassment and sexual assault. How the renowned academy Bachoff can be associated with this is something that you have to discover for yourself in this original film.
A mixed bag of different genres.
It’s quite clear that this film is difficult to catalog when it comes to the genre. It’s actually a mixed bag of different genres. It’s a light-erotic thriller with a dash of horror. For experienced horror enthusiasts, the horror part will be slightly disappointing. You could describe it as an ultra-light version of “I spit on your grave“. But without explicit visual material and a wide variety of horrifying revenge actions. And from the beginning of the film till roughly halfway, it’s a mild drama where you are introduced to the most important protagonists. Charlotte, a talented cellist who, after years of absence (taking care of her sick mother), seeks contact again with her former music teacher Anton (Steven Weber) and his wife Paloma (Alaina Huffman). But especially the meeting with the new star of the academy, cellist Lizzie (Logan Browning), is causing some stir. First of all, you can feel the competition between the two cellists whose finger-fastness and sensitive handling of the fiddlestick create magical sounds the moment they squeeze a cello between their knees. As these two, not bad-looking classical musicians spend more time together, the sexual tension between them increases. And before they know it, they make use of the skills they use while playing the cello, when they are all over each other when lying naked under the sheets.
It’s not perfect but still.
Once this introduction took place and the two lovebirds are sitting on a local bus on their way to some small town in China, the film goes in a higher gear. The frivolous atmosphere makes way for exciting situations and horror elements. It feels rather mysterious. Even the rewind moments won’t really clarify it. On the one hand, I thought this technique was kind of an original approach. On the other hand, it seemed rather pedantic. Let’s say something about acting. There’s actually nothing negative to announce. You can safely state that the two main characters almost reach perfection when it’s about that. The chemistry between the two girls is realistic. The different moods that they struggle through are convincing. Steven Weber and Alaina Huffman also fit perfectly into their role. An illustrious couple consisting of dark personalities. Perhaps it seems as if they have mixed a number of different genres and it feels as if they didn’t know which direction to go. But it never gets boring. No, “The Perfection” is certainly not perfect. But it wasn’t very far from perfection.
You can watch “The Perfection” on Netflix now.
My rating 7/10
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