Genre : Comedy-Scifi
Rating : Unrated
Director: Timo Vuorensola
Released in 2012, Iron Sky roared onto the genre film scene like a bat out of hell. A low budget scifi parody about Nazis hidden on the dark side of the moon and their attempt to take over the world. Facing tepid reviews upon release it quickly gained cult status thanks to its mix of Space Nazis, UFO’s and it’s general theme of pure insanity. A sequel was all but guaranteed but would it work? Making a sequel to a comedy is always a risk, particularly for cult films such as Iron Sky. Because for every Wet Hot American Summer: Ten Years Later bringing something new to the table we are much more likely to get another Zoolander 2, a film desperately trying to recreate the magic of the original. Will Iron Sky: The Coming Race fail like so many other movies or is the combination of Nazis and dinosaurs just crazy enough to work?
It is 2047 and the Earth has been left in ruins after a devastating nuclear war. The last of humanity left to reside in a former Nazi base on the moon. As overpopulation and limited resources threaten their way of life Obi, their leader’s daughter, discovers a map to the one thing that could save them beneath the Earth’s surface, the Holy Grail. Advised by an old enemy a ragtag group of survivors travel into the earth’s core to discover a society of shapeshifting reptiles called the Vril. Run by reptile versions of history’s worst despots it’ll take all they have to guarantee mankind’s future.
After a successful crowdfunding campaign Iron Sky: The Coming Race had a budget of over $20 million and it absolutely shows on screen. A mix of the bigger budget and improvements in technology make The Coming Race look much better than the original. They are even able to pull off some massive, and absolutely nuts, action scenes. Sure there is still copious amounts of green screen but it doesn’t stick out nearly as bad as it did in the original. Unfortunately the same can’t be said of the rest of the movie.
Written by director Timo Vuorensola and Dalan Musson, Iron Sky 2 falls into the same trap a lot of movies of its type where instead of working on a cohesive story they throw out as many plot threads and see what works and dropping what doesn’t. Things like Udo Kier returning as Wolfgang Kortzfleisch and Tom Green as a cult leader feel more like extended cameos than actual roles. With so many plot threads thrown out there it can feel like the movie is running in circles. The same kind of haphazard approach can be seen in the jokes as well. Seemingly going with whatever they could think of at the time the gags miss more than they hit and that’s mostly due to Iron Sky 2‘s cast.
With most of the characters from the first movie in supporting roles we are introduced to a cast of new characters. Leading the charge is Lana Rossi as Obi. The daughter of ex-Nazi Renate Richter (played by the returning Julia Dietze), Rossi does a wonderful job in the lead playing the kind of scrappy leader that would fit perfectly in the latest Star Wars movie. Having the complete opposite effect is Vladmir Burlakov as Sasha, Obi’s sidekick and romantic interest. The two actors have chemistry but it’s bogged down by a lot of bad jokes about Sasha trying to compete with the film’s true star, Malcom. Portrayed by Kip Dale, Malcom is perhaps the most consistently funny part of The Coming Race. With the looks of your typical big screen tough guy he needlessly throws himself into danger to a comical degree. Each risk more needlessly stupid than the last. As one note as the joke may seem they are able to find enough different hazardous situations for it to work.
So was Iron Sky: The Coming Race able to pull off the impossible and be one of the rare good sequels to a comedy? Not quite. While the cast does an admirable job with what they are given it isn’t enough to save the movie. Between its meandering plot and a litany of jokes that miss more than they hit Iron Sky: The Coming Age does the impossible, it makes Hitler riding a T-Rex feel dull.
Links : IMDB
Iron Sky: The Coming Race is now available in select theaters and on VOD
Come to Daddy: A Quirky, Somewhat Strange Thriller With Very Aggressive Scenes
I once accidentally kicked a guy’s ear off.
I didn’t mean to, but the fucker flew off.
I could see right into his skull.
Elijah Wood always makes for pleasant surprises. In terms of his choice of films, you cannot say that he plays it safe. His choices are always fairly quirky. I kind of compare him to Daniel Radcliffe. Another actor who doesn’t thrive on the worldwide success he achieved by playing one well-known character for most of his life. So too Elijah Wood who will be associated with Frodo forever and ever. Apparently they also have a common interest, namely that of deceased persons. Where Radcliffe played the role of a corpse in “Swiss Army Man“, Wood is stuck in this film with an embalmed corpse. Anyway, “Come to Daddy” is a macabre, dark, and slightly humorous film.
Trendy, fashionable DJ meets foul-mouthed dad.
When I looked at the movie poster, I immediately thought of “Happy birthday to Me”. Not that “Come to Daddy” looks like a purebred slasher. But the fork Norval Greenwood (Elijah Wood) is holding on the cover, will be used in an ingenious, yet painful way. Norval is an eccentric, trendy DJ with Elton John in his circle of acquaintances. Stylish, contemporary dressed with artistically and strategically placed tattoos. A trimmed Freddie Mercury mustache. And a hairstyle as if it was styled using a soup tureen. Everything indicates that Norval is used to a high-society life and that the journey through the forest with a thumping wheeled suitcase behind him doesn’t really belong in that life. When he finally arrives at the beach house (which, according to Norval, resembles that of a flying saucer from the 1960s) and meets his father Brian, whom he hasn’t seen for years, it turns out that the latter is completely the opposite. Foul-mouthed, fairly brutal, untidy appearance and persistently topping a glass with liquor or wine. No picnic for Norval who recently renounced alcohol. Before he knows it, his smartphone (a limited edition in gold, designed by Lorde) sinks down to the bottom of the ocean, while his dad tried to take a selfie. The tone has been set.
Comedy-Horror. Not my fav combination.
“Come to Daddy” is a difficult movie to place. On the one hand, they tried to add a humorous note here and there. Although subtle black humor that won’t be enjoyed by everyone. On the other hand, there’s indeed a horror vibe that gets quite gory. Again, I’m not really such an avid fan of the combination of horror and comedy, because usually both genres feel incomplete. And to be honest in this movie as well. The humorous part wasn’t really funny (with only a rare chuckle). And I also found the horror part rather light-hearted. There’s no doubt that it has a high thriller content. And it’s certainly not a straightforward story. You could even say that they were a bit too lavish with the number of plot twists. But the absurdity in the story (such as a motel that is fully booked with visitors to a swingers convention. Who comes up with such an idea?) knows no boundaries. The insane and intimidating behavior that slowly evolves into a kind of “Cape Fear” aggression. The officer on duty and his belching. The coroner and the fact that Norval suddenly has a dead man in the house due to lack of space at the morgue. The nightly terrifying sounds. Norval’s discovery and the unveiling of the entire mystery. The motel-happening. It just keeps going on. Fortunately, I love an absurd story now and then.
It surprised me.
Elijah Wood is simply magnificent as the extroverted and fairly arrogant Norval. Someone who doesn’t realize what a dire situation he’s going to find himself in. And also doesn’t know that his entire life story will be shaken thoroughly. That’s how the viewer will feel as well. Shaken up. During the first part of the movie, you wonder which direction the story will go. But once the plot reveals and the story accelerates, both in terms of tempo and frantic action, hold on tight because it’s going to be a wild rollercoaster ride. And it’s worth it. “Come to Daddy” is a quirky, somewhat strange thriller with very aggressive scenes and full of insanity. Revealing too much isn’t recommended. Best to start watching this movie without knowing too much, such that the experience will be decidedly surprising. Recommended.
My rating 6/10
A Good Woman is Hard to Find: Shows Us The Harsh Realities Of Life
Just let sleeping dogs lie.
The moment you see Sarah (Sarah “The Lazarus Effect” Bolger) turning the house upside down while looking for batteries for her non-working vibrator and hear her say “Thank you Jesus” a little later with visible relief, it seems as if she’s a completely different character than the woman who came into the picture at the beginning of the film. Admittedly, a woman who still mourns her recently deceased husband. But then without blood splashes in her face and on her body. After seeing “Becky” only recently, “A good woman is hard to find” is yet another revenge film in which a desperate woman takes a thorough revenge on those who made her life a living hell. Not that she suffered physical injuries. But the murder of her husband and the way in which she is treated by society makes sure that it’s best your not going to stand in Sarah’s way. Those who do will experience the painful consequences.
Only a few unrealistic aspects.
The only thing I found a bit unrealistic was the constant apathy and misogyny displayed here. Never thought there were so many rude, insensitive and tactless people in the UK. A shop assistant who treats Sarah like a utensil and makes use of a fairly sexist language. A psychologist who shows a lack of tact. But especially the way the police treated her was totally implausible to me. Even if the activities of the deceased husband were not too kosher, that doesn’t mean that this widow should be treated in such a low-minded, condescending way. And while the drug gang is notorious in this district who don’t treat annoying individuals in a gentle way, it seems as if they are unknown to the local police.
“American psycho” in the UK.
In any case, “A good woman is hard to find” has a more realistic character than, say, a film like “Becky”. The bleak and hopeless situation Sarah finds herself in. The gray slums in Belfast, Ireland, where drug trafficking is rampant. Lawlessness seems to be a standard in this social neighborhood. And the revenge actions can also be called quite brutal. And at the same time more plausible than in other films. When Sarah goes to the local hardware store and starts purchasing a whole arsenal of working tools, you can expect nauseating scenes. Not that it’s explicitly portrayed. But the background noise and slow-motion images leave nothing to the imagination. Immediately I was thinking about “American Psycho”.
Harsh and realistic flick.
Although “A good woman is hard to find” is a fairly conventional thriller that doesn’t deviate from the standard rules of the genre, there are still some elements that make the film rise above average. There’s the admirable acting of Sarah Bolger. A woman who has to deal with the loss of her husband on the one hand and then realizes that he actually lived a different life. The impetus for the rising violence can be traced back to petty thief Tito (Andrew Simpson). Stealing a load of drugs, belonging to the local drug lord Leo Miller (Edward Hogg), and using Sarah’s house as an alternative storage place, he forces Sarah to defend herself as a determined lioness. Also, those two roles (Tito and Leo) are played properly. And finally there’s the film technical aspect. Solid image quality. “A good woman is hard to find” is in all respects a dark and depressing film that shows the harsh reality of life in a hard and realistic way. An intense trip, as it were
My rating 7/10
The Vanishing: The Acting Is Phenomenally Beautiful
Okay, as far as I can see it, this…
this is payback!
For having to live the rest of my life with his face etched into my brain.
Every now and then I come across a completely unknown film I don’t really expect much from, despite the presence of a well-known sounding name, but which nevertheless pleasantly surprises me. “The Vanishing” is a thriller pur sang. A fictional story about a true event, namely the disappearance of three lighthouse keepers in 1900 who stayed on one of the Flannan islands on the west coast of Scotland. The three men James Ducat (Gerard Butler), Thomas Marshall (Peter Mullan), and Donald MacArthur (Connor Swindells) have never been found. Nobody had a real explanation and soon several speculations circulated. From a giant sea snake to giant seagulls. Or maybe they went up in smoke to start a new life. Kidnapping by spies was also an option. Even an alien kidnapping. This film aims to give a more plausible explanation. But it nevertheless remains an unproven and therefore fictional story.
Not exciting until the event.
Don’t expect any supernatural apparition. First of all, “The Vanishing” is a realistic look at the life of a lighthouse keeper at the beginning of the 20th century. The rugged sailor life in which these seasoned sea dogs brave the briny deep unflinchingly as they make their way to that boulder in the middle of the ocean. Something rookie Donald clearly isn’t used to, so he experiences the trip while hanging over the railing. Largest part of the film you see how these men dutifully perform their tasks on the island. Not that there’s really a lot to do. The main task is to ensure that the beacon of the lighthouse is working properly and that the glass surrounding it looks optima forma. They spend the rest of their time singing, cooking, sleeping, and strolling around the island. Not really madly exciting.
A shipwreck with a wooden box.
Until newcomer Donald finds a splintered boat, a lifeless drowned man, and a locked wooden box between the rocks. And when the content of the mysterious box is being revealed, the time has come for tensions to rise. From that moment on, mistrust and greed play a major role. There is such an ominous mood in the air. You get the feeling that every moment the situation will explode and one of the three keepers will erupt into violent anger. But ultimately the three don’t pose a threat to each other, but third parties play a greater role. I won’t reveal too much, but expect a serious escalation of the situation at some point.
Admiration for Gerard Butler’s acting.
“The Vanishing” was a relief after seeing so many mediocre and forgettable nonsensical feature films. Not only the footage turns this film into a gem. The acting is also phenomenally beautiful. Not only the oppressive, claustrophobic atmosphere is impressive. There are also some melodramatic moments in which hidden distress comes to the surface, resulting in conversations full of meaningful silences and heavy words. You’ll also witness some lurid scenes such as the cleaning up of dead gulls after a heavy storm (“You may have to break the wings to get ’em in.”). But for me, Gerard Butler was a real eye-opener. He usually appears in one of those a dime a dozen action films (with the exception of a single film like “A family man”). But here he also shows that he knows how to act. Never thought a movie about lighthouse keepers would be worth watching. Well, apparently it is. And that’s also a reason to finally check out “The Lighthouse”! Lights out, lighthouse spotlight on.