Genre : Comedy-Scifi
Rating : Unrated
Director: Timo Vuorensola
Released in 2012, Iron Sky roared onto the genre film scene like a bat out of hell. A low budget scifi parody about Nazis hidden on the dark side of the moon and their attempt to take over the world. Facing tepid reviews upon release it quickly gained cult status thanks to its mix of Space Nazis, UFO’s and it’s general theme of pure insanity. A sequel was all but guaranteed but would it work? Making a sequel to a comedy is always a risk, particularly for cult films such as Iron Sky. Because for every Wet Hot American Summer: Ten Years Later bringing something new to the table we are much more likely to get another Zoolander 2, a film desperately trying to recreate the magic of the original. Will Iron Sky: The Coming Race fail like so many other movies or is the combination of Nazis and dinosaurs just crazy enough to work?
It is 2047 and the Earth has been left in ruins after a devastating nuclear war. The last of humanity left to reside in a former Nazi base on the moon. As overpopulation and limited resources threaten their way of life Obi, their leader’s daughter, discovers a map to the one thing that could save them beneath the Earth’s surface, the Holy Grail. Advised by an old enemy a ragtag group of survivors travel into the earth’s core to discover a society of shapeshifting reptiles called the Vril. Run by reptile versions of history’s worst despots it’ll take all they have to guarantee mankind’s future.
After a successful crowdfunding campaign Iron Sky: The Coming Race had a budget of over $20 million and it absolutely shows on screen. A mix of the bigger budget and improvements in technology make The Coming Race look much better than the original. They are even able to pull off some massive, and absolutely nuts, action scenes. Sure there is still copious amounts of green screen but it doesn’t stick out nearly as bad as it did in the original. Unfortunately the same can’t be said of the rest of the movie.
Written by director Timo Vuorensola and Dalan Musson, Iron Sky 2 falls into the same trap a lot of movies of its type where instead of working on a cohesive story they throw out as many plot threads and see what works and dropping what doesn’t. Things like Udo Kier returning as Wolfgang Kortzfleisch and Tom Green as a cult leader feel more like extended cameos than actual roles. With so many plot threads thrown out there it can feel like the movie is running in circles. The same kind of haphazard approach can be seen in the jokes as well. Seemingly going with whatever they could think of at the time the gags miss more than they hit and that’s mostly due to Iron Sky 2‘s cast.
With most of the characters from the first movie in supporting roles we are introduced to a cast of new characters. Leading the charge is Lana Rossi as Obi. The daughter of ex-Nazi Renate Richter (played by the returning Julia Dietze), Rossi does a wonderful job in the lead playing the kind of scrappy leader that would fit perfectly in the latest Star Wars movie. Having the complete opposite effect is Vladmir Burlakov as Sasha, Obi’s sidekick and romantic interest. The two actors have chemistry but it’s bogged down by a lot of bad jokes about Sasha trying to compete with the film’s true star, Malcom. Portrayed by Kip Dale, Malcom is perhaps the most consistently funny part of The Coming Race. With the looks of your typical big screen tough guy he needlessly throws himself into danger to a comical degree. Each risk more needlessly stupid than the last. As one note as the joke may seem they are able to find enough different hazardous situations for it to work.
So was Iron Sky: The Coming Race able to pull off the impossible and be one of the rare good sequels to a comedy? Not quite. While the cast does an admirable job with what they are given it isn’t enough to save the movie. Between its meandering plot and a litany of jokes that miss more than they hit Iron Sky: The Coming Age does the impossible, it makes Hitler riding a T-Rex feel dull.
Links : IMDB
Iron Sky: The Coming Race is now available in select theaters and on VOD
Bull Durham | Classics Re-Visited
Given the fact I was born in the early 80’s I’ve always had a soft spot for 80’s and 90’s movies. Don’t get me wrong here. There are a lot of good movies made today but there is just something special about that era of cinema and it’s a bit lost today with all the viewing options and places to get entertainment.
With the start of the Major League Baseball season days away, I decided to get a couple of good Baseball movies in. I haven’t watched Bull Durham in a few years so I was due.
Released in 1988, the synopsis of the movie is a highly-touted prospect, Ebby Calvin “Nuke” LaLoosh (Tim Robbins) is a talented young pitcher for the Minor League Team, the Durham Bulls. He’s green and needs some guidance to get to “THE SHOW” so the team trades for veteran Crash Davis (Kevin Costner) to help bring the youngster along. Two guys in two different points in their career must co-exist and not kill each other. Annie Savoy (Susan Sarandon), is a baseball fanatic who catches the eye of LaLoosh while he’s in Durham. She also catches the attention of Davis, but with drastically different intentions. LaLoosh and Davis struggle to get along with Davis being the grizzled veteran trying to teach LaLoosh the ropes while contending with LaLoosh’s ego. Davis is trying to balance all of this while also fighting with father time in his own career and where it is headed. An era of time in these people’s lives plays out for our entertainment.
This is one of my top 2 or 3 baseball movies. The amount of comedy balanced with the drama and love story is one of the better cinematic accomplishments I’ve ever seen. There are so many memorable scenes and quotable lines from this one. I still call people “lollygaggers” thanks to Skip. Costner was in his prime at this point and plays his part to perfection. Robbins had done a lot of TV but outside of a role in Top Gun, hadn’t done anything major so as far as I’m concerned, this was his breakthrough role. Somewhat of a “Southern Belle”, Susan Sarandon was arguably as sexy as she’s ever been and was a fantastic casting decision.
There’s not a whole lot I can say about this movie without somewhat ruining the funny parts or the story, so I’ll leave it with this:
Baseball is the core of the film, but you don’t have to be a baseball fan to enjoy it. If you’ve never seen this classic, enjoy it now before the “Boys of Summer” take the baseball fields in a few weeks. It will help get you primed for the upcoming season.
Uncut Gems – This Was Actually Worthy Of An Oscar Nomination
That’s a million dollar opal you are holding.
Straight from the Ethiopian Jewish tribe.
Are you in the middle of a nasty divorce? Or are you at home on sick leave because of burnout due to your stressful job that demands too much from you? Or are those two revolting teenagers at home, who go through puberty right now, making you so much upset that you almost have no fingernails anymore? Good advice! Ignore this movie and look for another soothing movie. Because “Uncut Gems” will certainly not be ideal for your peace of mind. I’m afraid that after 20 minutes you’ll be throwing snacks at the screen out of frustration while pulling your hair out of sheer desperation. Because it’s the most stressful film ever. It drives up the tension throughout the whole movie in a merciless way to an extreme level. Believe me, at the end of the film my heart rhythm was proportional to that of the exhilarating rhythm of this tragicomic film.
Nerve-wracking at an absurd high pace.
Not only is it a nerve-wracking film. The pace of the film is also absurdly high. A movie like an out of control high-speed train. It seemed as if everyone is running from pillar to post at an inhuman pace. From the beginning of the film, it looks like you are being thrown into a centrifuge that’s spinning at a dizzying speed and where the speed never diminishes. Up to and including the denouement. Then the emergency brake is pulled swiftly and the tumultuous life of jeweler Howard Ratner (Adam Sandler) abruptly comes to a halt. And if you are annoyed by the use of the “f” word, I warn you already. There are a few hidden in every dialogue.
Frankly, I’m not a Sandler fan.
I’m not at all an Adam Sandler fan. The few films I saw with him (“Click“, “Blended” and “The Cobbler“) were disappointing in my eyes. Maybe it’s the humor used by Sandler. Maybe it’s the person Sandler himself I have a problem with. And to be honest, I always avoid movies with his name on the film poster. It surprised me when I read somewhere that he’s the best-paid actor in Hollywood. But after seeing “Uncut Gems” I have to drastically adjust my opinion about the actor Sandler. It’s not a real comedy (in a reasonably morbid way you could see some kind of humor in it) although you could say that the character Sandler is playing here, is kind of a caricature. Howard, a Jewish jeweler in the metropolis of New York, tries to get his chaotic life back on track. An Ethiopian opal should take care of that. An uncut diamond that according to Howard could muster a fortune at an auction. A fortune with which he can pay off his debts to pawnbrokers and underworld figures. Debts incurred due to his uncontrollable gambling addiction. Until the famous basketball star Kevin Garnett (Kevin Garnett himself) steps in his diamond shop and asks if he could borrow the precious thing because he feels it exudes a primal power. A power that could bring his performance to an unprecedented height during the upcoming important match.
Oscar nomination worthy.
Well, and when KG doesn’t return the precious good to Howard at the agreed time, it’s the start of a nerve-racking race. A race in which Howard’s life is turned into a hell by nasty people, debt collectors, his wife (Idina Menzel who hates him wholeheartedly and calls him the most annoying person in the world) and his mistress Julia (Julia Fox). Even though Howard is indeed a highly annoying person without scruples or any kind of courtesy, you still feel sorry for this man whose life is collapsing like a house of cards. And even though I got nervous because of the Mr. Bean-like character of the film where Howard screws up every time he makes a decision over and over again, this film still managed to entertain me. I could never have imagined that I would ever say this, but Adam Sandler is simply playing his role in an exceptionally excellent way. This was actually worthy of an Oscar nomination. Hopefully, Sandler developed a taste for serious movies now and will make another attempt with a serious role (in a hopefully less hectic setting) in the future. However, I’m afraid that we’ll be seeing a load of comedies (filled with offbeat, childish humor) before that’ll happen.
My rating 7/10
The Sonata: The Most Positive Thing About The Film Is The Overall Atmosphere They Managed To Create
Rose, you do know if this is your father’s final work, it could be a huge sensation.
Yes, well, that much had occurred to me.
And if this score was more important to him than I was, I’d like to know why.
Do you like a dash of classical music? And are you a fan of Gothic horror movies such as “Crimson Peaks” for example? Well, then you’ll certainly enjoy yourself with this movie “The Sonata“. However, if you are looking for a scary and nerve-racking horror, then it would be best to ignore it. Because it really isn’t creepy at all. Only the background music tries its best to make it all a bit more exciting. Even worse. In this film, classical music is even the means par excellence for opening the gate to hell so the Prince of Darkness in person can walk amongst us. All quite mysterious but the film just didn’t make it to the “horror” category.
Music soothes the soul… Well, not in this flick.
The most unique thing about the film is the fact that Rutger Hauer shows up in it. Most likely his last achievement in the field of acting. But don’t get too excited. The number of times he appears on screen is fairly limited. He may be the central figure in this mystery, which mainly takes place on French territory, but still, he plays a minor role. Hauer plays the eccentric composer Richard Marlowe who has withdrawn to an old mansion from the 10th century to compose a final symphony there. Marlowe may not have been a famous composer, but he was a notorious one. “A trendy composer” as Charles Vernais (Simon Abkarian), the agent of the talented violinist Rose Fisher (Freya Tingley), claims. The Syd Barrett of the classical music scene, as it were. When Richard Marlowe dies, his daughter Rose (her father disappeared out of her life when she was 14 months old) inherits the estate and his notorious past. And when the wayward Rose travels to France to view the dilapidated estate, she finds, miraculously, the latest creation of her deceased father. A violin sonata that, according to her agent, could cause quite a stir in the world of classical music. Did they know that this bundle of scores full of musical notes and mysterious signs would become a completely different source of misery?
“The Sonata” is not really a movie to remember. There are too many flaws to be discovered in it. First of all, there’s the acting part. This was generally acceptable. But at times it was simply bad. As if the actors weren’t able to empathize with their character suddenly. The only one who continued to act on the same level was Freya Tingley. Not only she’s a natural beauty. Her acting as the somewhat emotionless and resentful Rose is absolutely splendid. The most disappointing thing about this film was the CGI. I haven’t seen such outdated special effects for a long time. Most probably the budget must be blamed. Especially the graphics at the end of the film was laughable. And as said before, there’s also the total lack of tension or creepiness. Apart from a single “jump scare”, this was a rather weak aspect. And many will complain about the denouement. A “That’s it?” sigh won’t be far away. And some things didn’t make much sense either. For instance. Despite the alienation from her father (even being ignorant of whether he’s alive or not), Rose doesn’t hesitate for a second to travel to France and move into a ruin that looks like a haunted house. Weird.
Possessed things but still nothing special.
Naturally, you expect a film about a possessed house where restless souls roam around. In a sense, that’s true, but it doesn’t feel that way. It’s rather a film about obsession and the power that lies in music. The most positive thing about the film is the overall atmosphere they managed to create. And this mainly due to the set-up. An age-old country house with dark, drafty rooms full of cobwebs. Where people still have to use such a medieval-looking candlestick at night. But the soundtrack also contributed to the mood. Something I don’t really pay attention to normally. But I have to admit that classical music is extremely suitable to give it a more spooky touch. Only the music wasn’t enough to make it a scary movie. A nice attempt. A pleasure to see Rutger again. But unfortunately, nothing special either.