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HORROR

Rock, Paper, Scissors: A Ridiculous, Clichéd Story

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I just wanna look and fiddle a little bit.
Fiddle and touch.

Every year there’s such a film of which you say “Man, this is probably the worst film I’ve seen this year!“. For me, it’s the movie “Rock, Paper, Scissors” that takes all the glory. With Tom Holland as director (who nevertheless brought some great films such as “Fright Night” and “Child’s Play“) and screenwriter Victor “Friday the 13th” Miller on board, you expect a horror of a considerable level. Take some good advice from me. Don’t start watching it with too high expectations, because you’ll be disappointed. Not only is the story fairly unoriginal. The acting generally sucks. And it’s never really exciting or scary. Even the slasher elements are extremely boring.

 

Rock, Paper, Scissors

 

A wimp of a serial killer.

But the most important thing is the part of the serial killer. Think of Hannibal Lecter in “The Silence of the Lambs” or Patrick Bateman in “American Psycho“. These guys were real serial killers who made an impression. From the beginning, you had that feeling that these crazy persons were sadistic, morbid individuals. Peter “The Doll Maker” Harris (Luke Macfarlane) shows bouts of madness and pure evilness. But in general, he just looks like a pathetic person who reminded me more of “Pee-Wee Herman”. It was only during the scarce moments while he relived his traumatic childhood, which he spent with Uncle Charles (John Dugan), that Macfarlane acted convincingly. The fear and torment that took hold of him while remembering the abuse, was shown in a masterful way. But for the rest, it was just a sad performance.

 

Rock, Paper, Scissors

 

Some more annoying characters.

The most annoying characters, however, were reserved for Michael Madsen and Jennifer Titus. What’s an actor like Madsen doing in this pulp film anyway? It was a mystery to me. Seeing him at work in Tarantino’s films “The Hateful Eight“, “Reservoir Dogs” and “Kill Bill“, assumes that this actor will get better offers. With a face that has character and that raw voice. As Detective Dechert he seemed to play on autopilot. The character Ashley, played by Jennifer Titus, is even less credible. Her motive is understandable but the way she approaches it is so amateurish and clumsy. Anyway, when I saw her awkward and stiff Karate movements at the denouement, I wondered how the hell she got that black belt. Sadly enough, the rest of the cast was also of a low level.

 

Rock, Paper, Scissors

 

You’re nuts to free that nut?

But the most annoying thing was the predictable story. First, the release of Peter Harris. Who the hell releases a serial killer after a few years? An insane person who killed 13 teenage girls and blames an imaginary twin brother. So, after a few years of shock therapy and meaningful conversations with psychologist Dr. Bauer (Tatum O’Neal), the latter comes to the conclusion that Peter is freed from his inner demons and is ready to function as a normal person in society. Someone like Dr. Bauer would be taken away in a straitjacket immediately nowadays. A few hours in the parental home and a glance at the cheery buttocks of a cheerleader (who, in all innocence, bends over, in such a way that he could admire her minuscule panty with fringes) is enough for our cured and reformed maniac to run back into his basement to restart his ceased activities. Complete nuts.

 

Rock, Paper, Scissors

 

Plain dreadful.

All in all, a dreadful movie. Annoying acting. A ridiculous, clichéd story. And even the gory and bloody parts made no impression. You have to be a huge fan of Tom Holland to see this as a successful horror. I hope there won’t be a sequel somewhere in the near future. Because I’m certain it’ll be more of the same. Perhaps Tic-Tac-Toe will be used as the morbid game. May the God of feature films spare me!

 

My rating 2/10
Links: IMDB

Drama

The Perfection: It Never Gets Boring

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All that time with Anton,
the practice,
the performances,
the pressure to be perfect.

 

Whenever I read newsflashes about films that make people suffer from migraine attacks and even make them sick, my curiosity is immediately awakened. The final verdict can go two ways. Or the film indeed has an ingeniously elaborated story and is provided with images the average stomach can’t bear. Or it’s the umpteenth overrated movie of which you ask yourself afterward “Who on earth made such statements?“. Are those people who’ve never seen a similar film as “The Perfection“? Are they film lovers who limit themselves to innocent rom-coms? Or supporters of superficial films such as “The Sound of Music“? No idea. In any case, I couldn’t find any nauseating fragments or rancid footage in this Netflix Original. But that doesn’t mean I thought it was a terrible movie. On the contrary. “The Perfection” contains a cleverly put together story, some successful acting, and a surprising denouement. So, highly recommended.

 

The Perfection

 

A bit suspense. A bit erotism.

I myself thought that “The Perfection” was nothing more than a psychological thriller with a bit of erotism and a few lurid events. Admittedly, the denouement will look pretty disturbing for some. But I assure you that this film will mislead you from the start. The goal that Charlotte (AllisonGet outWilliams) has in mind and the reasons for this are of a very different nature than you would expect. If you realize what a dark secret the Bachoff Institute is hiding, where Charlotte has taken lessons for years as a gifted cellist, it will give you more chills than the bus ride through rural China. The film fits in perfectly with our modern zeitgeist where there’s a “Me too” movement that explicitly tries to draw attention to sexual harassment and sexual assault. How the renowned academy Bachoff can be associated with this is something that you have to discover for yourself in this original film.

 

The Perfection

 

A mixed bag of different genres.

It’s quite clear that this film is difficult to catalog when it comes to the genre. It’s actually a mixed bag of different genres. It’s a light-erotic thriller with a dash of horror. For experienced horror enthusiasts, the horror part will be slightly disappointing. You could describe it as an ultra-light version of “I spit on your grave“. But without explicit visual material and a wide variety of horrifying revenge actions. And from the beginning of the film till roughly halfway, it’s a mild drama where you are introduced to the most important protagonists. Charlotte, a talented cellist who, after years of absence (taking care of her sick mother), seeks contact again with her former music teacher Anton (Steven Weber) and his wife Paloma (Alaina Huffman). But especially the meeting with the new star of the academy, cellist Lizzie (Logan Browning), is causing some stir. First of all, you can feel the competition between the two cellists whose finger-fastness and sensitive handling of the fiddlestick create magical sounds the moment they squeeze a cello between their knees. As these two, not bad-looking classical musicians spend more time together, the sexual tension between them increases. And before they know it, they make use of the skills they use while playing the cello, when they are all over each other when lying naked under the sheets.

 

The Perfection

 

It’s not perfect but still.

Once this introduction took place and the two lovebirds are sitting on a local bus on their way to some small town in China, the film goes in a higher gear. The frivolous atmosphere makes way for exciting situations and horror elements. It feels rather mysterious. Even the rewind moments won’t really clarify it. On the one hand, I thought this technique was kind of an original approach. On the other hand, it seemed rather pedantic. Let’s say something about acting. There’s actually nothing negative to announce. You can safely state that the two main characters almost reach perfection when it’s about that. The chemistry between the two girls is realistic. The different moods that they struggle through are convincing. Steven Weber and Alaina Huffman also fit perfectly into their role. An illustrious couple consisting of dark personalities. Perhaps it seems as if they have mixed a number of different genres and it feels as if they didn’t know which direction to go. But it never gets boring. No, “The Perfection” is certainly not perfect. But it wasn’t very far from perfection.

You can watch “The Perfection” on Netflix now.

 

 

My rating 7/10
Links: IMDB

 

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Entertainment

Jordan Peele Produced ‘Candyman’ Official Trailer – HD Drops Thursday

A hook-handed boogeyman spits out swarms of bees and haunts a housing project in Chicago.

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Genre:

Horror, Thriller

Release Date:

June 12, 2020

Director:

Nia DaCosta

Cast:

Yahya Abdul-Mateen II, Tony Todd, Teyonah Parris, Colman Domingo, Nathan Stewart-Jarrett

Plot Summary:

A “spiritual sequel” to the 1992 horror film ‘Candyman’ that returns to the now-gentrified Chicago neighborhood where the legend began.

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HORROR

Run | Official Trailer – HD

They say you can never escape a mother’s love… but for Chloe, that’s not a comfort — it’s a threat. There’s something unnatural, even sinister about the relationship between Chloe (newcomer Kiera Allen) and her mom, Diane (Sarah Paulson). Diane has raised her daughter in total isolation, controlling every move she’s made since birth, and there are secrets that Chloe’s only beginning to grasp. From the visionary writers, producers and director of the breakout film Searching, comes a suspense thriller that shows that when mom gets a little too close, you need to RUN.

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Genre:

Horror, Mystery, Thriller

Release Date:

May 8, 2020

Director:

Aneesh Chaganty

Cast:

Sarah Paulson, Kiera Allen, Onalee Ames, Pat Healy, Carter Heintz, Clark Webster, Erik Athavale

Plot Summary:

They say you can never escape a mother’s love… but for Chloe, that’s not a comfort — it’s a threat. There’s something unnatural, even sinister about the relationship between Chloe (newcomer Kiera Allen) and her mom, Diane (Sarah Paulson). Diane has raised her daughter in total isolation, controlling every move she’s made since birth, and there are secrets that Chloe’s only beginning to grasp. From the visionary writers, producers and director of the breakout film Searching, comes a suspense thriller that shows that when mom gets a little too close, you need to RUN.

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