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HORROR

Haunt: Has All The Pedigree To Be Something Special

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Genre : Horror
Rating : Unrated
Director: Scott Beck and Bryan Woods
Cast:
Katie Stevens
Will Brittain
Damian Maffei

 

 

 

For a lot of people Halloween is their favorite time of the year. A time to celebrate the macabre and let loose one night a year. Not for Harper though. After dumping her abusive boyfriend Sam, she is convinced to go out by her roommate Bailey. Meeting up with her friends Angela and Mallory for a girl’s night they are introduced Evan and Nathan. Bored with the Halloween bar scene they find a mysterious extreme haunted house in the middle of nowhere.

Forced to sign liability waivers they enter what seems like an ordinary haunted house. What starts out as a tame night attraction soon turns deadlier the deeper, they go. Confronted by their deepest fears they have to find a way to escape before nights end.

Written and directed by Scott Beck and Bryan Woods, the writers of A Quiet Place, go a very different route from their first big screen blockbuster. Executive produced by Eli Roth (director of Cabin Fever and Hostel), Haunt takes a much more familiar path. Unlike their critically acclaimed breakout Beck and Woods tend to follow a more tried-and-true formula when constructing their own haunted house. Whether it’s the supposedly comedic (more grating than not) best friend or our frightened love interest dropping the key after a jump scare seemingly no cliché is safe. It’s particularly bad when movies such as Hell House LLC and the first Houses October Built pulled them off better.

You can see the duo’s creativity much more in the Haunt’s killers. Covered head to toe their masks hide a much more jarring reality. With their bodies heavily modified their faces taking on the horrifying properties of whatever mask they were wearing. Just as terrifying is how brutal they come off. Taking a page from the torture porn of the 2000’s they come off as the most brutal movie slashers in quite some time. Mixing Saw-esque traps and rusty tools Beck and Woods gives our antagonists the kind of gritty edge not typically seen in modern slasher movies.

 

 

Just as uncommon is our lead Harper. Portrayed by Katie Stevens (star of The Bold Type) she is seemingly the only character given any dimension. Struggling with a history of abuse Harper is forced to deal with her tragic childhood the deeper into the haunt she goes. As shocking as it is to see in a B-movie it’s handled surprisingly well. Treated with the seriousness such a sensitive subject deserves I never felt like it became exploited or treated disrespectfully. I just wish it played more into the movie overall.

Haunt has all the pedigree to be something special. With the writers of one of the most unique horror movies of 2018 at the helm we could have seen a whole new take on the extreme haunted house subgenre. Unfortunately, that’s not what we get. Although we do see some of that innovation in our realistic lead and some truly terrifying villains Haunt quickly devolves into a more traditional slasher. But one-dimensional characters and typical thrills keep Haunt from becoming the next Halloween classic.

Rating 5/10
Links : IMDB

Haunt is Theaters, On Demand and Digital now.

 

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Drama

The Perfection: It Never Gets Boring

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All that time with Anton,
the practice,
the performances,
the pressure to be perfect.

 

Whenever I read newsflashes about films that make people suffer from migraine attacks and even make them sick, my curiosity is immediately awakened. The final verdict can go two ways. Or the film indeed has an ingeniously elaborated story and is provided with images the average stomach can’t bear. Or it’s the umpteenth overrated movie of which you ask yourself afterward “Who on earth made such statements?“. Are those people who’ve never seen a similar film as “The Perfection“? Are they film lovers who limit themselves to innocent rom-coms? Or supporters of superficial films such as “The Sound of Music“? No idea. In any case, I couldn’t find any nauseating fragments or rancid footage in this Netflix Original. But that doesn’t mean I thought it was a terrible movie. On the contrary. “The Perfection” contains a cleverly put together story, some successful acting, and a surprising denouement. So, highly recommended.

 

The Perfection

 

A bit suspense. A bit erotism.

I myself thought that “The Perfection” was nothing more than a psychological thriller with a bit of erotism and a few lurid events. Admittedly, the denouement will look pretty disturbing for some. But I assure you that this film will mislead you from the start. The goal that Charlotte (AllisonGet outWilliams) has in mind and the reasons for this are of a very different nature than you would expect. If you realize what a dark secret the Bachoff Institute is hiding, where Charlotte has taken lessons for years as a gifted cellist, it will give you more chills than the bus ride through rural China. The film fits in perfectly with our modern zeitgeist where there’s a “Me too” movement that explicitly tries to draw attention to sexual harassment and sexual assault. How the renowned academy Bachoff can be associated with this is something that you have to discover for yourself in this original film.

 

The Perfection

 

A mixed bag of different genres.

It’s quite clear that this film is difficult to catalog when it comes to the genre. It’s actually a mixed bag of different genres. It’s a light-erotic thriller with a dash of horror. For experienced horror enthusiasts, the horror part will be slightly disappointing. You could describe it as an ultra-light version of “I spit on your grave“. But without explicit visual material and a wide variety of horrifying revenge actions. And from the beginning of the film till roughly halfway, it’s a mild drama where you are introduced to the most important protagonists. Charlotte, a talented cellist who, after years of absence (taking care of her sick mother), seeks contact again with her former music teacher Anton (Steven Weber) and his wife Paloma (Alaina Huffman). But especially the meeting with the new star of the academy, cellist Lizzie (Logan Browning), is causing some stir. First of all, you can feel the competition between the two cellists whose finger-fastness and sensitive handling of the fiddlestick create magical sounds the moment they squeeze a cello between their knees. As these two, not bad-looking classical musicians spend more time together, the sexual tension between them increases. And before they know it, they make use of the skills they use while playing the cello, when they are all over each other when lying naked under the sheets.

 

The Perfection

 

It’s not perfect but still.

Once this introduction took place and the two lovebirds are sitting on a local bus on their way to some small town in China, the film goes in a higher gear. The frivolous atmosphere makes way for exciting situations and horror elements. It feels rather mysterious. Even the rewind moments won’t really clarify it. On the one hand, I thought this technique was kind of an original approach. On the other hand, it seemed rather pedantic. Let’s say something about acting. There’s actually nothing negative to announce. You can safely state that the two main characters almost reach perfection when it’s about that. The chemistry between the two girls is realistic. The different moods that they struggle through are convincing. Steven Weber and Alaina Huffman also fit perfectly into their role. An illustrious couple consisting of dark personalities. Perhaps it seems as if they have mixed a number of different genres and it feels as if they didn’t know which direction to go. But it never gets boring. No, “The Perfection” is certainly not perfect. But it wasn’t very far from perfection.

You can watch “The Perfection” on Netflix now.

 

 

My rating 7/10
Links: IMDB

 

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Entertainment

Jordan Peele Produced ‘Candyman’ Official Trailer – HD Drops Thursday

A hook-handed boogeyman spits out swarms of bees and haunts a housing project in Chicago.

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Genre:

Horror, Thriller

Release Date:

June 12, 2020

Director:

Nia DaCosta

Cast:

Yahya Abdul-Mateen II, Tony Todd, Teyonah Parris, Colman Domingo, Nathan Stewart-Jarrett

Plot Summary:

A “spiritual sequel” to the 1992 horror film ‘Candyman’ that returns to the now-gentrified Chicago neighborhood where the legend began.

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HORROR

Run | Official Trailer – HD

They say you can never escape a mother’s love… but for Chloe, that’s not a comfort — it’s a threat. There’s something unnatural, even sinister about the relationship between Chloe (newcomer Kiera Allen) and her mom, Diane (Sarah Paulson). Diane has raised her daughter in total isolation, controlling every move she’s made since birth, and there are secrets that Chloe’s only beginning to grasp. From the visionary writers, producers and director of the breakout film Searching, comes a suspense thriller that shows that when mom gets a little too close, you need to RUN.

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Genre:

Horror, Mystery, Thriller

Release Date:

May 8, 2020

Director:

Aneesh Chaganty

Cast:

Sarah Paulson, Kiera Allen, Onalee Ames, Pat Healy, Carter Heintz, Clark Webster, Erik Athavale

Plot Summary:

They say you can never escape a mother’s love… but for Chloe, that’s not a comfort — it’s a threat. There’s something unnatural, even sinister about the relationship between Chloe (newcomer Kiera Allen) and her mom, Diane (Sarah Paulson). Diane has raised her daughter in total isolation, controlling every move she’s made since birth, and there are secrets that Chloe’s only beginning to grasp. From the visionary writers, producers and director of the breakout film Searching, comes a suspense thriller that shows that when mom gets a little too close, you need to RUN.

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