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In the Shadow of the Moon: You Get That Feeling That You’ve Seen It All Before

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If you kill me now…
the world as you know it will end
in a very short time.

Yeah. Once again a movie about time traveling. Always interesting to see how they incorporated the paradox of time travel. And there’s always going to be someone who claims something isn’t right. Not that I really care about that because I still don’t know anyone who has actually traveled through time to provide proof whether changes in the past may or may not affect the future. Perhaps that would provide proof of whether the grandfather paradox is plausible or not. So, for me, it’s still pure Sci-Fi. And that results in enjoyable films such as “About Time“, “I’ll follow you down” or “Predestination“. And this Netflix Original certainly wasn’t that bad either.

 

In the Shadow of the Moon

 

Not a complicated movie.

This film differs enormously from one like “Predestination“. And this in terms of simplicity. It’s not all that complicated. Don’t expect such an immense “mindfuck” as in the latter. You don’t need an immense manual or walk-through here. And furthermore, it’s a pleasant mixture of detective-movie and Sci-Fi. The tracing of a serial killer (active in Philadelphia) by the ambitious police officer Locke (Boyd Holbrook) is the common thread throughout the film. The apparently randomly selected innocent victims, die a terrible death in which decomposing brains are the cause of the sudden death. Locke discovers that all the victims have scars in the neck area. Soon it’s said that an isotope is the cause of them ending up dead in a rapidly spreading blood pool. And when a fourth victim manages to give an accurate description of the person, a massive search is being conducted. Locke ends up face to face with a young, colored teenager (with a thorough knowledge of combat techniques) in a blue jogging suit (Cleopatra Coleman). The biggest shock for Locke is that she knows a lot of facts about Locke. Facts she couldn’t have known. And before you know it, it’s 9 years later …

 

In the Shadow of the Moon

 

Not a typical detective story.

The film is divided into time periods of 9 years. Starting in the year 1988. The year that the first murders happen. It’s actually the most action-rich part. And also the most realistic. The way in which a cook, concert pianist and female bus driver meet their end, has been portrayed enormously realistic. Don’t expect an ordinary cause of death. It’s pretty bloody. And in the case of the bus driver, quite spectacular. But when the phenomenon of the returning teenager reveals itself and you finally begin to understand what’s going on, realism slowly but surely fades away and gives way to pure fiction. And gradually you realize that this isn’t a typical detective film, with inspectors (like in “Se7en“) chasing a crazy serial killer. No way. It gradually transforms into a thoughtful sci-fi and then ends in a corny drama about family issues.

 

In the Shadow of the Moon

 

Excellent acting by Holbrook.

To be honest, I thought the acting performance of Boyd Holbrook as the wayward Locke wasn’t bad at all. Perseverance and drivenness were exceptionally well portrayed. Because of his obsession to solve the mystery, he loses control of reality. It destroys his family relationships and interferes with his work. Gradually Locke turns into an unkempt tramp, without work and living in his car. Therefore, let me praise the make-up department of this production. And although Holbrook’s acting was outstanding, you can’t say he out-sings the rest of the cast. They weren’t bad, but you can’t speak of spectacular interpretations either. Only the action-rich fight scenes with Cleopatra Coleman as an unleashed fury pleased me as well.

 

In the Shadow of the Moon

 

Well worth a watch.

No, “In the shadow of the Moon” certainly wasn’t a disastrous film. Although the story was essentially not too original. And you get that feeling that you’ve seen it all before. Probably because of that, the denouement wasn’t really surprising. Perhaps the opening scene was too revealing as well. The question of whether you can avoid disaster by drastically changing something in the past is and remains fascinating. I bet that the event they tried to undo, will be the subject of discussion once again. Just look at the politically charged opinions on other websites. Even the word “propaganda” is used all too often. The patronizing tone and the explanatory nature of the film was no obstacle for me to enjoy this film. Don’t expect a groundbreaking movie. But it surely was entertaining enough. So, it’s definitely well worth a watch, this Netflix Original.

You can watch “In the Shadow of the Moon”  on Netflix now!

 

My rating 6.5/10
Links: IMDB

Batman

Director Matt Reeves Drops Our Fist Look At The New Batmobile

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“It’s going to allow his character to have an arc so that he can go through a transformation”

In the modern era of cinema, the internet is no stranger to leaks and set photos. Most Directors are faced with the difficult challenge of deciding when and when not to release official photos. Recently, an onslaught of set photos have hit the web, showing the newly re-designed batman look, along with a glimpse of the “Batcycle” and possibly a look at catwoman.

Today, Matt Reeves decided to break the internet, giving us our first look at the new batmobile. Reeves describes ‘The Batman’ as a noir style film, told squarely on the shoulders of the dark knight. It would appear that Reeves is going with a truly grounded approach to the character. A “Year two” Batman, taking on Gotham’s criminal underworld, with a rogues gallery of villains.

“It’s very much a point of view-driven, noir Batman tale,” he said. “It’s told very squarely on his shoulders, and I hope it’s going to be a story that will be thrilling but also emotional. It’s more Batman in his detective mode than we’ve seen in the films. The comics have a history of that. He’s supposed to be the world’s greatest detective, and that’s not necessarily been a part of what the movies have been. I’d love this to be one where when we go on that journey of tracking down the criminals and trying to solve a crime, it’s going to allow his character to have an arc so that he can go through a transformation.”

‘The Batman’ hits theaters June 25, 2021 | Stars: Robert Pattinson, Zoe Kravitz, Colin Farrell, Andy Serkis, Paul Dano, Peter Sarsgaard, Jeffrey Wright 

 

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Batman

Matt Reeves Drops First Look | Batsuit Test From ‘The Batman’

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Fans have been waiting weeks since filming began for Matt Reeves’ ‘The Batman,’ for a quick glance at the new batsuit. Now we have our first official look at what Robert Pattinson will look like dawning the cape and cowl of the dark knight. We also get our first listen at the musical tone we can expect from the upcoming film, which to no surprise, is dark and ominous. Pattinson would like to see Batman receive an R-Rating saying that it would free his character up to do more:

“The only thing that’s more complicated is the rating. As soon as you make something an R-rated movie, you’re freed up to do so much stuff. In terms of the character itself, I want to push it as far as it possibly can go. And I think Matt Reeves does as well. You can do crazy stuff with that part.”

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Crime

Spiral: From The Book Of Saw | Official Trailer – HD

Spiral is an upcoming American horror film. The film will serve as the ninth installment in the Saw franchise. The film is directed by Darren Lynn Bousman, from a screenplay by Josh Stolberg and Pete Goldfinger, based on a story by Chris Rock. The film stars Rock, Samuel L. Jackson, Max Minghella, and Marisol Nichols.

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Genre:

Crime, Drama

Release Date:

May 15, 2020

Director:

Darren Lynn Bousman

Cast:

Chris Rock, Samuel L. Jackson, Max Minghella, Marisol Nichols,

Plot Summary: 

Spiral is an upcoming American horror film. The film will serve as the ninth installment in the Saw franchise. The film is directed by Darren Lynn Bousman, from a screenplay by Josh Stolberg and Pete Goldfinger, based on a story by Chris Rock. The film stars Rock, Samuel L. Jackson, Max Minghella, and Marisol Nichols.

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