Rose, you do know if this is your father’s final work, it could be a huge sensation.
Yes, well, that much had occurred to me.
And if this score was more important to him than I was, I’d like to know why.
Do you like a dash of classical music? And are you a fan of Gothic horror movies such as “Crimson Peaks” for example? Well, then you’ll certainly enjoy yourself with this movie “The Sonata“. However, if you are looking for a scary and nerve-racking horror, then it would be best to ignore it. Because it really isn’t creepy at all. Only the background music tries its best to make it all a bit more exciting. Even worse. In this film, classical music is even the means par excellence for opening the gate to hell so the Prince of Darkness in person can walk amongst us. All quite mysterious but the film just didn’t make it to the “horror” category.
Music soothes the soul… Well, not in this flick.
The most unique thing about the film is the fact that Rutger Hauer shows up in it. Most likely his last achievement in the field of acting. But don’t get too excited. The number of times he appears on screen is fairly limited. He may be the central figure in this mystery, which mainly takes place on French territory, but still, he plays a minor role. Hauer plays the eccentric composer Richard Marlowe who has withdrawn to an old mansion from the 10th century to compose a final symphony there. Marlowe may not have been a famous composer, but he was a notorious one. “A trendy composer” as Charles Vernais (Simon Abkarian), the agent of the talented violinist Rose Fisher (Freya Tingley), claims. The Syd Barrett of the classical music scene, as it were. When Richard Marlowe dies, his daughter Rose (her father disappeared out of her life when she was 14 months old) inherits the estate and his notorious past. And when the wayward Rose travels to France to view the dilapidated estate, she finds, miraculously, the latest creation of her deceased father. A violin sonata that, according to her agent, could cause quite a stir in the world of classical music. Did they know that this bundle of scores full of musical notes and mysterious signs would become a completely different source of misery?
“The Sonata” is not really a movie to remember. There are too many flaws to be discovered in it. First of all, there’s the acting part. This was generally acceptable. But at times it was simply bad. As if the actors weren’t able to empathize with their character suddenly. The only one who continued to act on the same level was Freya Tingley. Not only she’s a natural beauty. Her acting as the somewhat emotionless and resentful Rose is absolutely splendid. The most disappointing thing about this film was the CGI. I haven’t seen such outdated special effects for a long time. Most probably the budget must be blamed. Especially the graphics at the end of the film was laughable. And as said before, there’s also the total lack of tension or creepiness. Apart from a single “jump scare”, this was a rather weak aspect. And many will complain about the denouement. A “That’s it?” sigh won’t be far away. And some things didn’t make much sense either. For instance. Despite the alienation from her father (even being ignorant of whether he’s alive or not), Rose doesn’t hesitate for a second to travel to France and move into a ruin that looks like a haunted house. Weird.
Possessed things but still nothing special.
Naturally, you expect a film about a possessed house where restless souls roam around. In a sense, that’s true, but it doesn’t feel that way. It’s rather a film about obsession and the power that lies in music. The most positive thing about the film is the overall atmosphere they managed to create. And this mainly due to the set-up. An age-old country house with dark, drafty rooms full of cobwebs. Where people still have to use such a medieval-looking candlestick at night. But the soundtrack also contributed to the mood. Something I don’t really pay attention to normally. But I have to admit that classical music is extremely suitable to give it a more spooky touch. Only the music wasn’t enough to make it a scary movie. A nice attempt. A pleasure to see Rutger again. But unfortunately, nothing special either.
My rating 5/10
Come to Daddy: A Quirky, Somewhat Strange Thriller With Very Aggressive Scenes
I once accidentally kicked a guy’s ear off.
I didn’t mean to, but the fucker flew off.
I could see right into his skull.
Elijah Wood always makes for pleasant surprises. In terms of his choice of films, you cannot say that he plays it safe. His choices are always fairly quirky. I kind of compare him to Daniel Radcliffe. Another actor who doesn’t thrive on the worldwide success he achieved by playing one well-known character for most of his life. So too Elijah Wood who will be associated with Frodo forever and ever. Apparently they also have a common interest, namely that of deceased persons. Where Radcliffe played the role of a corpse in “Swiss Army Man“, Wood is stuck in this film with an embalmed corpse. Anyway, “Come to Daddy” is a macabre, dark, and slightly humorous film.
Trendy, fashionable DJ meets foul-mouthed dad.
When I looked at the movie poster, I immediately thought of “Happy birthday to Me”. Not that “Come to Daddy” looks like a purebred slasher. But the fork Norval Greenwood (Elijah Wood) is holding on the cover, will be used in an ingenious, yet painful way. Norval is an eccentric, trendy DJ with Elton John in his circle of acquaintances. Stylish, contemporary dressed with artistically and strategically placed tattoos. A trimmed Freddie Mercury mustache. And a hairstyle as if it was styled using a soup tureen. Everything indicates that Norval is used to a high-society life and that the journey through the forest with a thumping wheeled suitcase behind him doesn’t really belong in that life. When he finally arrives at the beach house (which, according to Norval, resembles that of a flying saucer from the 1960s) and meets his father Brian, whom he hasn’t seen for years, it turns out that the latter is completely the opposite. Foul-mouthed, fairly brutal, untidy appearance and persistently topping a glass with liquor or wine. No picnic for Norval who recently renounced alcohol. Before he knows it, his smartphone (a limited edition in gold, designed by Lorde) sinks down to the bottom of the ocean, while his dad tried to take a selfie. The tone has been set.
Comedy-Horror. Not my fav combination.
“Come to Daddy” is a difficult movie to place. On the one hand, they tried to add a humorous note here and there. Although subtle black humor that won’t be enjoyed by everyone. On the other hand, there’s indeed a horror vibe that gets quite gory. Again, I’m not really such an avid fan of the combination of horror and comedy, because usually both genres feel incomplete. And to be honest in this movie as well. The humorous part wasn’t really funny (with only a rare chuckle). And I also found the horror part rather light-hearted. There’s no doubt that it has a high thriller content. And it’s certainly not a straightforward story. You could even say that they were a bit too lavish with the number of plot twists. But the absurdity in the story (such as a motel that is fully booked with visitors to a swingers convention. Who comes up with such an idea?) knows no boundaries. The insane and intimidating behavior that slowly evolves into a kind of “Cape Fear” aggression. The officer on duty and his belching. The coroner and the fact that Norval suddenly has a dead man in the house due to lack of space at the morgue. The nightly terrifying sounds. Norval’s discovery and the unveiling of the entire mystery. The motel-happening. It just keeps going on. Fortunately, I love an absurd story now and then.
It surprised me.
Elijah Wood is simply magnificent as the extroverted and fairly arrogant Norval. Someone who doesn’t realize what a dire situation he’s going to find himself in. And also doesn’t know that his entire life story will be shaken thoroughly. That’s how the viewer will feel as well. Shaken up. During the first part of the movie, you wonder which direction the story will go. But once the plot reveals and the story accelerates, both in terms of tempo and frantic action, hold on tight because it’s going to be a wild rollercoaster ride. And it’s worth it. “Come to Daddy” is a quirky, somewhat strange thriller with very aggressive scenes and full of insanity. Revealing too much isn’t recommended. Best to start watching this movie without knowing too much, such that the experience will be decidedly surprising. Recommended.
My rating 6/10
A Good Woman is Hard to Find: Shows Us The Harsh Realities Of Life
Just let sleeping dogs lie.
The moment you see Sarah (Sarah “The Lazarus Effect” Bolger) turning the house upside down while looking for batteries for her non-working vibrator and hear her say “Thank you Jesus” a little later with visible relief, it seems as if she’s a completely different character than the woman who came into the picture at the beginning of the film. Admittedly, a woman who still mourns her recently deceased husband. But then without blood splashes in her face and on her body. After seeing “Becky” only recently, “A good woman is hard to find” is yet another revenge film in which a desperate woman takes a thorough revenge on those who made her life a living hell. Not that she suffered physical injuries. But the murder of her husband and the way in which she is treated by society makes sure that it’s best your not going to stand in Sarah’s way. Those who do will experience the painful consequences.
Only a few unrealistic aspects.
The only thing I found a bit unrealistic was the constant apathy and misogyny displayed here. Never thought there were so many rude, insensitive and tactless people in the UK. A shop assistant who treats Sarah like a utensil and makes use of a fairly sexist language. A psychologist who shows a lack of tact. But especially the way the police treated her was totally implausible to me. Even if the activities of the deceased husband were not too kosher, that doesn’t mean that this widow should be treated in such a low-minded, condescending way. And while the drug gang is notorious in this district who don’t treat annoying individuals in a gentle way, it seems as if they are unknown to the local police.
“American psycho” in the UK.
In any case, “A good woman is hard to find” has a more realistic character than, say, a film like “Becky”. The bleak and hopeless situation Sarah finds herself in. The gray slums in Belfast, Ireland, where drug trafficking is rampant. Lawlessness seems to be a standard in this social neighborhood. And the revenge actions can also be called quite brutal. And at the same time more plausible than in other films. When Sarah goes to the local hardware store and starts purchasing a whole arsenal of working tools, you can expect nauseating scenes. Not that it’s explicitly portrayed. But the background noise and slow-motion images leave nothing to the imagination. Immediately I was thinking about “American Psycho”.
Harsh and realistic flick.
Although “A good woman is hard to find” is a fairly conventional thriller that doesn’t deviate from the standard rules of the genre, there are still some elements that make the film rise above average. There’s the admirable acting of Sarah Bolger. A woman who has to deal with the loss of her husband on the one hand and then realizes that he actually lived a different life. The impetus for the rising violence can be traced back to petty thief Tito (Andrew Simpson). Stealing a load of drugs, belonging to the local drug lord Leo Miller (Edward Hogg), and using Sarah’s house as an alternative storage place, he forces Sarah to defend herself as a determined lioness. Also, those two roles (Tito and Leo) are played properly. And finally there’s the film technical aspect. Solid image quality. “A good woman is hard to find” is in all respects a dark and depressing film that shows the harsh reality of life in a hard and realistic way. An intense trip, as it were
My rating 7/10
The Vanishing: The Acting Is Phenomenally Beautiful
Okay, as far as I can see it, this…
this is payback!
For having to live the rest of my life with his face etched into my brain.
Every now and then I come across a completely unknown film I don’t really expect much from, despite the presence of a well-known sounding name, but which nevertheless pleasantly surprises me. “The Vanishing” is a thriller pur sang. A fictional story about a true event, namely the disappearance of three lighthouse keepers in 1900 who stayed on one of the Flannan islands on the west coast of Scotland. The three men James Ducat (Gerard Butler), Thomas Marshall (Peter Mullan), and Donald MacArthur (Connor Swindells) have never been found. Nobody had a real explanation and soon several speculations circulated. From a giant sea snake to giant seagulls. Or maybe they went up in smoke to start a new life. Kidnapping by spies was also an option. Even an alien kidnapping. This film aims to give a more plausible explanation. But it nevertheless remains an unproven and therefore fictional story.
Not exciting until the event.
Don’t expect any supernatural apparition. First of all, “The Vanishing” is a realistic look at the life of a lighthouse keeper at the beginning of the 20th century. The rugged sailor life in which these seasoned sea dogs brave the briny deep unflinchingly as they make their way to that boulder in the middle of the ocean. Something rookie Donald clearly isn’t used to, so he experiences the trip while hanging over the railing. Largest part of the film you see how these men dutifully perform their tasks on the island. Not that there’s really a lot to do. The main task is to ensure that the beacon of the lighthouse is working properly and that the glass surrounding it looks optima forma. They spend the rest of their time singing, cooking, sleeping, and strolling around the island. Not really madly exciting.
A shipwreck with a wooden box.
Until newcomer Donald finds a splintered boat, a lifeless drowned man, and a locked wooden box between the rocks. And when the content of the mysterious box is being revealed, the time has come for tensions to rise. From that moment on, mistrust and greed play a major role. There is such an ominous mood in the air. You get the feeling that every moment the situation will explode and one of the three keepers will erupt into violent anger. But ultimately the three don’t pose a threat to each other, but third parties play a greater role. I won’t reveal too much, but expect a serious escalation of the situation at some point.
Admiration for Gerard Butler’s acting.
“The Vanishing” was a relief after seeing so many mediocre and forgettable nonsensical feature films. Not only the footage turns this film into a gem. The acting is also phenomenally beautiful. Not only the oppressive, claustrophobic atmosphere is impressive. There are also some melodramatic moments in which hidden distress comes to the surface, resulting in conversations full of meaningful silences and heavy words. You’ll also witness some lurid scenes such as the cleaning up of dead gulls after a heavy storm (“You may have to break the wings to get ’em in.”). But for me, Gerard Butler was a real eye-opener. He usually appears in one of those a dime a dozen action films (with the exception of a single film like “A family man”). But here he also shows that he knows how to act. Never thought a movie about lighthouse keepers would be worth watching. Well, apparently it is. And that’s also a reason to finally check out “The Lighthouse”! Lights out, lighthouse spotlight on.