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Drama

The Perfection: It Never Gets Boring

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All that time with Anton,
the practice,
the performances,
the pressure to be perfect.

 

Whenever I read newsflashes about films that make people suffer from migraine attacks and even make them sick, my curiosity is immediately awakened. The final verdict can go two ways. Or the film indeed has an ingeniously elaborated story and is provided with images the average stomach can’t bear. Or it’s the umpteenth overrated movie of which you ask yourself afterward “Who on earth made such statements?“. Are those people who’ve never seen a similar film as “The Perfection“? Are they film lovers who limit themselves to innocent rom-coms? Or supporters of superficial films such as “The Sound of Music“? No idea. In any case, I couldn’t find any nauseating fragments or rancid footage in this Netflix Original. But that doesn’t mean I thought it was a terrible movie. On the contrary. “The Perfection” contains a cleverly put together story, some successful acting, and a surprising denouement. So, highly recommended.

 

The Perfection

 

A bit suspense. A bit erotism.

I myself thought that “The Perfection” was nothing more than a psychological thriller with a bit of erotism and a few lurid events. Admittedly, the denouement will look pretty disturbing for some. But I assure you that this film will mislead you from the start. The goal that Charlotte (AllisonGet outWilliams) has in mind and the reasons for this are of a very different nature than you would expect. If you realize what a dark secret the Bachoff Institute is hiding, where Charlotte has taken lessons for years as a gifted cellist, it will give you more chills than the bus ride through rural China. The film fits in perfectly with our modern zeitgeist where there’s a “Me too” movement that explicitly tries to draw attention to sexual harassment and sexual assault. How the renowned academy Bachoff can be associated with this is something that you have to discover for yourself in this original film.

 

The Perfection

 

A mixed bag of different genres.

It’s quite clear that this film is difficult to catalog when it comes to the genre. It’s actually a mixed bag of different genres. It’s a light-erotic thriller with a dash of horror. For experienced horror enthusiasts, the horror part will be slightly disappointing. You could describe it as an ultra-light version of “I spit on your grave“. But without explicit visual material and a wide variety of horrifying revenge actions. And from the beginning of the film till roughly halfway, it’s a mild drama where you are introduced to the most important protagonists. Charlotte, a talented cellist who, after years of absence (taking care of her sick mother), seeks contact again with her former music teacher Anton (Steven Weber) and his wife Paloma (Alaina Huffman). But especially the meeting with the new star of the academy, cellist Lizzie (Logan Browning), is causing some stir. First of all, you can feel the competition between the two cellists whose finger-fastness and sensitive handling of the fiddlestick create magical sounds the moment they squeeze a cello between their knees. As these two, not bad-looking classical musicians spend more time together, the sexual tension between them increases. And before they know it, they make use of the skills they use while playing the cello, when they are all over each other when lying naked under the sheets.

 

The Perfection

 

It’s not perfect but still.

Once this introduction took place and the two lovebirds are sitting on a local bus on their way to some small town in China, the film goes in a higher gear. The frivolous atmosphere makes way for exciting situations and horror elements. It feels rather mysterious. Even the rewind moments won’t really clarify it. On the one hand, I thought this technique was kind of an original approach. On the other hand, it seemed rather pedantic. Let’s say something about acting. There’s actually nothing negative to announce. You can safely state that the two main characters almost reach perfection when it’s about that. The chemistry between the two girls is realistic. The different moods that they struggle through are convincing. Steven Weber and Alaina Huffman also fit perfectly into their role. An illustrious couple consisting of dark personalities. Perhaps it seems as if they have mixed a number of different genres and it feels as if they didn’t know which direction to go. But it never gets boring. No, “The Perfection” is certainly not perfect. But it wasn’t very far from perfection.

You can watch “The Perfection” on Netflix now.

 

 

My rating 7/10
Links: IMDB

 

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Crime

The Untouchables – A Retrospective Look

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I watched this in honour of Sean Connery who sadly passed away the day before. It must be 10 years since I have watched this, and I had forgotten how brilliant it actually was.

What is often overlooked with ‘The Untouchables’ is just how emotional it is in parts, from Ness (Kevin Costner) meeting the mother of a girl blown up by a cafe bomb to the touching climax between Ness and Stone (Andy Garcia). It is a film that is genuinely upsetting to see the end, you would be quite happy to spend more time with these people.

It is also undoubtedly a film about friendship and that is where the late great Sean Connery stands out from the cast. As supposedly past it beat cop Malone, he strikes as a man of lonely isolation, just trying to get through every shift alive. He is at first suspicious of Ness but soon warms to what Ness is trying to achieve and there the bond between the two starts. Malone’s relationship with Stone gets off to a less auspicious start but by the end of the film, the relationship produces one final emotional wallop that we all deeply feel. Throw in accountant Oscar Wallace, played for the comic relief by Charles Martin Smith and we have four disparate men bonding over their end goal, to catch and see justice brought again crime lord Al Capone, (played with menace by Robert DeNiro).

There is so much to admire here, some of the setpieces are simply astonishing, the stakeout and subsequent battle on the Canadian border are sensationally choreographed, and a homage to the Odessa Steps sequence from Battleship Potemkin is nerve shreddingly executed. The violence is brutal and shocking at times and as stated previously the deaths are graphic and in one particular case deeply moving.

Kevin Costner was a star on the rise at this point, with big hits like ‘Field of Dreams,’ ‘Dances With Wolves,’  ‘JFK’ and ‘Robin Hood’ to come, he is excellent as the clean-cut family man Ness. A young Andy Garcia is impressive as the sharpshooting Stone, but this is Connery’s film. It’s an exceptional performance filled with guile, wisdom and what is apparent from the get-go, anger. He would win an Academy Award for this film and few could argue against it.

Its an incredibly neat and tidy film, it never outstays its welcome or gets too bogged down in courtroom showdowns. It’s gritty and powerful and a reminder of just how good an actor and phenomenal screen presence Connery was. It doesn’t get much better than this.

This review is dedicated to the memory of Sir Sean Connery 25/8/1930 – 31/10/2020 – A true screen icon

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Comedy

On the Rocks (2020)

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You know what’s great about her?
She doesn’t talk. She just listens.
That sounds perfect for you.

 

Life is full of unexpected turns. As an 18-year-old, I rented the adult cartoon “Tarzoon: Shame of the Jungle” just for fun. Probably because of the titillating vamp on the cover, lying naked on a huge platter and carried by figures that looked like penises. No one could suspect that a voice actor in this cartoon would become one of my most popular actors. If there’s one comedian who manages to make me chuckle without any problem, it’s Bill Murray. Like in “Stripes” and “Ghostbusters”. Or the incomparable film “Groundhog Day”. However small his role may be in a feature film, he always manages to create an unforgettable scene, such as in “Zombieland” for example. Put Murray in a horror, and his typical way of acting makes it a completely different experience. Just watch “The dead don’t die” and you’ll know what I mean. In short, a versatile actor who takes a film to a higher level with his contribution.

 

 

Lost in Translation.

This year I came to the conclusion that I had never seen the movie “Lost in translation”. A film directed by Sofia Coppola (daughter of) with Bill Murray and the very young Scarlett Johansson in the leading roles. Even though there was something slightly comical lurking beneath the surface of this film, the subject matter was far from comical. A film about two individuals who are right in the middle of an identity crisis. A film about love and loneliness. Loneliness not only because of the life situation they both find themselves in, but also because of the fact that they are in a country where they don’t understand the language, culture, and general way of life. Two lost souls who discover, sense, and encourage each other. I admit, I was moved after seeing this masterful film. Finally, after a long time a film that rocked my socks off. A thought-provoking film that’ll resonate for a pretty long time. Yes, some movies do that to me.

 

 

A wild search for the truth.

And then 17 years after the release of this magisterial film, we get a renewed collaboration between Sofia Coppola and Bill Murray. “On the Rocks” is not as magical as “Lost in Translation“. But somewhere deeply hidden it does have points of contact with the latter. Here, too, Laura (Rashida Jones) is in the middle of a crisis. Both in terms of her marriage and her writing career. The suspicion that her husband Dean (Marlon Wayans) just pretends to have lots of work since starting his own company, just to cover up an affair, grows stronger. And writing a new book isn’t easy either. The day she tells her father Felix (Bill Murray), a charismatic wealthy art dealer with an untameable flirtation habit, about her suspicions, he throws himself wholeheartedly into the case with full dedication. Before Laura realizes it, she is embroiled in a wild search for the truth.

 

 

Murray nails it.

On the rocks” isn’t such a depressing and melancholic story as “Lost in translation“. There’s more humor in it. How another mother at school tells Laura every morning about her love life. The interesting facts about human behavior and the evolution of relationships between men and women Felix tells about every time unexpectedly. The wild chase in a “not so suspicious-looking” red, noisy convertible through the streets of New York. Perhaps it’s rather light, uncomplicated humor. Still, it’s subtle at the same time. The chemistry between Laura and her father feels unforced and authentic. And this won’t come as a surprise: Bill Murray nailed it once more. He demands full attention every time he comes into the picture. His characteristic acting and the way in which he can charm random people with his smooth talk is simply superb. And it’s not just the female population that falls for his smooth-talking. The way he manages to turn a police officer’s mood from being reprimanding to being helpful is just sublime.

 

One more time.

“On the rocks” is about marital troubles, a complicated father-daughter relationship, and also about how people get lost in the turbulent and chaotic society in which they live. It’s not another masterpiece of Coppola, but surely it’s another successful cooperation between Coppola and Murray. I quietly hope that they will work together again in the future.

My rating 7/10
Links: IMDB

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Drama

The Craft: Legacy | Official Trailer – Sony Pictures

An eclectic foursome of aspiring teenage witches get more than they bargained for as they lean into their newfound powers.

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Genre:

Drama, Fantasy, Horror

Release Date:

October 27, 2020

Director:

Zoe Lister-Jones

Cast:

Michelle Monaghan, Cailee Spaeny, David Duchovny, Gideon Aldon, Lovie Simone, Hannah Gordon, Nicholas Galitzine

Plot Summary:

An eclectic foursome of aspiring teenage witches get more than they bargained for as they lean into their newfound powers.

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