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The Perfection: It Never Gets Boring

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All that time with Anton,
the practice,
the performances,
the pressure to be perfect.

 

Whenever I read newsflashes about films that make people suffer from migraine attacks and even make them sick, my curiosity is immediately awakened. The final verdict can go two ways. Or the film indeed has an ingeniously elaborated story and is provided with images the average stomach can’t bear. Or it’s the umpteenth overrated movie of which you ask yourself afterward “Who on earth made such statements?“. Are those people who’ve never seen a similar film as “The Perfection“? Are they film lovers who limit themselves to innocent rom-coms? Or supporters of superficial films such as “The Sound of Music“? No idea. In any case, I couldn’t find any nauseating fragments or rancid footage in this Netflix Original. But that doesn’t mean I thought it was a terrible movie. On the contrary. “The Perfection” contains a cleverly put together story, some successful acting, and a surprising denouement. So, highly recommended.

 

The Perfection

 

A bit suspense. A bit erotism.

I myself thought that “The Perfection” was nothing more than a psychological thriller with a bit of erotism and a few lurid events. Admittedly, the denouement will look pretty disturbing for some. But I assure you that this film will mislead you from the start. The goal that Charlotte (AllisonGet outWilliams) has in mind and the reasons for this are of a very different nature than you would expect. If you realize what a dark secret the Bachoff Institute is hiding, where Charlotte has taken lessons for years as a gifted cellist, it will give you more chills than the bus ride through rural China. The film fits in perfectly with our modern zeitgeist where there’s a “Me too” movement that explicitly tries to draw attention to sexual harassment and sexual assault. How the renowned academy Bachoff can be associated with this is something that you have to discover for yourself in this original film.

 

The Perfection

 

A mixed bag of different genres.

It’s quite clear that this film is difficult to catalog when it comes to the genre. It’s actually a mixed bag of different genres. It’s a light-erotic thriller with a dash of horror. For experienced horror enthusiasts, the horror part will be slightly disappointing. You could describe it as an ultra-light version of “I spit on your grave“. But without explicit visual material and a wide variety of horrifying revenge actions. And from the beginning of the film till roughly halfway, it’s a mild drama where you are introduced to the most important protagonists. Charlotte, a talented cellist who, after years of absence (taking care of her sick mother), seeks contact again with her former music teacher Anton (Steven Weber) and his wife Paloma (Alaina Huffman). But especially the meeting with the new star of the academy, cellist Lizzie (Logan Browning), is causing some stir. First of all, you can feel the competition between the two cellists whose finger-fastness and sensitive handling of the fiddlestick create magical sounds the moment they squeeze a cello between their knees. As these two, not bad-looking classical musicians spend more time together, the sexual tension between them increases. And before they know it, they make use of the skills they use while playing the cello, when they are all over each other when lying naked under the sheets.

 

The Perfection

 

It’s not perfect but still.

Once this introduction took place and the two lovebirds are sitting on a local bus on their way to some small town in China, the film goes in a higher gear. The frivolous atmosphere makes way for exciting situations and horror elements. It feels rather mysterious. Even the rewind moments won’t really clarify it. On the one hand, I thought this technique was kind of an original approach. On the other hand, it seemed rather pedantic. Let’s say something about acting. There’s actually nothing negative to announce. You can safely state that the two main characters almost reach perfection when it’s about that. The chemistry between the two girls is realistic. The different moods that they struggle through are convincing. Steven Weber and Alaina Huffman also fit perfectly into their role. An illustrious couple consisting of dark personalities. Perhaps it seems as if they have mixed a number of different genres and it feels as if they didn’t know which direction to go. But it never gets boring. No, “The Perfection” is certainly not perfect. But it wasn’t very far from perfection.

You can watch “The Perfection” on Netflix now.

 

 

My rating 7/10
Links: IMDB

 

Action

Tenet | Official Trailer #2 – HD

Tenet is an upcoming action thriller film written and directed by Christopher Nolan and produced by Nolan and Emma Thomas. It stars John David Washington, Robert Pattinson, Elizabeth Debicki, Dimple Kapadia, Aaron Taylor-Johnson, Clémence Poésy, Michael Caine, and Kenneth Branagh.

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Genre:

Action, Drama, Thriller

Release Date:

July 17, 2020

Director:

Christopher Nolan

Cast:

John David Washington, Robert Pattinson, Aaron Taylor-Johnson, Kenneth Branagh, Elizabeth Debicki, Michael Caine

Plot Summary:

Tenet is an upcoming action thriller film written and directed by Christopher Nolan and produced by Nolan and Emma Thomas. It stars John David Washington, Robert Pattinson, Elizabeth Debicki, Dimple Kapadia, Aaron Taylor-Johnson, Clémence Poésy, Michael Caine, and Kenneth Branagh.

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Drama

Inhuman Resources (Derapages) – Netflix Review

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From the football pitch to the small screen, from kicking a supporter to headbutting antagonists, Eric Cantona forever leaves a lasting impression, whether you’re cheering for him or not. In Inhuman Resources (Derapages in France), Cantona leads the line as Alain Delambre across six episodes, a former HR manager betrayed by the system, who fights to regain significant employment.

Having been a HR manager, with a family, purchased apartment etc. etc., Alain had it all in both his career and home life. But having been relegated to low-paid poor quality jobs for six years now, the apartment falling apart, and an almost hollow marriage, Alain is in the scrapheap. From riches to rags, a result of age discrimination. Regarded as a senior, Alain claims that employment bosses treat you as the, “Last to get hired, first to get laid-off,”. Wife Nicole (Suzanne Clement) brings forward a job opportunity, a HR role, but a depressed and broken-down Alain, despite being desperate beyond belief, has lost all faith and belief in his abilities. Having been forced to leave another inadequate job, Alain finds himself with no choice but to apply for this role.

Alain’s shot at redemption, however, entails much more than a sophisticated one-to-one interview or presentation, it instead requires a form of role-play…in the guise of pretend hostage taking. Essentially, Alain has to instruct and lead a unit, with the mission of pushing high-level employees to the limit, with the endgame being a display of who possesses the most loyalty amidst a nearby mass employee lay-off. What could possibly go wrong?

For the first few episodes of Inhuman Resources, the concept of the job and application process really drives the narrative and the tone. In fact, the research taken for the role establishes an overwhelming black comedic tone throughout, which timely coincides with viewers still getting used to Cantona as an actor. Of course, when the story and situations within the show transcend into a more serious nature, the tone and genre progresses too. The second half of the series is, essentially, a crime-thriller. When there is an attempt at being serious, it more or less hits the mark. Inhuman Resources is utterly brilliant.



As one would naturally expect, Cantona is the standout performer from the show. A clear progression from the self-service within Looking for Eric (2009) where he plays himself, Cantona’s acting chops are magnifique. A truly extraordinary performance of an extraordinary character. However, as interesting and brilliant the character of Alain may be, he is, unfortunately the only character of significance who doesn’t lack cliche, unlike the corporate suits led by Alex Lutz’ Alexandre Dofmann, with a hairstyle similar to that of Andre Rieu.

In the current climate where employment and job security are at an anxiety level higher than ever, Inhuman Resources feels like its relevance has been elevated significantly. Amid its dual nature of black comedy and crime, there is a serious social commentary at the heart of the series that goes beyond Parisian culture, therefore resulting in the establishment of a thought-provoking viewing at international level. The Ziad Doueiri directed – based-on-a-true-story – series is now available in full on Netflix.

Rating: 4/5

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Drama

Da 5 Bloods | Official Trailer – HD

From Academy Award® Winner Spike Lee comes a New Joint: the story of four African-American Vets — Paul (Delroy Lindo), Otis (Clarke Peters), Eddie (Norm Lewis), and Melvin (Isiah Whitlock, Jr.) — who return to Vietnam. Searching for the remains of their fallen Squad Leader (Chadwick Boseman) and the promise of buried treasure, our heroes, joined by Paul’s concerned son (Jonathan Majors), battle forces of Man and Nature — while confronted by the lasting ravages of The Immorality of The Vietnam War.

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Genre:

Drama, War

Release Date:

June 12, 2020

Director:

Spike Lee

Cast:

Chadwick Boseman, Jean Reno, Paul Walter Hauser, Delroy Lindo, Jasper Pääkkönen, Clarke Peters, Van Veronica Ngo

Plot Summary:

rom Academy Award® Winner Spike Lee comes a new joint: the story of four African American Vets – Paul (Delroy Lindo), Otis (Clarke Peters), Eddie (Norm Lewis), and Melvin (Isiah Whitlock, Jr.) – who return to Vietnam. Searching for the remains of their fallen Squad Leader (Chadwick Boseman) and the promise of buried treasure, our heroes, joined by Paul’s concerned son (Jonathan Majors), battle forces of Man and Nature – while confronted by the lasting ravages of The Immorality of The Vietnam War.

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