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Genre:

Biography, Crime, Drama

Release Date:

May 12, 2020

Director:

Josh Trank

Cast:

Tom Hardy, Linda Cardellini, Matt Dillon, Kyle MacLachlan, Noel Fisher, Jack Lowden, Kathrine Narducci, Al Sapienza

Plot Summary:

The 47-year old Al Capone, after 10 years in prison, starts suffering from dementia and comes to be haunted by his violent past.

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Adventure

Enola Holmes | Very Much Worth A Watch

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Enola Holmes [Netflix]

‘Enola Holmes’ is one of those films that confirms my belief that I will never make a serious film critic. There will no doubt be people who will review this film pointing out the number of flaws, from the inaccurate backdrops to the overtly political messages (BLM and Feminism are all over this film, which personally made me love it more), but none of that concerns me. I thought it was terrific fun and enjoyed it immensely.

I watched this with my 12-year-old daughter who is probably slap bang in the demographic target audience of this film, and like me, she loved it. What is clear is that this is a career goal vehicle for star and producer Millie Bobby Brown, who is allowed to show off her considerable comic timing, her tough as nails action abilities and demonstrate an emotional side she has shown so well previously in three years of ‘Stranger Things,’ and you know what it works. She is a completely enchanting screen presence from the moment we meet her as she clumsily, comedically struggles to ride a bike across a field.

The constant breaking of the 4th wall with narrations and knowing winks to the camera may grate on a few, but I thought it added to the charm of the whole piece, nobody is taking this too seriously, and that surely is the point. Henry Cavill comes in as older brother Sherlock in casting that probably helped get the film made, with Cavill turning up occasionally as the reassuring presence in Enola’s life, but is generally given very little to do. Likewise, Helena Bonham Carter is a touch of familiarity but is sparsely used. The subplot involving the darker side of Bonham Carter’s Eudoria’s disappearance isn’t fully explored and is one of the lower aspects of the film.

The film itself isn’t all slapstick, sweetness and light, Burn Gorman’s Linthorn is at the top end of sinister as a hired hitman who would have served as an equally terrifying adversary in one of older brother Sherlock’s adventures, and Sam Claflin has great fun as moustache-twirling “nasty” older brother Mycroft Holmes.

The film lags a little in the middle third which after the breakneck pace of the opening act is to be somewhat expected but picks up sufficiently for a more than satisfying conclusion.

Like most child stars, the true test is when that child becomes an adult, and Millie Bobby Brown has proved here that she has the presence and personality to be able to have a long and varied career. Only time will tell of course, but if nothing else this is a film that can be enjoyed for years to come. Great fun all round.

You can follow me on Twitter @DomHolder  and read some of my reviews on Letterboxd at letterboxd.com/DomH and read some more of my film blogs on dominicholder.wordpress.com/

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Action

The Silencing | Great Cinematography From A Low Budget Film

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I need to see that girl.
She could be my daughter.

 

It’s always nice to see how actors from a successful television series cope in a feature film. And especially if the genre is quite different from what they played in that series. Here Nikolaj Coster-Waldau makes a decent attempt to show that he has more to offer than playing a king’s son who prefers to perform gymnastic exercises with his sister between the sheets. His performance here is on a similar level to that of Jaime Lannister in “Game of Thrones”. Convincing enough, but not exactly of exceptional quality. A role that doesn’t annoy you. But every time you see his face somewhere, you have to think for a moment where you know that face from. This is also the case here in “The Silencing”. I was like, “Damn, where do I know this guy from?”. Only after fifteen minutes or so, I could figure it out.

 

 

Where there’s grief, there’s booze.

The Silencing” itself is of the same level. Certainly not a bad movie. But also not a movie that’ll blow you away. The story felt a bit incomplete to me. There were some improbabilities (not to say completely nonsensical decisions). And the denouement with the disclosure of the perpetrator and his motivation, I personally found a bit far-fetched. The film had something “Silence of the Lambs“-ish but then set in an extensive, forest-like nature reserve. An area managed by Rayborn Swanson (Nikolaj Coster-Waldau) that has been given the name “Gwen Swanson sanctuary”. A reference to his daughter who has been missing for 5 years. It’s a place where animals can live undisturbed and protected, far from hunters and poachers. Rayborn lives an isolated life far from the civilized world. A way to silently grief about the loss of his daughter. Usually by consuming liters of alcohol. A bit strange because that’s exactly what caused that disappearance.

 

 

There’s a serial killer on the loose.

The story gets a little bit more exciting the moment a serial killer comes into the picture. Someone who probably watched “The Hunt” too much. What follows, is a cat-and-mouse game with the participation of the local female sheriff Alice Gustafson (Annabelle Wallis, series-loving fans will recognize her from “Peaky Blinders”) who herself has her hands full with the stupidities her little brother Brooks (Hero Fiennes Tiffin), a drug addict with a traumatic past.

 

 

Ridiculous things.

Without a doubt, this could have been a much better, coherent movie, provided the script was changed a bit. It’s linked together with hooks and eyes. Full of coincidences and ridiculous twists. Decisions are made that are too ridiculous for words. Alice’s surprising action at one point is understandable on the one hand. But on the other hand completely unreal. And the indifference that those involved show afterward as if nothing had ever happened, made me frown for a moment. Rayborn’s paint pot trick seemed so absurd and stupid that I spontaneously burst out laughing. Not exactly applicable to a serious thriller about a serial killer.

 

Mediocrity rules.

The Silencing” isn’t so great. A mediocre piece of movie. Actually, you could say that you’ve seen it all before in other movies. And much better movies too. Cinematographically it looks professional (despite the low budget) and the general mood is also good. But, when you love watching exciting flicks with nerve-racking suspense, you’ll be disappointed. The only thing I can’t say anything wrong about is Nikolaj Coster-Waldau’s acting. Solid and constant. Just like in “Game of Thrones“. Again a pitiful persona. But I’m sure I won’t recognize him in his next feature. Once again.

 

 

My rating 5/10
Links: IMDB

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Crime

The Tax Collector | Official Trailer -HD

David Cuevas is a family man who works as a gangland tax collector for high ranking Los Angeles gang members. He makes collections across the city with his partner Creeper making sure people pay up or will see retaliation. An old threat returns to Los Angeles that puts everything David loves in harm’s way.

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Genre:

Crime, Drama, Thriller

Release Date:

August 7, 2020

Director:

David Ayer

Cast:

Shia LaBeouf, Lana Parrilla, Elpidia Carrillo, George Lopez, Chelsea Rendon, Karrie Martin, Jay Reeves, Rene Moran

Plot Summary:

David Cuevas is a family man who works as a gangland tax collector for high ranking Los Angeles gang members. He makes collections across the city with his partner Creeper making sure people pay up or will see retaliation. An old threat returns to Los Angeles that puts everything David loves in harm’s way.

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