What I want is not on you.
It’s in you.
It looks a bit like “Die Hard” in a hospital wing. Only the adamant John McClane has been replaced by the brave waitress Madison Taylor (Nicky Whelan) who has to save her own skin (and admittedly, that skin belongs to a beautiful, well-shaped body) while two mean-looking fellows are chasing her. And yes, the action hero par excellence, Bruce Willis, admired in days gone by for his contributions to action films and of course idolized during that period, is also present. This time, however, he’s not competing for the main prize as “Most valuable actor”. His contribution is quite limited and in the end you can say it’s insignificant. A negligible character who clearly has to drag himself through every scene while running behind the facts.
What’s wrong with Bruce?
What’s wrong with star actor Bruce Willis? The sympathetic actor of yesteryear, who during his heyday was able to transform every crap film into a blockbuster, is slowly but surely working on destroying his status. In recent years it seems as if he has consciously opted for bland, uninspired B-movies with a flimsy screenplay. When looking at the list of films, with him in a central role, that I’ve seen in recent years, there’s really nothing worthwhile to discover. The films “The Prince“, “Vice“, “Extraction“, “Precious Cargo“, “Marauders“, “First Kill“, “Acts of Violence” and “Reprisal” are all monstrosities of movies that aren’t even worth viewing. The only movie I liked was “Once Upon a Time in Venice”. It’s the only film in which Willis demonstrates an unforced enthusiasm. Apparently, being an actor is precious to Willis. However, I recommend that he makes the honorable decision himself and quietly use his hard-earned dollars to enjoy a well-earned vacation for the rest of his life. And it’ll spare most of the film fans a lot of annoyance.
It isn’t all that bad.
Anyway. So if you forget the lifeless contribution of Bruce Willis, ignore the many improbabilities, won’t see the ridiculousness in some situations, and accept the shameless copying of some corresponding situations from “Die Hard”, then this movie isn’t all that bad. Admittedly, there’s no longer a lot of credit left. And no doubt, lead actress Nicky Whelan deserves the remainder of this credit. Although it’s sometimes annoying to see how her condition can radically improve from one scene to the next. One moment she stumbles through a room while bleeding profusely. The next moment she seems alive and kicking again. Incidentally, I still don’t understand why the bullet wound wasn’t treated decently in this hospital immediately. Applying only an emergency bandage and waiting till after the weekend for someone to be present there to close up the wound, doesn’t seem a patient-friendly procedure to me.
Not without reason it’s an “On Demand”.
So as a whole, this isn’t a terrible movie (besides the disinterested and sleep-inducing acting of Willis. Can’t stress that enough times.). The idea of the incriminating bullet in Madison’s thigh is an original idea in itself. The concept of corrupt agents and the one-location idea, where the victim has to fight for her life, can’t be called very creative. This (and the resulting storyline) has been used countless times in better movies and television series. Also, the movie isn’t really intense or exciting either. Although Texas Battle (heck of an artist name) and Tito Ortiz aren’t school examples of actors, due to their impressive appearance and no-nonsense attitude they still provided the necessary entertainment. In short, despite its (limited number of) positive points, “Trauma Center” was already doomed to be offered as an “On Demand” film. If you are an avid Bruce Willis fan then, of course, you should watch this movie. Only I’m afraid he won’t rise in many fans their opinion.
My rating 5/10
Marvel / Disney + Release – WandaVision | Official Trailer 2
TV-Series Spinoff from the Marvel Cinematic Universe. Containing the characters Scarlet Witch/Wanda Maximoff and The Vision. Plot is unknown at the time.
Action, Adventure, Drama
Marvel | Disney
Paul Bettany, Elizabeth Olsen, Kat Dennings, Kathryn Hahn, Randall Park, Teyonah Parris, Shane Berengue
Final Fantasy XVI | Official Reveal Trailer – HD | PS5
Check out the debut trailer for FF16 (Final Fantasy XVI), revealed during the PS5 showcase in September 2020.
“The legacy of the crystals has shaped our history for long enough,”
The Silencing | Great Cinematography From A Low Budget Film
I need to see that girl.
She could be my daughter.
It’s always nice to see how actors from a successful television series cope in a feature film. And especially if the genre is quite different from what they played in that series. Here Nikolaj Coster-Waldau makes a decent attempt to show that he has more to offer than playing a king’s son who prefers to perform gymnastic exercises with his sister between the sheets. His performance here is on a similar level to that of Jaime Lannister in “Game of Thrones”. Convincing enough, but not exactly of exceptional quality. A role that doesn’t annoy you. But every time you see his face somewhere, you have to think for a moment where you know that face from. This is also the case here in “The Silencing”. I was like, “Damn, where do I know this guy from?”. Only after fifteen minutes or so, I could figure it out.
Where there’s grief, there’s booze.
“The Silencing” itself is of the same level. Certainly not a bad movie. But also not a movie that’ll blow you away. The story felt a bit incomplete to me. There were some improbabilities (not to say completely nonsensical decisions). And the denouement with the disclosure of the perpetrator and his motivation, I personally found a bit far-fetched. The film had something “Silence of the Lambs“-ish but then set in an extensive, forest-like nature reserve. An area managed by Rayborn Swanson (Nikolaj Coster-Waldau) that has been given the name “Gwen Swanson sanctuary”. A reference to his daughter who has been missing for 5 years. It’s a place where animals can live undisturbed and protected, far from hunters and poachers. Rayborn lives an isolated life far from the civilized world. A way to silently grief about the loss of his daughter. Usually by consuming liters of alcohol. A bit strange because that’s exactly what caused that disappearance.
There’s a serial killer on the loose.
The story gets a little bit more exciting the moment a serial killer comes into the picture. Someone who probably watched “The Hunt” too much. What follows, is a cat-and-mouse game with the participation of the local female sheriff Alice Gustafson (Annabelle Wallis, series-loving fans will recognize her from “Peaky Blinders”) who herself has her hands full with the stupidities her little brother Brooks (Hero Fiennes Tiffin), a drug addict with a traumatic past.
Without a doubt, this could have been a much better, coherent movie, provided the script was changed a bit. It’s linked together with hooks and eyes. Full of coincidences and ridiculous twists. Decisions are made that are too ridiculous for words. Alice’s surprising action at one point is understandable on the one hand. But on the other hand completely unreal. And the indifference that those involved show afterward as if nothing had ever happened, made me frown for a moment. Rayborn’s paint pot trick seemed so absurd and stupid that I spontaneously burst out laughing. Not exactly applicable to a serious thriller about a serial killer.
“The Silencing” isn’t so great. A mediocre piece of movie. Actually, you could say that you’ve seen it all before in other movies. And much better movies too. Cinematographically it looks professional (despite the low budget) and the general mood is also good. But, when you love watching exciting flicks with nerve-racking suspense, you’ll be disappointed. The only thing I can’t say anything wrong about is Nikolaj Coster-Waldau’s acting. Solid and constant. Just like in “Game of Thrones“. Again a pitiful persona. But I’m sure I won’t recognize him in his next feature. Once again.