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Inhuman Resources (Derapages) – Netflix Review



From the football pitch to the small screen, from kicking a supporter to headbutting antagonists, Eric Cantona forever leaves a lasting impression, whether you’re cheering for him or not. In Inhuman Resources (Derapages in France), Cantona leads the line as Alain Delambre across six episodes, a former HR manager betrayed by the system, who fights to regain significant employment.

Having been a HR manager, with a family, purchased apartment etc. etc., Alain had it all in both his career and home life. But having been relegated to low-paid poor quality jobs for six years now, the apartment falling apart, and an almost hollow marriage, Alain is in the scrapheap. From riches to rags, a result of age discrimination. Regarded as a senior, Alain claims that employment bosses treat you as the, “Last to get hired, first to get laid-off,”. Wife Nicole (Suzanne Clement) brings forward a job opportunity, a HR role, but a depressed and broken-down Alain, despite being desperate beyond belief, has lost all faith and belief in his abilities. Having been forced to leave another inadequate job, Alain finds himself with no choice but to apply for this role.

Alain’s shot at redemption, however, entails much more than a sophisticated one-to-one interview or presentation, it instead requires a form of role-play…in the guise of pretend hostage taking. Essentially, Alain has to instruct and lead a unit, with the mission of pushing high-level employees to the limit, with the endgame being a display of who possesses the most loyalty amidst a nearby mass employee lay-off. What could possibly go wrong?

For the first few episodes of Inhuman Resources, the concept of the job and application process really drives the narrative and the tone. In fact, the research taken for the role establishes an overwhelming black comedic tone throughout, which timely coincides with viewers still getting used to Cantona as an actor. Of course, when the story and situations within the show transcend into a more serious nature, the tone and genre progresses too. The second half of the series is, essentially, a crime-thriller. When there is an attempt at being serious, it more or less hits the mark. Inhuman Resources is utterly brilliant.

As one would naturally expect, Cantona is the standout performer from the show. A clear progression from the self-service within Looking for Eric (2009) where he plays himself, Cantona’s acting chops are magnifique. A truly extraordinary performance of an extraordinary character. However, as interesting and brilliant the character of Alain may be, he is, unfortunately the only character of significance who doesn’t lack cliche, unlike the corporate suits led by Alex Lutz’ Alexandre Dofmann, with a hairstyle similar to that of Andre Rieu.

In the current climate where employment and job security are at an anxiety level higher than ever, Inhuman Resources feels like its relevance has been elevated significantly. Amid its dual nature of black comedy and crime, there is a serious social commentary at the heart of the series that goes beyond Parisian culture, therefore resulting in the establishment of a thought-provoking viewing at international level. The Ziad Doueiri directed – based-on-a-true-story – series is now available in full on Netflix.

Rating: 4/5


The Untouchables – A Retrospective Look



I watched this in honour of Sean Connery who sadly passed away the day before. It must be 10 years since I have watched this, and I had forgotten how brilliant it actually was.

What is often overlooked with ‘The Untouchables’ is just how emotional it is in parts, from Ness (Kevin Costner) meeting the mother of a girl blown up by a cafe bomb to the touching climax between Ness and Stone (Andy Garcia). It is a film that is genuinely upsetting to see the end, you would be quite happy to spend more time with these people.

It is also undoubtedly a film about friendship and that is where the late great Sean Connery stands out from the cast. As supposedly past it beat cop Malone, he strikes as a man of lonely isolation, just trying to get through every shift alive. He is at first suspicious of Ness but soon warms to what Ness is trying to achieve and there the bond between the two starts. Malone’s relationship with Stone gets off to a less auspicious start but by the end of the film, the relationship produces one final emotional wallop that we all deeply feel. Throw in accountant Oscar Wallace, played for the comic relief by Charles Martin Smith and we have four disparate men bonding over their end goal, to catch and see justice brought again crime lord Al Capone, (played with menace by Robert DeNiro).

There is so much to admire here, some of the setpieces are simply astonishing, the stakeout and subsequent battle on the Canadian border are sensationally choreographed, and a homage to the Odessa Steps sequence from Battleship Potemkin is nerve shreddingly executed. The violence is brutal and shocking at times and as stated previously the deaths are graphic and in one particular case deeply moving.

Kevin Costner was a star on the rise at this point, with big hits like ‘Field of Dreams,’ ‘Dances With Wolves,’  ‘JFK’ and ‘Robin Hood’ to come, he is excellent as the clean-cut family man Ness. A young Andy Garcia is impressive as the sharpshooting Stone, but this is Connery’s film. It’s an exceptional performance filled with guile, wisdom and what is apparent from the get-go, anger. He would win an Academy Award for this film and few could argue against it.

Its an incredibly neat and tidy film, it never outstays its welcome or gets too bogged down in courtroom showdowns. It’s gritty and powerful and a reminder of just how good an actor and phenomenal screen presence Connery was. It doesn’t get much better than this.

This review is dedicated to the memory of Sir Sean Connery 25/8/1930 – 31/10/2020 – A true screen icon

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On the Rocks (2020)



You know what’s great about her?
She doesn’t talk. She just listens.
That sounds perfect for you.


Life is full of unexpected turns. As an 18-year-old, I rented the adult cartoon “Tarzoon: Shame of the Jungle” just for fun. Probably because of the titillating vamp on the cover, lying naked on a huge platter and carried by figures that looked like penises. No one could suspect that a voice actor in this cartoon would become one of my most popular actors. If there’s one comedian who manages to make me chuckle without any problem, it’s Bill Murray. Like in “Stripes” and “Ghostbusters”. Or the incomparable film “Groundhog Day”. However small his role may be in a feature film, he always manages to create an unforgettable scene, such as in “Zombieland” for example. Put Murray in a horror, and his typical way of acting makes it a completely different experience. Just watch “The dead don’t die” and you’ll know what I mean. In short, a versatile actor who takes a film to a higher level with his contribution.



Lost in Translation.

This year I came to the conclusion that I had never seen the movie “Lost in translation”. A film directed by Sofia Coppola (daughter of) with Bill Murray and the very young Scarlett Johansson in the leading roles. Even though there was something slightly comical lurking beneath the surface of this film, the subject matter was far from comical. A film about two individuals who are right in the middle of an identity crisis. A film about love and loneliness. Loneliness not only because of the life situation they both find themselves in, but also because of the fact that they are in a country where they don’t understand the language, culture, and general way of life. Two lost souls who discover, sense, and encourage each other. I admit, I was moved after seeing this masterful film. Finally, after a long time a film that rocked my socks off. A thought-provoking film that’ll resonate for a pretty long time. Yes, some movies do that to me.



A wild search for the truth.

And then 17 years after the release of this magisterial film, we get a renewed collaboration between Sofia Coppola and Bill Murray. “On the Rocks” is not as magical as “Lost in Translation“. But somewhere deeply hidden it does have points of contact with the latter. Here, too, Laura (Rashida Jones) is in the middle of a crisis. Both in terms of her marriage and her writing career. The suspicion that her husband Dean (Marlon Wayans) just pretends to have lots of work since starting his own company, just to cover up an affair, grows stronger. And writing a new book isn’t easy either. The day she tells her father Felix (Bill Murray), a charismatic wealthy art dealer with an untameable flirtation habit, about her suspicions, he throws himself wholeheartedly into the case with full dedication. Before Laura realizes it, she is embroiled in a wild search for the truth.



Murray nails it.

On the rocks” isn’t such a depressing and melancholic story as “Lost in translation“. There’s more humor in it. How another mother at school tells Laura every morning about her love life. The interesting facts about human behavior and the evolution of relationships between men and women Felix tells about every time unexpectedly. The wild chase in a “not so suspicious-looking” red, noisy convertible through the streets of New York. Perhaps it’s rather light, uncomplicated humor. Still, it’s subtle at the same time. The chemistry between Laura and her father feels unforced and authentic. And this won’t come as a surprise: Bill Murray nailed it once more. He demands full attention every time he comes into the picture. His characteristic acting and the way in which he can charm random people with his smooth talk is simply superb. And it’s not just the female population that falls for his smooth-talking. The way he manages to turn a police officer’s mood from being reprimanding to being helpful is just sublime.


One more time.

“On the rocks” is about marital troubles, a complicated father-daughter relationship, and also about how people get lost in the turbulent and chaotic society in which they live. It’s not another masterpiece of Coppola, but surely it’s another successful cooperation between Coppola and Murray. I quietly hope that they will work together again in the future.

My rating 7/10
Links: IMDB

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The Craft: Legacy | Official Trailer – Sony Pictures

An eclectic foursome of aspiring teenage witches get more than they bargained for as they lean into their newfound powers.





Drama, Fantasy, Horror

Release Date:

October 27, 2020


Zoe Lister-Jones


Michelle Monaghan, Cailee Spaeny, David Duchovny, Gideon Aldon, Lovie Simone, Hannah Gordon, Nicholas Galitzine

Plot Summary:

An eclectic foursome of aspiring teenage witches get more than they bargained for as they lean into their newfound powers.

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