Sometimes you need to take a step back
and enjoy what you’ve accomplished, baby.
What an amusing movie this was. Such a movie you start watching and before you know it, the end credits roll across your screen. Even though the subject won’t get you very excited. The world of real estate and banking. A world populated with stiffs in perfectly fitting suits who prefer to juggle with repayment schedules and capitalization rates while using a jargon that a normal human can’t make heads or tails of. I sometimes have my doubts about whether they understand it thoroughly themselves. And the reason why it became an entertaining film is not only due to the packaging but also because of the Holy Trinity Anthony Mackie, Samuel L. Jackson, and Nicholas Hoult. A colorful (pun not intended) cast that effortlessly works through dialogues and plays so naturally that it seems as if they have been working together for years.
The racial issue.
In addition to the real estate market as a subject, there’s also the issue of racial discrimination that was still visible in the U.S. from the 50s. A black man who wants to settle in a white neighborhood wasn’t so obvious. Let alone that he could also take out a loan to buy and sell real estate in such a neighborhood. Hence the idea of Bernard (Anthony Mackie), a Texas-born African-American who is firmly convinced to succeed in his intent to make money from doing business rather than manual labor, to recruit Joe Morris (Samuel L. Jackson) as a business partner and use Matt Steiner (Nicholas Hoult) as a straw man. Well, they aren’t exactly ideal partners. The first is a flamboyant bon vivant and blabbermouth who comes across as an untrustworthy slick. And Matt is a hard worker with a good heart. Only he’s not really blessed with a top-level brain like Bernard.
A light-hearted first part.
The first half of the movie is the more light-hearted part. The start of the Bernard Empire and the process of turning Matt Steiner into a convincing businessman. For me, this was the most hilarious part. The golf lessons where Samuel L. Jackson excels as the extravagant golf teacher and the math part Bernard takes care of. The amusing discussion that Steiner had with a wealthy man while trying to buy his building, was the ultimate climax of this period of training. And when this first chapter is over and the gentlemen are gradually taking over the real estate market in California, the next chapter pops up. The more serious part of the movie.
Bernard’s second plan didn’t go as planned.
The first part not only showed how the two gentlemen managed to circumvent the discriminatory way of doing business in a devious way. It also showed how black people were deprived of the right to develop themselves in American society during that period. Loans and property sales were simply forbidden. Bernard’s plan to subsequently buy a bank in Texas, where segregation was still very much present, in order to support his black fellow man, is what you see in this tailpiece. Needless to say, this wasn’t a smooth operation.
“The Banker” is based on true facts and I believe it truly shows how it went in the U.S. and how people were deprived of decent housing. Perhaps Bernard Garrett intended to act as a benefactor and pave the way for African Americans. Maybe he was doing it out of self-interest, too, simply to prove to himself and his father that you could succeed if you firmly believe in it. Anyway, “The Banker” is a great movie with a serious part and a very entertaining part. But as I mentioned earlier, it’s the cast that takes the whole thing to a higher level. A must-see for sure.
‘The Banker,’ is now available on Apple TV+
PS. I wrote this a week ago. But due to the situation in the U.S. right now, this movie is even more current and confrontational than before.
My rating 8/10
Enola Holmes | Very Much Worth A Watch
‘Enola Holmes’ is one of those films that confirms my belief that I will never make a serious film critic. There will no doubt be people who will review this film pointing out the number of flaws, from the inaccurate backdrops to the overtly political messages (BLM and Feminism are all over this film, which personally made me love it more), but none of that concerns me. I thought it was terrific fun and enjoyed it immensely.
I watched this with my 12-year-old daughter who is probably slap bang in the demographic target audience of this film, and like me, she loved it. What is clear is that this is a career goal vehicle for star and producer Millie Bobby Brown, who is allowed to show off her considerable comic timing, her tough as nails action abilities and demonstrate an emotional side she has shown so well previously in three years of ‘Stranger Things,’ and you know what it works. She is a completely enchanting screen presence from the moment we meet her as she clumsily, comedically struggles to ride a bike across a field.
The constant breaking of the 4th wall with narrations and knowing winks to the camera may grate on a few, but I thought it added to the charm of the whole piece, nobody is taking this too seriously, and that surely is the point. Henry Cavill comes in as older brother Sherlock in casting that probably helped get the film made, with Cavill turning up occasionally as the reassuring presence in Enola’s life, but is generally given very little to do. Likewise, Helena Bonham Carter is a touch of familiarity but is sparsely used. The subplot involving the darker side of Bonham Carter’s Eudoria’s disappearance isn’t fully explored and is one of the lower aspects of the film.
The film itself isn’t all slapstick, sweetness and light, Burn Gorman’s Linthorn is at the top end of sinister as a hired hitman who would have served as an equally terrifying adversary in one of older brother Sherlock’s adventures, and Sam Claflin has great fun as moustache-twirling “nasty” older brother Mycroft Holmes.
The film lags a little in the middle third which after the breakneck pace of the opening act is to be somewhat expected but picks up sufficiently for a more than satisfying conclusion.
Like most child stars, the true test is when that child becomes an adult, and Millie Bobby Brown has proved here that she has the presence and personality to be able to have a long and varied career. Only time will tell of course, but if nothing else this is a film that can be enjoyed for years to come. Great fun all round.
Marvel / Disney + Release – WandaVision | Official Trailer 2
TV-Series Spinoff from the Marvel Cinematic Universe. Containing the characters Scarlet Witch/Wanda Maximoff and The Vision. Plot is unknown at the time.
Action, Adventure, Drama
Marvel | Disney
Paul Bettany, Elizabeth Olsen, Kat Dennings, Kathryn Hahn, Randall Park, Teyonah Parris, Shane Berengue
Dune – Official Trailer | Beyond Fear, Destiny Awaits
Adventure, Drama, Sci-fi
December 18, 2020
Timothee Chalamet, Zendaya, Jason Momoa, Rebecca Ferguson, Josh Brolin, Dave Bautista, Oscar Isaac
Paul Atreides leads nomadic tribes in a battle to control the desert planet Arrakis.