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Proximity: Is An Admirable Low-budget Sci-fi

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Paging ET, please phone home.

 

Proximity” had potential. The film partially redeemed this but then blatantly fails on a completely different level. With a film about alien abduction, there’s one particular expectation wherewith the film stands or falls. And that’s the look of the spacecraft with which those green men fly around. In many SF movies with the same subject, this is either shown only briefly. Or the design and special effects are so pitifully bad that you wished those alien tourists instantly have an engine problem and crash down with their ugly flying saucer. But when Isaac (Ryan Mason) early in the movie sees the spinning vehicle fly above him, I noticed his approving look. Not because he liked the design, but because his conviction was confirmed in this way. Me on the other hand, probably had an approving look because the spaceship looked really good. Unfortunately, this fact alone could not save the film.

 

Proximity

 

Slick movie.

Believe me. Cinematographically, this film looks slick. The used special effects clearly show that director Eric Demeusy is no novice. The experience he gained with “Tron: Legacy” as a 3D animator and other projects clearly paid off. So no blurry images with bad special effects. And no situations where you get the feeling that the spacecraft were hung on a silk threads to move them that way. Even the aliens looked fine and credible. So in terms of imaging, it’s okay. And this even during the entire film.

 

Proximity

 

Scotty, beam me up.

I also found the story promising in the beginning. Nerdy looking Isaac (Ryan Masson) who’s convinced aliens exist and looks at computer screens every day to watch bleeps from satellites, almost faints when one day, during a bike ride, a silver flying saucer flies over him. Lucky he has a camera (Betamax model) with him to film the event. He can even capture a “close encounter” with a real Martian. Next, he’s beamed up (just like a genuine Enterprise crew member) and awakens somewhere in a field. Unharmed but with a gigantic 3-day hole in his memory. What follows is a chaotic period for Isaac. A period in which he tries to make clear to the world that he was kidnapped by aliens. And then we get a perfect demonstration of how things are in our society today. One day you’ll be hailed and adored. The next day you are booed, razed to the ground, and buried under reproaches and incriminating allegations.

 

Proximity

 

Uh, what happened to the story?

Till here, the story was still amusing and interesting. The hassle of uploading the video and the subsequent reactions and comments. The invitation by a television program and the disappointment by Isaac. The fuss that arises on the internet and then Isaac’s search for fellow victims and like-minded people. It felt “Goonies” -like and reminiscent of the bygone days when Spielberg scored high with his SF films about “close encounters”. There was even an “E.T.” joke used by the two nerds in the lab. And then halfway through, the film gets a completely absurd twist. “Men in Black” clones suddenly show up. And the film suddenly takes on Star Wars allures. Together with the beautiful Sara (Highdee Kuan), a fellow girl who has experienced something similar, Isaac flees from a mysterious government agency. Zed (Christian Prentice), the phenomenon in Costa Rica, was the most hilarious part of the movie. This whizzkid owns a treehouse in the middle of the jungle (Yeah really!) where he hacks NASA servers. How he can have a connection with the internet there, is a mystery to me. I sometimes have poor reception in my kitchen here. And I’m certain I’m living in that part of the world that’s civilized enough to make sure it’s top-notch. In any case, the story becomes increasingly nonsensical by the minute. Not to mention the denouement where the aliens reveal what they are looking for on earth. Completely laughable.

 

Proximity

 

Admirable low-budget SciFi.

All in all, it’s admirable what they’ve achieved in this low-budget SF. In terms of footage and imagery, the film is simply overwhelming. The special effects look fantastic. There’s also little to complain about the acting itself. Masson’s acting is almost perfect. Highdee Kuan is a perfect addition. And the character Zed is highly entertaining. But unfortunately, it’s especially the storyline that’s below par. I suggest Demeusy hires a professional scriptwriter the next time to support his professional-looking visuals.

 

 

My rating 4/10
Links: IMDB

Adventure

Enola Holmes | Very Much Worth A Watch

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Enola Holmes [Netflix]

‘Enola Holmes’ is one of those films that confirms my belief that I will never make a serious film critic. There will no doubt be people who will review this film pointing out the number of flaws, from the inaccurate backdrops to the overtly political messages (BLM and Feminism are all over this film, which personally made me love it more), but none of that concerns me. I thought it was terrific fun and enjoyed it immensely.

I watched this with my 12-year-old daughter who is probably slap bang in the demographic target audience of this film, and like me, she loved it. What is clear is that this is a career goal vehicle for star and producer Millie Bobby Brown, who is allowed to show off her considerable comic timing, her tough as nails action abilities and demonstrate an emotional side she has shown so well previously in three years of ‘Stranger Things,’ and you know what it works. She is a completely enchanting screen presence from the moment we meet her as she clumsily, comedically struggles to ride a bike across a field.

The constant breaking of the 4th wall with narrations and knowing winks to the camera may grate on a few, but I thought it added to the charm of the whole piece, nobody is taking this too seriously, and that surely is the point. Henry Cavill comes in as older brother Sherlock in casting that probably helped get the film made, with Cavill turning up occasionally as the reassuring presence in Enola’s life, but is generally given very little to do. Likewise, Helena Bonham Carter is a touch of familiarity but is sparsely used. The subplot involving the darker side of Bonham Carter’s Eudoria’s disappearance isn’t fully explored and is one of the lower aspects of the film.

The film itself isn’t all slapstick, sweetness and light, Burn Gorman’s Linthorn is at the top end of sinister as a hired hitman who would have served as an equally terrifying adversary in one of older brother Sherlock’s adventures, and Sam Claflin has great fun as moustache-twirling “nasty” older brother Mycroft Holmes.

The film lags a little in the middle third which after the breakneck pace of the opening act is to be somewhat expected but picks up sufficiently for a more than satisfying conclusion.

Like most child stars, the true test is when that child becomes an adult, and Millie Bobby Brown has proved here that she has the presence and personality to be able to have a long and varied career. Only time will tell of course, but if nothing else this is a film that can be enjoyed for years to come. Great fun all round.

You can follow me on Twitter @DomHolder  and read some of my reviews on Letterboxd at letterboxd.com/DomH and read some more of my film blogs on dominicholder.wordpress.com/

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Marvel / Disney + Release – WandaVision | Official Trailer 2

TV-Series Spinoff from the Marvel Cinematic Universe. Containing the characters Scarlet Witch/Wanda Maximoff and The Vision. Plot is unknown at the time.

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Genre:

Action, Adventure, Drama

Release Date:

2020

Director:

Marvel | Disney

Cast:

Paul Bettany, Elizabeth Olsen, Kat Dennings, Kathryn Hahn, Randall Park, Teyonah Parris, Shane Berengue

Plot Summary:

TV-Series Spinoff from the Marvel Cinematic Universe. Containing the characters Scarlet Witch/Wanda Maximoff and The Vision. Plot is unknown at the time.

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Action

Dune – Official Trailer | Beyond Fear, Destiny Awaits

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Genre:

Adventure, Drama, Sci-fi

Release Date:

December 18, 2020

Director :

Denis Villeneuve

Cast:

Timothee Chalamet, Zendaya, Jason Momoa, Rebecca Ferguson, Josh Brolin, Dave Bautista, Oscar Isaac

Plot Summary:

Paul Atreides leads nomadic tribes in a battle to control the desert planet Arrakis.

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